RSU hosts cultural enrichment day

BY JAMI MURPHY
Senior Reporter – @cp_jmurphy
04/06/2016 08:30 AM
CLAREMORE, Okla. – Rogers State University’s Native American Studies Program on March 5 hosted a cultural enrichment day where students and community members had the opportunity to make stickball sticks, stickball balls and traditional baskets.

Dr. Hugh Foley – a professor of fine arts at RSU, coordinator of the Native American Studies Program and Cherokee Promise scholar advisor – said it was the university’s 18th annual stickball and basket-making workshop. Foley said he works with Victor Wildcat, and adjunct Cherokee language instructor at RSU, who helps the participants make their crafts.

“I’ve known Victor for a long time, graduated Muskogee High together…He contacted me in the (19)90s. My class was on TV here at RSU… He said ‘hey we do stickball workshops. Want to do one at RSU?’ So we started doing it,” Foley said.

He added that his department reaches out to area schools and universities to offer them the opportunity to attend the cultural event.

“The most important thing is to continue these cultural traditions and life ways and hopefully instilling them in some young people who will be excited about them and want to continue on with them. There aren’t many opportunities like this around. It is free to the people that come here,” he said.
Cherokee Nation citizen Ty Martinez shows a pair of finished stickball sticks he made March 5 during a cultural enrichment day at Rogers State University in Claremore, Oklahoma. JAMI MURPHY/CHEROKEE PHOENIX Cherokee Nation citizen Kristen Thomas sews a ball used to play stickball during a cultural enrichment day on March 5 at Rogers State University in Claremore, Oklahoma. JAMI MURPHY/CHEROKEE PHOENIX
Cherokee Nation citizen Ty Martinez shows a pair of finished stickball sticks he made March 5 during a cultural enrichment day at Rogers State University in Claremore, Oklahoma. JAMI MURPHY/CHEROKEE PHOENIX

ᎦᎴᎼᎢ, ᎣᎦᎵᎰᎹ.– Rogers State University’s ᎠᏁᎯᏯ ᎠᎺᎵᎧ ᎤᎯᎦᏎᏍᏙᏗ ᎤᎾᏙᏢᎯ ᎾᎿ ᎠᏅᏱ ᎯᏍᎩᏁ ᎤᏂᏍᏆᎸᎡᎸ ᎾᏍᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗ ᎠᏂᏤᎲᏍᏗᏍᎬ ᎢᎦ ᎾᎿ ᏗᎾᏕᎶᏆᏍᎩ ᎠᎴ ᏍᎦᏚᎩ ᎠᏁᎳ ᎾᎥ ᏗᏁᎯ ᎤᎾᏟᏅᏓᏕᎸ ᏧᏃᏢᏗ ᏗᎳᏍᎦᎸᏙᏗ, ᎠᎳᏍᎦᎸᏙᏗ ᎠᎴ ᏗᏔᎷᏣ. Dr. Hugh Foley-- ᏩᎦᎸᎳᏗᏴ ᏧᏕᎶᏆᎥ ᎤᎦᏙᎲᏒ ᎾᎿ RSU, ᎠᏓᏅᏖᎵᏙ ᎾᏍᎩ ᎠᏁᎯᏯ ᎠᎺᎵᎧ ᏗᎦᏎᏍᏙᏗ ᎤᎾᏙᏢᏒ ᎠᎴ ᏣᎳᎩ ᎤᏂᏚᏍᏛ ᏧᎾᏕᎶᏆᏍᏙᏗ ᏗᏍᏕᎵᏍᎩ-- ᎤᏛᏅ ᎾᏍᎩ ᏧᎾᏕᎶᏆᏍᏗ ᏁᎳᏚᏏᏁᏃ ᏙᏛᏃᏢᏂ ᏗᎳᏍᎦᎸᏙᏗ ᎠᎴ ᎳᎷᏣ ᏚᏂᎸᏫᏍᏓᏁᎮᏍᏗ. Foley ᎤᏛᏅ ᏚᏂᎸᏫᏍᏓᏁᎰᎾᏍᎩ Victor Wildcat, ᎠᎴ ᎢᏧᎳ ᎾᏅᏁᎰ ᏣᎳᎩ ᎦᏬᏂᎯᏍᏗ ᏗᏕᏲᎲᏍᎩ ᎾᎿ RSU, ᎾᏍᎩᎾ ᎠᏍᏕᎵᏍᎪ ᎾᏍᎩᎾ ᎪᏢᏅᏅᎢ.

“ᎪᎯᎦ ᏥᏲᎵᎦ ᏂᎨᏐ Victor, ᎫᏐ ᎦᎸᎳᏗ ᏧᎾᏕᎶᏆᏍᏗ ᏙᎩᏂᏍᏆᏛ…… ᏓᏳᏟᏃᎮᏢ ᎾᎿ ᏐᏁᎳᏚ ᎢᏍᎪᎯᏧᏈ ᏐᏁᎳᏍᎪ ᏥᎨᏒᎢ. ᎾᎿ ᏕᎦᏕᏲᎲᏍᎬ ᎠᎾᏓᏴᎳᏛᏍᎬ ᎾᎿ RSU…… ᎤᏛᏅ ‘Ꭾ ᏗᎳᏍᎦᎸᏙᏗ ᏙᏦᏢᏍᎪᎢ. ᏣᏚᎵᏍ ᎤᏍᏆᎸᏗ ᎾᎿ RSU?’ ᎾᏍᎩᏃ ᎣᎦᎴᏅᎲᎢ ᏃᏣᏛᏁᎲᎢ,” ᎤᏛᏅ Foley.

ᎤᏁᏉᎥ ᎾᎿ ᏓᏕᏲᎲᏍᎬ ᎠᏙᏯᏅᎯᏗᏍᎪ ᎾᎿ ᏗᏐᎢ ᏧᎾᏕᎶᏆᏍᏗ ᎠᎴ ᏩᎦᎸᎳᏗᏴ ᏧᎾᏕᎶᏆᏍᏗ ᏓᏛᏛᎲᏍᎪ ᏳᎾᏚᎵ ᎤᏁᏓᏍᏗ ᎾᏍᎩ ᎠᏃᏢᏅᏍᎬᎢ.

