Feds collect dead eagles to help Native traditions

BY ASSOCIATED PRESS
04/05/2010 07:40 AM
ANCHORAGE, Alaska (AP) — The bald eagle may be America's emblem, but the birds are susceptible to the same dangers as the average crow. Each year, thousands of bald eagles are hit by cars, electrocuted and accidentally poisoned.

But unlike crows or any other bird in America, the U.S. government takes a special interest in what happens to these birds after they die.

This is where Steve Smith, maybe the only person in Alaska legally allowed to keep a freezer full of dead bald eagles, comes in.

The U.S. Fish and Wildlife officer is in charge of a salvage effort to collect dead bald and golden eagles and send them to an obscure federal agency called the National Eagle Repository.

On this morning, the freezer, housed in a Fish and Wildlife facility near the Anchorage airport, contains one half-dozen bald eagles wrapped carefully in black garbage bags. One is from the Kenai Peninsula town of Soldotna, another from the Aleutian fishing outpost of Dutch Harbor. Smith will prepare them in airtight packaging to be sent to the Colorado repository. He takes his duty to the national bird seriously.

"Living or dead, I treat them with great respect and care," he says.

Since the 1970s, the U.S. Fish and Wildlife Service has quietly collected, processed and distributed dead eagles via the repository in an effort to balance conservation efforts with helping Native American tribes continue traditional practices.

At the Commerce City, Colo., agency birds are processed and then distributed to members of federally-recognized tribes who have applied for whole birds, parts or feathers for use in religious and cultural ceremonies. Some tribes have criticized the repository, saying it takes too long to get the birds. The wait for the most requested item, a whole bald eagle, can take up to three years. The average wait for feathers is more than one year.

The Fish and Wildlife's salvage operations take place in every state where bald eagles are found. But maybe nowhere is busier than Alaska — the only U.S. Fish and Wildlife Service designated region that's made up of a single state.

During the 2008-2009 year, Alaska contributed 163 salvaged bald eagles to the repository. By contrast, a region made up of the Rocky Mountain States plus the Dakotas, Utah, Nebraska and Kansas contributed 162 birds.

Alaska has the largest concentration of bald eagles in the country — almost half the total population. In the southeastern Alaska town of Haines, up to 3,000-4,000 eagles gather along the Chilkat River's salmon run during October to December, when the town holds its annual "Bald Eagle Festival."

Smith gets calls almost every day about eagles — both dead and injured — that are coming in to Anchorage. On this sunny late winter day, he's on his way to a regional air carrier's cargo offices to pick up a few birds.

"We take them no matter what condition they're in — if they're on the side of the road for a while, if some animal has been chewing on it, we take all of them," he says. Many of the birds salvaged by Smith are flown in (all the state's air carriers allow injured eagles to fly for free; dead eagles are shipped as paid cargo) from remote areas.

More and more, Smith also receives injured eagles, who are rushed to a local bird rescue nonprofit for treatment and rehabilitation. Since starting the job in October, 40 injured eagles have been sent to Anchorage, but not all survived.

The birds usually come in one at a time — struck by cars, electrocuted — but occasionally arrive after a massive incident. A few years ago an Ocean Beauty Seafoods truck in Kodiak pulled out of a parking lot carrying an uncovered load of fish slime. In seconds, 50 nearby eagles dove in, attracted to the smell. Around 20 drowned in the goo; the rest flooded into Anchorage's Bird TLC emergency room for treatment.

"They just started pulling eagles out and sorting them into piles of living and dead," says Cindy Palmatier, who runs avian rehabilitation services at the Anchorage nonprofit.

Another mass bald eagle death occurred last winter, when an avalanche at the Dutch Harbor city dump killed 12 eagles. One survivor was sent to Anchorage and quickly worked her way into the heart of Smith, who calls the convalescing bird "Avalanche Girl."

Dealing with dead eagles every day can be grim, Smith says, but increasingly successful — rescues and the knowledge that dead birds' parts and feathers are going to be used comfort him.

On weekends, when Smith disappears into the valleys and hiking trails around Anchorage he occasionally spots a bald eagle from afar.

"I'm always happy when I see them in the wild and they're healthy and happy," he says. "I watch them and think, don't screw this up."