“ᏭᎵᏍᎨᏗᏴ ᎯᎠ ᏂᎦᏯᎢᏐ ᎢᏳᎵᏍᏙᏗ ᎾᎿ ᎢᏳᎾᏛᏁᎵᏓᏍᏗ ᏄᏍᏛ ᎤᎾᏕᏅ ᏄᎾᏛᏁᎸ ᎠᎴ ᏄᏍᏛ ᎤᎾᏕᏅ ᎠᎴ ᎤᏃᎯᏳ ᎨᎳ ᏗᎾᏛᏍᎩ ᎤᏂᏍᏆᏂᎪᎯᏍᏗ ᎠᎴ ᎤᎾᏚᎵᏗ ᎤᏂᏫᏗ ᎤᎾᏕᎶᏆᏍᏗ ᎯᎠ. ᏞᏃ ᎤᎪᏓ ᏳᏙᏢ ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᎾᏕᎶᏆᏍᏗᎢ ᎠᎭᏂᏗᏢ. ᎠᏎᏊ ᎨᏐ ᎯᎠ ᎾᏍᎩᏊ ᏴᏫ ᏧᏂᎷᎯᏍᏗᎢ,” ᎠᏗᏍᎬᎢ.

ᏔᎵᏁ ᎢᏳᏍᏗ ᎾᎾᏛᏁᎲ, ᎤᏛᏅ, ᏧᎾᎵᎪᎯ, ᏗᏍᎦᏚᎩ ᎠᎴ ᏗᎾᏓᏘᏂᏙᎯ ᏓᏂᏏᎾᎲᏍᏗᏍᎪᎢ.

“ᏗᏏᎾᎲᏍᏙᏗ ᏗᎾᏕᎶᏆᏍᎩ ᎤᏃᏟᏍᏗ ᏕᏣᏂᎬᎬ ᎠᎾᏓᎵᏍᎪᎸᏗᏍᎩ ᎾᎿ ᏣᏤᎵ ᏍᎦᏚᎩ ᏓᏤᏢ ᎢᏳᎵᏍᏙᏗᎢ, ᎠᎴ ᎾᏍᎩᎾ ᏃᏣᏛᏁᎰᎢ ᎠᎴ ᎣᏍᏓ ᏃᏣᏛᏁᎰᎢ,” ᎠᏗᏍᎬ Foley.

Ty Martinez, ᏣᎳᎩ ᎠᏰᎵ ᎨᎳ ᎠᎴ ᏣᎳᎩ ᎤᏚᏍᏛ ᏧᏕᎶᏆᏍᏙᏗ, ᎤᏪᏅᏒ RSU ᎾᏍᎩ ᎤᎪᏛ ᎤᏕᎶᏆᏍᏗ ᎾᏍᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗ ᎨᏒ ᎢᎦ ᏂᏓᏳᏓᎴᏅ ᎤᏴᏢᎢ ᎧᎸᎬ ᎢᏗᏢ ᏍᎦᏚᎩ ᎦᎸᎳᏗ ᏧᎾᏕᎶᏆᏍᏗ ᎾᎿ ᏓᎵᏆ. ᎤᏛᏅ ᎾᏍᏗ ᎾᎾᏛᏁᎲ ᏚᏬᏢᏅ ᎠᏂᏣᎳᎩ ᏧᏃᏢᏗ ᏗᎳᏍᎸᏙᏗ.

“ᎣᎦᏓᏈᎬ ᏙᏣᏠᏍᎬ ᎣᎦᎵᎪᏒ ᎾᎿ ᏣᎳᎩ ᎠᏚᎢᏍᏛ ᏧᎾᏕᎶᏆᏍᏙᏗ. ᏙᎪᏢᏅ ᏗᏣᎳᎩ ᏗᎳᏍᎦᎸᏙᏗ. ᏑᏟᎶᏓ ᎠᎴ ᏔᎵ ᎢᏳᏟᎶᏓ ᏙᎩᏱᎵᏙᎸ ᏙᏥᏍᏛᎪᏍᎬ ᏚᏳᎪᏛ ᏂᏙᏨᏁᎲᎢ,” ᎠᏗᏍᎬ Martinez. “ᏙᎬ ᎨᏒ ᏔᎵᏁ ᏕᎪᏢᎾ ᎯᎠ ᏗᎳᏍᎦᎸᏙᏗ, ᎢᎬᏱ ᏥᏓᏬᏢᏅ ᎠᏥᎳ ᎤᏣᏍᎦᏘ ᏣᏩᏋᏔᏅ ᎠᎴ ᏣᎩᏲᏢᏅ ᎡᎳᏗ ᎠᎦᏘ. ᏄᏓᎴ ᏣᏋᏔ ᎠᏥᎳ ᎤᏣᏍᎦᏘ Ꮎ ᏐᎢ, ᎠᏎᏃ ᎣᏍᏓ ᏓᎩᏱᎸᎭ ᎯᎠ.”

ᎤᏛᏅᏃ ᎢᎬᏱ ᏧᏬᏢᏅ ᏧᏁᎸᏙᏗ ᎨᏎᏍᏗ, ᏔᎵᏁ ᏧᏬᏢᏅ ᏴᏫ ᏧᏂᎪᏩᏛᏗ ᎨᏎᏍᏗ. “ᎦᏓᏅᏖ ᏯᏆᏚᎵ ᎾᎿ ᎪᎱᏍᏗ ᏗᏆᏟᎶᏍᏙᏗ ᎾᏍᎩ, ᏃᎴᏱᎩ ᏧᎵᏏᎦ ᏱᏂᏓᏋᏁᎸ ᎠᎴ ᏴᏫ ᏧᏂᎪᏩᏛᏗ ᏱᏓᏆᏙᏌᏗ. Ꮭ ᏙᏯᏆᏅᏔ ᎢᏗᏋᏗᎢ.”

Martinez ᎠᏗᏍᎬ ᎬᏗᏍᎬ ᎤᎪᏛ ᏃᏊ ᎤᏃᏢᏅ ᎬᏔᏂᏓᏍᏗ ᎤᎪᏛ ᎠᎯᏗᎨ, ᎠᏎᏃ ᎤᎪᏓ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎾᏍᎩᎾ ᎠᏂᏏᏴᏫᎭ ᎦᏬᏢᏅᎢ.

“ᎣᎩᏍᏕᎵᏍᎬ ᎣᎦᏅᏓᏗᏍᏗ ᏄᎾᏛᏁᎸ ᎠᎴ ᏂᏚᏅᏁᎸᎢ ᎪᎯᎩ,” ᎠᏗᏍᎬᎢ.

RSU ᎤᎬᏫᏳᎯ Larry Rice ᎤᏛᏅ ᎠᎵᎮᎵᎬ ᏗᎾᏕᎶᏆᏍᎩ ᏂᎬ ᏂᏙᏓᏳᎵᎶᏒ ᎠᏂᏙᎲ ᎯᎠ ᎾᎾᏛᏁᎲᎢ.

“ᎢᎦ ᎣᏍᏓ ᎠᏜᏅᏓᏗᏍᎬ ᎯᎠ ᏯᏛᏗᎢ. ᏗᎦᏙᏍᏙᏗ ᏓᏃᏢᏍᎬ ᎯᎠ ᏗᎳᏍᎦᎸᏙᏗ ᏓᏃᏢᏍᎬᎢ, ᎠᏠᏯᏍᏗ ᏍᏆᏞᏍᏗ. ᎾᏍᎩᏍᏊ ᏗᎦᏙᏍᏙᏗ ᏔᎷᏣ ᏓᏃᏢᏍᎬᎢ. ᏗᏃᏢᏍᎩᏃ ᎠᎴ ᏯᎾᏛᏁᎯ ᎾᏍᎩ ᎠᏂᎳᏍᏓᏢ ᎢᏳᎾᏛᏗ ᎢᎦ ᎤᏍᏆᏂᎪᏓ,” ᎠᏗᏍᎬᎢ.

ᎾᎿ ᏅᏓᏕᏆ ᎧᎸ, RSU ᏚᎤᏍᏆᎸᎡᎵ ᏐᎢ ᎢᏳᎾᏛᏁᎵᏓᏍᏗ ᏛᎠᏍᏆᎸᎯ ᎢᏧᎳᎭ ᎾᎿ ᎠᏂᎯᏯ ᎠᎺᎵᎧ ᎢᏳᎾᏛᏁᎵᏓᏍᏗ ᏏᏅᏓ. ᎤᎪᏛ ᎠᏕᎶᎰᎯᏍᏗ, email hfoley@rsu.edu.

CN opens new Jay health clinic

BY SHEILA STOGSDILL
Special Correspondent
04/04/2016 04:00 PM
JAY, Okla. – Principal Chief Bill John Baker had a hard time holding back his emotions on April 1 during the grand opening of a new health center located at 859 E. Melton Dr.

“This is our most glorious clinic,” Baker said referring to the new 42,000-square-foot Sam Hider Health Center.

The $14 million state-of-the-art clinic, located north of Jay, features a basket weave design in the bricks on the building and in the sunshades surrounding the building. The new health center almost doubles the size of the former 27-year-old medical building located at 1015 Washbourne, which is 26,000 square feet.

“I believe we have the best health care in Indian Country,” Baker said. “We will soon have the best health care in the state of Oklahoma.”

The new Sam Hider Health Center is the fourth and final project completed under a $100 million health care capital improvement plan using casino profits.
Health Services Executive Director Connie Davis speaks at the April 1 grand opening of the Cherokee Nation’s new Sam Hider Health Center in Jay, Oklahoma. The $14 million facility is located at 859 E. Melton Drive. SHEILA STOGSDILL/SPECIAL CORRESPONDENT Cherokee Nation dignitaries cut the ribbon opening the new Sam Hider Health Center in Jay, Oklahoma. From left, in view, are Deputy Chief S. Joe Crittenden, Principal Chief Bill John Baker, Cherokee traditionalist Crosslin Smith, Health Services Executive Director Connie Davis and Tribal Councilor Joe Byrd. SHEILA STOGSDILL/SPECIAL CORRESPONDENT
Health Services Executive Director Connie Davis speaks at the April 1 grand opening of the Cherokee Nation’s new Sam Hider Health Center in Jay, Oklahoma. The $14 million facility is located at 859 E. Melton Drive. SHEILA STOGSDILL/SPECIAL CORRESPONDENT

ᏜᏱᎪ, ᎣᎦᎵᎰᎹ. – ᎤᎬᏫᏳᎯ Bill John Baker ᎡᎵ ᏍᏓᏯ ᏄᎵᏍᏓᏁᎲ ᎤᏣᏘ ᎠᎵᎮᎵᎬ ᎾᎿ ᎧᏬᏂ ᎢᎬᏱ ᎾᏍᎩ ᎩᎳ ᎤᏂᏍᏚᎢᏒ ᎢᏤ ᎥᏱᎸ ᎤᎾᏓᎪᎵᏱᏗ ᎠᏰᏟ ᎤᏙᏢᏒᏃ ᎾᎿ 859 E. Melton Dr.

“ᎯᎠ ᏭᏬᏚᏒᎢ ᎤᎾᏓᎪᎵᏱᏗᎢ,” ᎠᏗᏍᎬ Baker ᎧᏃᎮᏍᎬ ᎾᏍᎩ ᎢᏤ ᏅᎩᏍᎪ ᏔᎵ ᏯᎦᏴᎵ ᏅᎩ ᏧᏅᏏᏯ ᎢᏯᎳᏏᏓ ᎾᎿ ᏣᎾᏏᎾ ᏗᎦᏚᎾᎢ ᎨᏱᎸ ᏄᏛᎾᏕᎬ ᎤᎾᏓᎪᎮᏱᏗᎢ ᎠᏰᏟ.

ᎯᎠ ᏂᎦᏚ ᎢᏳᏆᏗᏅᏓ ᎤᏬᏚᏨ ᏲᏓᏂᎵ ᎤᎾᏓᎪᎵᏱᏗᎢ, ᎾᎿ ᎠᏓᏁᎸᎢ ᎤᏴᏢᎢᏗᏢ ᏜᏱᎪ, ᏂᎬᏅ ᏙᏯᏗᏢ ᎾᏍᎩᏯ ᏔᎷᏣ ᎬᏅᎢ ᏂᏕᎬᎾ ᏗᎬᏓᏅᎢ ᏂᏕᎬᏅᏛ ᎠᏓᏁᎸ ᎠᎴ ᏓᏓᏩᏛᎯᏍᏗ ᎬᏩᏕᏯᏛ ᎠᏓᏁᎸᎢ. ᎯᎢᎾ ᎢᏤ ᎤᎾᏓᎪᎵᏱᏗ ᏲᏢᎦ ᎤᏙᏢᏒ ᎠᏓᏁᎸᎢ. ᎾᎿ ᎢᏤ ᎤᎾᏓᎪᎵᏱᏗ ᎠᏰᏟ ᎠᎴᏊ ᏔᎵ ᎢᏳᏩᎫᏓ ᎤᏔᎾ ᎾᏃ ᎤᏪᏘ ᏔᎵᏍᎪ ᎦᎵᏉᎩ ᎢᏳᏕᏘᏴᏓ ᎤᏪᏘ ᏧᎾᏓᏁᎸ ᎤᎾᏓᎪᎵᏱᏗ ᏣᏓᏁᎸ ᎾᎿ 1015 Washbourne, ᎾᏍᎩ ᏔᎵᏍᎪ ᏑᏓᎵ ᎢᏍᎪᎯᏧᏈ ᏅᎩ ᏧᏅᏏᏯ ᎢᏯᎳᏏᏓ.