Culture

BY STAFF REPORTS
02/10/2017 12:00 PM
LONGMONT, Colo. – First Nations Development Institute, a national Native American nonprofit organization that works to improve Native economies and communities, on Feb. 2 announced it has received a $2.7 million grant for a three-year Native arts project. This award will position First Nations to expand its Native Arts Initiative, formerly known as the “Native Arts Capacity Building Initiative,” into 2019. Launched in early 2014, the purpose of the Native Arts Initiative is to support the perpetuation and proliferation of Native American arts, cultures and traditions as integral to Native community life. It does this by providing organizational and programmatic resources to Native-led organizations and tribal government programs that have existing programs in place that support Native artists and traditional arts in their communities. Since 2014, First Nations has awarded more than $600,000 in grant funds to various eligible Native-led nonprofit organizations and tribal programs in Minnesota, North Dakota, South Dakota and Wisconsin to bolster the sustainability of their organizational and programmatic infrastructure as well as the professional development of their staff and leadership. Under the expansion, First Nations will continue to offer competitive funding opportunities to Native-led nonprofit organizations and tribal programs in Minnesota, North Dakota, South Dakota and Wisconsin. First Nations will begin to offer competitive funding opportunities to Native-led nonprofit organizations and tribal programs in two new regions – the Southwest, including Arizona, New Mexico and Southern California, and the Pacific Northwest, including Washington and Oregon. First Nations expects to release a request for proposals in the coming days and will award approximately 45 Supporting Native Arts Grants of up to $32,000 each over the next three years to eligible Native-led nonprofits and tribal government programs in these regions. NAI recipient organizations and programs will utilize their grants to strengthen their organizational and programmatic infrastructure and sustainability, which will reinforce their support of the field of Native American artists as culture bearers and traditional arts in their communities. In addition to financial support, the NAI will offer individualized training and technical assistance opportunities for grantees as well as competitive professional development opportunities for staff members of eligible Native-led organizations and tribal programs. For a list of current and former NAI grantees, visit <a href="http://www.firstnations.org" target="_blank">http://www.firstnations.org</a>.
BY STAFF REPORTS
02/09/2017 04:00 PM
PARK HILL, Okla. – The 46th annual Trail of Tears Art Show is set to run from April 8 through May 6 at the Cherokee Heritage Center with categories including painting, sculpture, pottery, basketry, graphics, jewelry and miniatures. Artists will compete for more than $15,000. Artists must be a citizen of a federally recognized tribe to enter the show. A submission fee of $10 is charged per entry and entries must be submitted to callie-chunestudy@cherokee.org by 5 p.m. on March 15. Artists who wish to enter their works should submit photographs of their completed works, an entry form and the fee. These items must be submitted at the same time or the entry will be disqualified. A list of accepted artwork will be posted on March 22 on the CHC website. An awards reception is set for 6 p.m. on April 7 to recognize winners in each category. The Trail of Tears Art Show began in 1972 as a means of fostering the development of painting as a form of expressing Native American heritage. Initiated before the completion of the museum, the art show was held in the rain shelter of the Tsa-La-Gi Theater. In 1975, it became the first major exhibition in the present museum. The CHC is located at 21192 S. Keeler Drive. For more information, call 1-888-999-6007 or visit <a href="http://www.cherokeeheritage.org" target="_blank">www.cherokeeheritage.org</a>.
BY STAFF REPORTS
02/05/2017 10:00 AM
PARK HILL, Okla. – Native American youths are invited to participate in the 2017 Cherokee Art Market Youth Competition and Show, scheduled for April 8 through May 6. All artists must be citizens of a federally recognized tribe, in grades sixth through 12, and are limited to one entry per person. There is no fee to participate in the competition. Entries will be received between 10 a.m. and 5 p.m. on March 31 at the Cherokee Heritage Center. All submissions must include an entry form attached to the artwork, an artist agreement form and a copy of the artist’s Certificate Degree of Indian Blood card or tribal card. Artwork will be evaluated by division and grade level. Awards include Best in Show: $250; first place: $150; second place: $125; and third place: $100. The Best in Show winner will also receive a free booth in October at the Cherokee Art Market. A reception will be held at 6 p.m. on April 7 at the CHC in conjunction with the 46th annual Trail of Tears Art Show. Winning artwork will remain on display throughout the duration of the Cherokee Art Market Youth Show, ending May 9. Cherokee Nation Cultural Tourism is hosting the Cherokee Art Market Youth Competition. For more information, call Deborah Fritts at 918-384-6990 or email <a href="mailto: cherokeeartmarket@cnent.com">cherokeeartmarket@cnent.com</a>. The CHC is located at 21192 S. Keeler Drive.
BY ASSOCIATED PRESS
02/03/2017 04:00 PM