“ᎠᏉᎯᏳ ᎾᏍᎩ ᏬᏌᏂᏴ ᎢᎦᏓᏁᎸ ᎤᎾᏓᎪᎵᏱᏗ ᎾᎿ ᎠᏂᏴᏫᏯ ᏍᎦᏚᎩ,” ᎠᏗᏍᎬ Baker. “ᎾᏞᎬ ᏕᎦᏓᏁᎴᏍᏗ ᏫᏩᏙᏌᏂᏴ ᎤᎾᏓᎪᎵᏱᏗ ᏲᏢᎦ ᎾᎿ ᏍᎦᏚᎩ ᎣᎦᎵᎰᎹ.”

ᎾᏍᎩᎾ ᎢᏤ ᏣᎾᏏᎾ ᏗᎦᏚᎾ ᎤᎾᏓᎪᎮᏱᏗ ᏲᏓᏂᎵ ᎠᏰᏟ ᎾᏍᎩ ᏅᎩᏁ ᎠᎴ ᎾᏍᎩᎾᎢᎩ ᎤᏂᎲ ᎤᏂᏍᏆᏙᏅ ᎾᏍᎩᎾ ᏌᏊ ᎢᏳᏆᏗᏅᏓ ᏲᏓᏂᎵ ᏧᎾᏁᏍᏙᏗ ᏓᏤᏢ ᎢᏗᎬᏁᏗ ᎢᏛᏗᏍᎬ ᏧᏂᏆᏂᏲᏍᏗ ᎤᏁᏉᏨᎢ ᎨᏒᎢ.

ᎠᏅᏗᏍᎬ ᎾᏍᎩ ᏩᏥᏂ ᏴᏫ ᎠᏰᎸ ᏄᏍᏗᏕᎬ ᎤᎾᏓᎪᎵᏱᏗ ᏧᏄᎪᏔᏅ Ꭴ.ᏁᏨᎢ, ᏣᎳᎩ ᎠᏰᎵ ᎾᎿ ᏓᏂᎩᏍᎨᏍᏗ ᏁᎵᏍᎪᏐᏁᎳ ᎢᏳᏆᏗᏅᏓ ᏑᏕᏘᏴᏓ ᎢᏳᏓᎵ ᎧᏁᏨᎢ ᎾᏍᎩ ᎢᏳᏅᏙᏗ, ᎠᏗᏍᎬ Baker.

Baker ᎾᏍᏊ ᎤᏁᏍᏔᏅ ᏚᏄᎪᏛ ᎾᎿ 459,000-ᏅᎩ ᏧᏅᏏᏯ ᎢᏯᎳᏏᏓ ᎠᏔᏃᎯᏍᏙᏗ ᎾᎿ W.W ᎮᏍᏗᏂ ᏧᏂᏢᎩ ᎾᎿ ᏓᎵᏆ ᎠᎴ ᎾᏍᎩ ᎠᏂᎳᏍᏓᏢ ᎤᏅᏌ ᎤᎾᏤᎵ ᎠᎴ ᎤᎾᏓᏁᎵ ᎢᏳᎵᏍᏙᏗ ᏅᏬᏘ ᏄᏍᏛ ᏂᎦᎵᏍᏗᏍᎬ ᏧᎾᏕᎶᏆᏍᏗᎢ.

“ᎢᎬᏌ ᎠᎭᏂ ᎤᎾᏕᎶᏆᏍᏗ ᎠᏂᏣᎳᎩ ᎠᏂᎦᎾᎦᏘ ᏧᏂᏍᏕᎸᎯᏓᏍᏗ ᏗᎦᏤᎵ ᎠᏂᏣᎳᎩ ᎠᏂᏴᏫ,” ᎠᏗᏍᎬ Baker ᎠᎴ ᎤᎶᏒᏍᏗ ᎠᎵᎮᎵᎬ ᏚᏠᏯᏍᏗᏍᎬᎢ.

ᏗᎪᏪᎵᏍᎩ ᎾᎿ ᏍᎦᏚᎩ Chuck Hoskin Jr. ᎠᎴ Baker ᎠᏂᎸᏉᏗᏍᎬ ᎾᎿ ᏣᎳᎩ ᎤᏃᏢᏅᏅ ᏗᏟᎶᏍᏔᏅ ᏂᎬᎾ ᏙᏯᏗᏝ, ᏧᏓᎴᏅᏓ ᎪᎯᎦ ᏥᎨᏒ ᎤᏅᏔᏅᏅ ᎠᎴ ᎤᎵᏍᏔᏅᏅ ᎠᏆᏅᎩᏱ ᏍᎦᏚᎩ ᏗᏟᎶᏍᏔᏅ ᎾᎿ ᎬᏂᎨᏒ ᏗᎪᏩᏛᏗ ᏚᏂᏝᎭ ᎤᎪᏓ ᎾᎿ ᎠᏰᏟ.

Hoskin ᎾᏍᏊ ᎤᎵᎮᎵᏍᏔᏅ Ella Cummings, ᏣᎾᏏᎾ ᏗᎦᏚᎾ ᎤᏪᏣ ᎠᎨᏯ, ᎾᎿ ᎡᏙᎲᎢ.

ᎾᏍᎩ ᎢᏤ Sam Hider ᎤᎾᏓᎪᎵᏱᏗ ᏲᏢᎦ ᎠᏰᏟ ᎾᏍᎩᏍᏊ ᎠᎾᎵᎮᎵᎦ ᎠᏰᎸ ᏙᎯ ᎢᎬᏁᏗᎢ ᎤᏃᏢᎯ, ᎾᏍᎩᏃ Ꮭ ᎾᏍᎩ ᏱᏂᎬᏁ ᎤᏪᏘ ᎤᎾᏓᎪᎵᏱᏗᎢ ᏧᏃᏢᏒᎢ.

“ᏃᏊ ᎣᎩᏲᎭ ᎾᏍᎩ ᎢᏳᏍᏗ ᏧᎸᏫᏍᏓᏁᎯ ᎢᏯᏛᏁᎯ,” ᎥᏱᎸ ᎤᎦᏎᏍᏗᏕᎦ Executive Director Connie Davis ᎠᏗᏍᎬᎢ.

ᏧᏩᎪᏔᏅᏒ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏂᎩᏍᏓ ᏱᎩ ᏧᏂᏢᎦ ᎠᏎ ᏓᎵᏆ ᏭᏁᏓᏍᏗ ᏂᎦᎵᏍᏗᏍᎬᎢ.

“ᎯᎠ ᎤᎪᏕᏍᏗ ᎤᏂᎮᏍᏗ ᏧᏂᏍᏕᎸᏗ, ᎠᎴ ᎤᎪᏛ ᏗᎬᏩᏂᏍᏕᎸᏗ ᎪᎱᏍᏗ ᎤᏂᏐᏅᏅ ᎠᎴ ᏳᏁᎯᏍᏓᏁ ᎢᎸᏢ,” ᎠᏗᏍᎬ Davis.

ᎧᏁᏉᏓ, ᎾᎿ ᎢᏤ ᎤᏙᏢᏒ ᏧᏓᎴᏅᏓ ᎤᎪᏓ ᎠᎴ ᎤᏟᏍᏗ ᎢᎬᏛᏗ ᎤᏂᏂᎬᎬ, ᏓᏂᏅᏙᎬ, ᏗᏂᎦᏙᎵ, ᏄᏍᏛ ᎤᎾᏓᏅᏖᏗ, ᏓᏂᎷᎬ ᏧᏂᏍᏨᎸᏗ, ᏅᏬᏘ ᎾᎿ ᎪᏪᎵ ᏗᎦᏂᏙᎯ ᎬᏩᏲᎯᏍᏗ ᎬᏩᎾᏓᏅᏍᏗ, ᎤᎪᏛ ᎬᏩᎾᏛᏗ ᏅᏬᏘ ᎨᏒ, ᎠᎵᏍᏓᏴᏗ, WIC, ᎪᏪᎵ ᏗᎬᏩᏂᏅᏁᏗ ᎤᏣᏘᏂ ᎦᎾᎦᏘ ᎬᏩᏂᎪᏩᏛᏗ ᎠᎴ ᎧᎵᏎᏥ ᎤᏁᎯ ᏗᎬᏩᏂᏍᏕᎸᏗ.

ᏗᎦᎳᏫᎦ Harley Buzzard ᎾᏍᏊ ᎤᏬᏂᏒ, ᎤᏃᎮᏢ ᎢᎦᏓ ᏅᎵᏍᏔᏅᏍᏔᏅ ᎾᎿ ᏧᏙᏢᏒᎢ ᎾᎿ ᏜᏱᎪ ᎤᎾᏓᎪᎵᏱᏗ ᏲᏓᏂᎵ ᎠᎴ ᏗᎵᎮᎵᏤᏗ ᎾᏍᎩ ᎤᏓᏅᏖᎸ ᎤᏬᏢᏅ ᎾᎿ ᏙᏯᏗᏢ ᏂᎬᏅ ᎠᏓᏁᎸᎢ.

“ᎣᏂᎯᎨᏍᏗ ᏐᏁᎳᏚ ᎢᏍᎪᎯᏧᏈ ᏑᏓᎵᏍᎪᎯ ᎾᎿ ᎤᎾᏓᎪᎵᏱᏗ ᏥᎪᏢᏒ ᏗᎦᎾᏗᏫᏒ ᎤᏅᏎᏴ ᏧᎾᏓᏱᎵᏓᏍᏗᎢ. ᎾᏍᎩᏃ ᏐᏁᎳᏗ ᎢᏍᎪᎯᏧᏈ ᎦᎵᏆᏍᎪ ᏔᎵ ᎤᏂᎲᏒ ᎾᏍᎩ ᏃᏊ ᏥᎩ ᎦᏚᎲ ᏄᏂᎬᏩᏳᏌᏕᎦ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎤᏂᏴᏍᏗᎢ, ᎠᎴ ᎾᎿ ᏐᏁᎳᏚ ᏁᎵᏍᎪ ᏐᏁᎳ ᎤᏕᏘᏴᏌᏗᏒ ᏧᏂᎲᏒ ᎾᎿ ᏧᏂᏢᎩ ᏧᏙᏢᏒᎢ ᎠᎴ ᏃᏊ ᎤᏬᏚᏨ ᎠᏓᏁᎸᎢ ᎢᎪᏢᎭ. ᎾᏍᎩ ᎯᎢᎾ ᎢᎦᏓᏁᎸ ᎠᎴ ᎧᏁᏉᏓ ᎤᎪᏛᏯᎾᏛᏁᎯ ᎠᎴ ᎤᎪᏛ ᏅᏬᏘ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎯᎠ ᎢᎦ ᎤᎪᏗᏓ ᏓᏤᏞᏍᏗ ᎠᎴ ᎤᎾᏓᏍᏕᎸᏗ ᎤᎪᏕᏍᏗ ᏓᏤᏞᏍᏗ ᎾᎿ ᏗᎦᏤᎵ ᎠᏂᏴᏫ,” ᎤᏛᏅ Buzzard. “ᎢᏤᎵᎢᏛ ᎾᎿ ᏙᏯᏗᏝ ᎾᏍᎩ ᎤᏠᏯ ᏔᎷᏣ ᎬᏅᎢ ᎠᎴ ᏧᏓᎴᏅᏓ ᏗᏟᎶᏍᏔᏅ ᏃᎴ ᏧᎾᏓᏟᎶᏍᏔᏅ ᏂᎬᎢ ᎤᎾᏓᎪᎵᏱᏗᎢ ᎠᎪᏩᏛᏗ ᎾᏍᎩ ᏗᎦᏤᎵ ᎠᏂᏴᏫ ᏄᏍᏛ ᏄᎾᏛᏁᎸᏍᏔᏅᎢ. ᎠᏓᏅᏓᏗᏍᏗᏍᎪ ᎾᏍᎩ ᏳᎦᎶᏏ ᎠᏓᏁᎸ ᎤᎾᏓᎪᎵᏱᏗᎢ ᎤᎪᏓ ᏏᏓᏁᎸ ᏧᎾᏓᏟᎶᏍᏔᏅ ᎠᎭᏂ ᎠᏁᎯ ᏗᎪᏩᏛᏗ ᏚᏂᏝᎲ ᎠᎴ ᎾᏍᏊ ᎪᎱᏍᏗ ᏗᏨᎾ ᏱᎩ. ᎠᏆᏚᎵ ᎠᏔᎵᎭ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᏚᎾᏙᎥ Sage Butler, Vickie Blackwood, Josie Jones ᎠᎴ ᏂᎦᏓ ᎠᏂᏐᎢ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᎾᎿ ᎣᏍᏓ ᎤᎪᏓ ᏧᏂᎸᏫᏍᏓᏁᎸᎢ.”