OKLAHOMA CITY (AP) – Museum officials said construction of the American Indian Cultural Center & Museum in Oklahoma City may resume as soon as this fall after a decades-long effort to create it. Fundraisers have collected $10.8 million in private donations, the Oklahoman reported. Fundraisers said they’ve collected enough funds to complete and open the museum, as outlined in a 2015 state law. Museum officials approved a plan to allow the acceptance of the donated money and give Executive Director Blake Wade authority to deposit the money in a state “completion fund.” According to Oklahoma City attorney John Michael Williams, depositing the private donations would start the process of issuing state bonds. He said the process would take four to five months. “I predict construction, if things go routinely, construction would start in October,” he said. The private donations are the first installment of the state’s $25 million pledge of matching funds to finish the museum. The cost to complete the museum is estimated to be at least $65 million. “This is a milestone resolution, a milestone day,” Williams said. The inside of the 162,000-square-foot museum remained mostly unfinished when construction came to a halt five years ago due to insufficient state funding, with the exterior of the museum nearly finished. In 2015, Oklahoma City leaders and the Chickasaw Nation partnered to complete and open the museum. Their partnership also includes the development of surrounding commercial property. Currently, the board includes $876,000 into its annual expenses to maintain the facility, secure the site and preserve warranties.
BY STAFF REPORTS
01/30/2017 12:15 PM
TAHLEQUAH, Okla. – Cherokee Nation Cultural Tourism will host cultural classes to learn the art of making traditional pucker-toe moccasins. The Saturday workshops are scheduled from 10 a.m. to 2 p.m. for March 11, July 15, Oct. 7 and Nov. 4 at the Cherokee National Prison Museum. Registration costs $35 and is available at <a href="http://www.cherokeegiftshop.com" target="_blank">www.cherokeegiftshop.com</a>. Early registration is recommended, as class size is limited to 15 people. All materials will be provided to make traditional pucker-toe moccasins, which were historically worn by the Cherokee people. Participants are asked to bring their own lunches. The Cherokee National Prison was the only penitentiary building in Indian Territory from 1875 to 1901. It housed sentenced and accused prisoners from throughout the territory. It is located at 124 E. Choctaw St. For more information, call 1-77-779-6977 or visit <a href="http://www.VisitCherokeeNation.com" target="_blank">www.VisitCherokeeNation.com</a>.
BY JAMI MURPHY
Senior Reporter – @cp_jmurphy
01/30/2017 08:00 AM
TAHLEQUAH, Okla. – Cherokee Nation citizens Twyla Spear and her mother, Jessie Jackson, often walk around the Whimsy House of Beads looking for that unique string of beads they hadn’t found yet and just enjoying time together. “My mom has always done beadwork and she wanted to come over here (Whimsy House of Beads) for a class, and I thought ‘OK I’ll take it with you.’ I’ve been coming ever since. My mom, she always has made pretty beadwork,” Spear said. Growing up, Spear said she didn’t take to beading like her mother, but remembers her mother beading all the time. She said her mother was always doing something with her hands. As she got older, Spear said she would crochet, but mainly focused on raising her children and never found the time to learn to bead. That all changed after taking that first beading class with her mother. Now Spear said she “loves it.” Spear said her mother continues to bead, and they both help each other when needed. “She still helps me with a lot of stuff and some stuff that I’ve learned, I help her,” she said. However, it’s the time spent with her mom that she enjoys the most about beading, she said. “It’s just fun beading with her. She’s 82, and she’s not going to be around here forever, but I’m enjoying it now that I’m doing it.” Although taking the class was something fun to do with her mother at first, the beading became a hobby. Now it’s a full-blown “obsession,” she said, one she can make money at to supplement her and her husband’s incomes. “I love doing it, but I’ve got a chance to get money,” she said. “I just enjoy blessing someone else (too). There’s lots of stuff I’ve given out.” The extra money she makes helps with odds and ends as well as buying more beads, she said. Spear said she tries to learn as much as she can by taking as many classes as she can. Her most recent item she’s learned to make is a hatband. She uses a homemade loom her brother made for her to bead hatbands for cowboy hats. Both Spear and her mother attended the “5 after 5” event on Jan. 19 at the Whimsy House of Beads. The business donated 10 percent of its purchases during the party to the Tahlequah Help-in-Crisis Organization. CN citizen Sally Williams, who taught Spear in her first class, said teaching is something that comes naturally to her, especially if she is well versed in what she talking about. She’s beaded for many years and always enjoys having students who excel like many of hers have. Students such as Twyla, she said, make a teacher proud to watch their students succeed. “She loves it. She’s just obsessed. She’s been doing it for a year and a half,” Williams said. Anyone interested in beadwork by Spears can call her at 479-287-8360. For more information on taking a class at Whimsy House of Beads, call 918-207-8539 or 918-431-0597. The shop is located at 204 E. Downing St. and is open from 11 a.m. to 5:30 p.m. Wednesday through Friday and from 11 a.m. to 3 p.m. on Saturday.