ᎾᎿ ᏔᎵ ᏯᎦᏴᎵ ᏍᎩᎦᏚ ᎤᏕᏘᏴᏌᏗᏒ, Ꮎ ᏐᎢ ᏜᏱᎪ ᎤᎾᏓᎪᎵᏱᏗ ᏥᏚᏗᎲᎢ ᎯᎠ ᎾᏂᎥ ᏚᏂᎪᎵᏱᎥ ᎦᎵᏆᏍᎪ ᎦᎵᏉᎩ ᎢᏯᎦᏴᎵ ᎠᎴ ᏅᏬᏘ ᏚᏂᏁᎸ 154,000 ᏚᏂᏁᎸᎢ.

ᏃᎴᏍᏊ ᏣᎳᎩ ᎠᏰᎵ ᎤᏍᏚᎢᏒ ᎢᏤ ᎤᎾᏓᎪᎵᏱᏗ ᎠᏰᏟ ᎾᎿ Ochelata ᎠᎴ ᏚᎾᏔᏃᎯᏍᏔᏅ ᎤᎾᏓᎪᎵᏱᏗ ᎠᏰᏟ ᏚᏙᏢᏒ ᎾᎿ ᏌᎷᎾᎨᏴ ᎠᎴ ᏍᏗᎵᏪᎵ ᎾᎿ ᏔᎵ ᏯᎦᏴᎵ ᏍᎩᎦᏚ ᎤᏕᏘᏴᏌᏗᏒᎢ.

https://www.facebook.com/electrockytribalcouncil/

Tribe, CNE break ground on Grove casino

BY SHEILA STOGSDILL
Special Correspondent
03/29/2016 12:00 PM
GROVE, Okla. – A $23 million Grove casino is expected to bring in nearly 200 jobs to the Grove and Grand Lake area, Principal Chief Bill John Baker said during a groundbreaking ceremony for the tribe’s newest casino, Cherokee Casino Grove.

Many Cherokee Nation dignitaries, as well as Grove and Grand Lake officials, participated in the March 28 ceremony at the proposed site, which is on U.S. 59 Highway near a cutoff road to Monkey Island, approximately 10 miles north of Shangri La Golf Club, Resort and Marina.

“One hundred and seventy-five jobs is more important than 1,000 jobs,” Baker said referring to the Tulsa-based Williams Cos. proposed merger that will reduce its workforce.

The 39,000-square-foot casino is expected to bring 175 jobs to the area, and be completed this winter, Baker said during the ceremony.

“Our entertainment division consistently brings to the market the best jobs and the best entertainment options,” Baker said. “The jobs created by this venue drive our economy, and the financial success of our businesses is reinvested throughout northeast Oklahoma to provide a better quality of life for the Cherokee people.”
An artist’s rendering of the front entrance of the Cherokee Casino Grove. The casino will be Cherokee Nation Entertainment’s 10th casino and second in Delaware County. COURTESY Deputy Chief S. Joe Crittenden, Principal Chief Bill John Baker and Cherokee traditionalist Crosslin Smith wait to turn dirt for the Cherokee Casino Grove groundbreaking ceremony on March 28 in Grove, Oklahoma. The casino is expected to create 175 jobs in the area. SHEILA STOGSDILL/SPECIAL CORRESPONDENT An artist’s rendering of the Cherokee Casino Grove and its parking lot. The 39,000-square-foot casino is expected to bring 175 jobs to the area, and be completed this winter. COURTESY
An artist’s rendering of the front entrance of the Cherokee Casino Grove. The casino will be Cherokee Nation Entertainment’s 10th casino and second in Delaware County. COURTESY

ᏧᏍᏕᏄᎲᎢ, ᎣᎦᎳᎰᎹ. – ᎾᏍᎩᏃ $23 ᎢᏳᏩᏗᏅᏓ ᏧᎬᏩᎶᏗ ᏧᏂᏆᏂᏲᎯᏍᏗᎢ ᏓᏛᏅᎢᏍᏕᏍᏗ 200 ᏱᎦᎢ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎥᎿᎾᏂ ᏧᏍᏕᏄᎲᎢ ᎠᎴ Grand Lake ᎾᎥᎢ, ᏄᎬᏫᏳᏒᎢ ᎤᎬᏫᏳᎯ Bill John Baker Z ᎢᏳᏪᏓ ᎾᎯᏳ ᎦᏓ ᏣᏂᏲᏍᏗᎲᎢ ᎾᏍᎩ Ꮎ ᎠᏂᎳᏍᏓᏢᎢ ᏩᏤᎯᏴᎢ ᏧᏂᏆᏂᏲᎯᏍᏗᎢ ᎤᏃᏢᏒᎢ, ᏣᎳᎩ ᏧᏂᏆᏂᏲᎯᏍᏗᎢ ᏧᏍᏕᏄᎲᎢ.

ᎤᏂᎪᏗᏃ ᏣᎳᎩᎯ ᎠᏰᎵ ᎠᏂᏍᎦᏰᎬᏍᏗ, ᎠᎴ ᎾᏍᏊ ᏧᏍᏕᏄᎲᎢ ᎠᎴ Grand Lake ᏄᏂᎬᏫᏳᏒᎢ, ᎠᏁᎸᎢ ᎾᎯᏳᎢ ᏥᎨᏒᎢ ᎠᏅᏱ 28 ᎥᎿᎾᏂ ᏧᏙᏢᏒᎢ, ᎥᎿᎾᏃ U.S. 59 ᎤᏔᎾ ᎦᏅᏅᎢ ᏥᏳᏗᏊ ᏫᎦᎶᎯᏍᏗ ᎥᎿᎾᏂ ᏗᏜ Monkey Island, 10 Ꮓ ᎢᏳᏟᎶᏓ ᎤᏴᏢᎢ ᎤᏟᏗᏢᎢ Shangri La Golf Club, ᎤᏂᏣᏘ ᎤᏁᏓᏍᏗᎢ ᎠᎴ ᏥᏳ ᏧᏂᏔᎳᏗᏍᏗᎢ.

“ᏍᎪᎯᏧᏈ ᎦᎵᏆᏍᎪᎯ ᎯᏍᎩ ᏱᎦᎢ ᏗᎬᎦᎸᏫᏍᏓᏁᏗ ᎾᏍᎩ ᎤᎪᏗ ᏒᎵᏍᎨᏗᏯ ᎠᏏᏅ 1,000 ᏗᎦᎬᎸᏫᏍᏁᏗ,” ᎠᏗᏍᎬᎢ Baker ᎾᏍᎩᏃ ᎢᎧᏁᎢᏍᏗᏍᎬᎢ Ꮎ Tulsa-Based Williams Cos. ᏗᎫᎪᏔᏅᎢᎯ ᏌᏉ ᎢᏳᎵᏍᏙᏗᎢ ᎾᏍᎩᏃ ᏯᎦᏲᎶᎦ ᏧᏂᎸᏫᏍᏓᏁᎯ.

ᎾᏍᎩᏃ 39,000-ᏱᎳᏏᏗ-ᏅᎩ ᏧᏅᏏᏱ ᏧᏂᏆᏂᏲᎯᏍᏗ 175 ᏗᎬᎦᎸᏫᏍᏓᏁᏗ ᏙᏛᏙᏢᏂ ᎥᎿᎾᏂ ᎡᏍᎦᏂ, ᎠᎴ ᎯᎠ ᎪᎳ ᏥᎨᏎᏍᏗ ᎠᏍᏆᏕᏍᏗ, ᎠᏗᏍᎬᎢ Baker ᎾᎯᏳ.

“ᎢᎦᏤᎵᎢ entertainment division ᏂᎬᎯᎵᏐᎢ ᏧᎬᏩᎶᏗ ᎦᎷᎩ ᎾᏍᎩᏃ ᏫᏓᏤᏢᎢ ᏗᎬᎦᎸᏫᏍᏓᏁᏗ ᎠᎴ ᎾᏍᎩ ᏫᏓᏤᏢᎢ entertainment ᎬᏑᏰᏍᏗ,” ᎠᏗᎡᏍᎬᎢ Baker. “ᎾᏍᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏚᏙᏢᎾ ᎾᏍᎩᏃ ᎯᎠ ᎤᏙᏢᏒᎢ ᎦᏌᏙᏍᎩ ᎢᎦᏤᎵᎢ ᏧᎬᏩᎶᏗ, ᎠᎴ Ꮓ ᏧᎬᏩᎶᏗ ᎠᏙᎷᏩᏘᏍᎬ ᎾᏍᎩ ᎢᎦᏤᎵᎢ ᏗᎦᎸᏫᏍᏓᏁᏗᎢ ᎾᏍᎩᏃ ᎤᏁᏉᎠ ᏂᎦᏅᎯᏒᎢ ᎤᏴᏢᎢᎧᎸᎬᎢ ᏗᏜ ᎣᎦᎳᎰᎹ ᎾᏍᎩ ᎠᎵᏍᎪᏟᏗᏍᎬᎢ ᏓᏤᏢᎢ ᎤᎾᏕᏗᎢ ᎠᏂᏣᎳᎩ.”

ᎯᎠᏃ ᎾᏍᎩ 10TH ᏣᎳᎩᎯ ᎠᏰᎵ Entertainment ᏧᏂᏆᏂᏲᎯᏍᏗ ᏥᏚᏙᏢᎭ ᎠᎴ ᎾᏍᎩ ᏔᎵᏁᎢ ᎥᎿᎾᏂ ᎠᏆᏂᎩᎢ ᏍᎦᏚᎩ. CNE ᎠᎴ ᎾᏍᎩᏊ ᎤᏂᎩᏍᏗᏗ ᎾᏍᎩ Ꮓ Ꮎ ᏥᎪᏢᎭ ᎥᎿᎾᏂ ᎤᏕᎵᎬᎢ ᏅᏬᏘᎢ ᏗᎦᏄᎪᎬᎢ ᎥᎿᎾᏂ ᎤᎦᏅᏮᎢ ᏗᏜ ᏍᎦᏚᎩ. ᎾᏍᎩᏃ ᏧᏍᏕᏄᎲᎢ ᏧᏂᏆᏂᏲᎯᏍᏗᎢ ᎾᏍᎩᏃ ᏥᎩ ᏦᎢᏁᏃ ᎨᏎᏍᏗ ᎥᎿᎾᏂ ᏍᎦᏚᎩ ᎠᎴᎾᏍᎩᏊ ᎠᏂᏏᏂᎩ-ᎧᏳᎦ ᎠᏂᎳᏍᏓᏢᎢ ᎤᎾᏂᎩᏍᏗ Grand Lake ᏧᏂᏆᏂᏲᎯᏍᏗ ᎥᎿ ᏧᏍᏕᏄᎲᎢ.

ᎾᏍᎩᏃ ᏣᎳᎩ ᏧᏂᏆᏂᏲᎯᏍᏗ ᏧᏍᏕᏄᎲᎢ ᏄᏍᏗᏓᏅᎢ ᎾᏍᎩ ᎠᏠᏯᏍᏓ 400 ᎠᎾᎦᎵᏍᎩ ᏧᏂᎩᏍᏗ ᏗᏁᏟᏙᏗ, ᏗᎦᏍᎩᎶᎩ ᏗᏁᏟᏙᏗ, ᎠᎴ ᎤᏕᎵᏓ ᎦᎸᎳᏗ ᏧᎬᏩᎶᏗ ᏧᏂᏆᏂᏲᏍᏗ ᎧᏅᏑᎳ, ᏧᎾᎵᏍᏓᏰᏗ, ᏧᎾᏗ-ᏔᏍᏗᎢ, ᏧᏂᏃᎩᏍᏗᎢ ᎤᏙᏢᏎᏍᏗ, ᎤᎾᎵᏍᎩᏍᏗ ᎠᏲᏓᏝᎲᎢ ᎠᎴ ᎦᎵᏦᏕᎢ ᎤᎵᏍᎪᏟᏔᏅᎢ ᎠᏓᏴᏍᏕᏍᏗᏍᎩ ᏂᎨᏒᎾ ᏗᏗᏔᏍᏗ. ᎾᏍᎩZ rustic, lodge-ᎢᏳᏍᏗ ᎤᏙᏢᏒᎢ ᎠᎵᏍᎪᏟᏗᏍᎨᏍᏗ ᎪᎱᏍᏗ ᎤᏂᏍᏆᎸᎡᏗᎢ ᎠᎴ ᎤᏕᎵᏓ ᎠᎴ ᏍᎦᏚᎩ ᎪᎱᏍᏗ ᎤᏂᏍᏆᎸᎡᏗᎢ ᎤᏙᏢᏎᏍᏗ ᎠᎴ ᏙᏱ ᏗᏜ ᎤᎾᏅᏗᎢ ᎠᏲᏓᏞᏍᏗ.

“ᎾᏍᎩᏃ ᎪᎯᎩᏊ ᏃᎦᏚᎵᏍᎪᎢ ᎥᎿᎾᏂ ᏧᏍᏕᏄᎲᎢ,” Shawn Slaton, CEO ᎥᎿᎾᏂ ᏣᎳᎩ ᎠᏰᎵ ᏗᎬᎦᎸᏫᏍᏓᏁᏗᎢ, ᎾᏍᎩ ᎾᏊ ᎤᏙᏢᏒᎢ ᎥᎿ CNE, ᎠᏗᏍᎬᎢ. “ᎾᏍᎩᏃ ᎠᎹᏳᏟᏗ ᏍᎦᏚᎩ ᎤᏙᏢᏒᎢ ᎾᏍᎩᏃ ᏙᏳᎢ ᎤᏬᏚᎯ ᏂᏗᎦᎵᏍᏙᏗᎭ Ꮩ ᎠᏕᏗᎢ, ᎾᏍᎩᏍᎩᏂᏃ Ꮎ ᏧᏂᏆᏂᏲᎯᏍᏗ ᎠᎵᏍᎪᏟᏗᎭ ᎠᎴ ᏙᎯ ᎡᏓᏍᏗᎢ ᎾᏍᎩᏃ ᏂᎬᏫᏍᏕᏍᏗ ᎠᎴ ᎠᏲᎯᎮᏍᏗ ᎾᏍᎩ ᏫᏓᏤᏢᎢ entertainment ᎥᎿᎾᏂ ᎡᏍᎦᏂ.”

Baker Z ᎢᎧᏃᎮᏍᎬᎢ ᎤᏩᎬᏗᏗᏒᏃ ᎠᏠᏯᏍᏕᏍᏗ ᏧᏂᏒᏍᏗᎢ.

ᎾᏍᎩᏃ CN ᎤᎾᎴᏅᎲᏃ entertainment ᏗᎦᎸᏫᏍᏓᏁᏗ ᎾᎯᏳᎢ ᏥᎨᏒᎢ 1990 ᎠᎴ Ꮓ ᎾᏊ 3,700 ᎢᏯᏂ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎥᎿᎾᏂ entertainment ᎠᎴ hospitality division. ᎾᏍᎩᏃ ᏚᏂᎩᏏᏓ Hard Rock ᏧᏂᏒᏍᏗ & ᏧᏂᏆᏂᏲᏍᏗ Tulsa ᎥᎿᎾᏂ ᎦᏚᏌ, ᎠᎴ ᏧᏁᎳ ᏂᏚᏓᎴᎢ ᏣᎳᎩᎯ ᏧᏂᏆᏂᏲᎯᏍᏗᎢ, ᎠᎴ ᏐᏈᎵ ᏧᎾᏙᎩᏯᏍᏗ, ᏦᎢ golf courses ᎠᎴ ᏗᏐᎢ ᏚᏙᏢᏒᎢ.

Chunestudy feels at home as CHC curator

BY ROGER GRAHAM
Media Specialist – @cp_rgraham
01/28/2016 02:00 PM
PARK HILL, Okla. – After more than a decade, the Cherokee Heritage Center has a new curator. One who is familiar with the center after having worked at it before.

Callie Chunestudy, 34, took over the position on Nov. 9 after former CHC Curator Mickel Yantz accepted a job with the Sherwin Miller Museum of Jewish Art in Tulsa.

Chunestudy is a graduate of Northeastern State University with a bachelor’s degree in fine arts.

“The Heritage Center has always held a big place in my heart. It’s where I worked at 16 on (Cherokee Nation) Summer Youth (Employment Program) and at 18 for the pottery division back when that was going on,” she said.

Through the Summer Youth Employment Program, Chunestudy said she gave tours in Adam’s Corner, the CHC’s rural village that depicts Cherokee life in the 1890s before Oklahoma statehood. Chunestudy added that she also worked in the museum archives department and as a secretary under the same employment program, giving her a total of two years experience at CHC before her current position.
The Cherokee Heritage Center’s new curator, Callie Chunestudy, adjusts items on Jan. 25 in the CHC exhibit gallery in Park Hill, Okla. ROGER J GRAHAM/CHEROKEE PHOENIX
The Cherokee Heritage Center’s new curator, Callie Chunestudy, adjusts items on Jan. 25 in the CHC exhibit gallery in Park Hill, Okla. ROGER J GRAHAM/CHEROKEE PHOENIX

ᎠᏭ ᎤᏂᏴᏍᏗ, ᎣᎦᎳᎰᎹ.- ᏍᎪᎯ ᏧᏕᏘᏴᏓ ᏂᎨᏐ ᎩᎳ ᎢᏤᎢ ᏗᎦᏘᏱ ᎤᏂᎧᏁᎢ ᏣᎳᎩᎯ ᏧᎾᏓᎴᏅ ᎠᏰᎵ ᎣᏍᏓᏃ ᎠᎦᏔᎯ ᏄᏍᏗᏓᏅ ᎥᎿ ᎠᎴ ᏧᏟᎢᎩᏍᏓᏅᎯ ᏧᎸᏫᏍᏓᏁᎸᎢ ᎨᏒᎢ.

Callie Chunestudy, 34, ᏅᏓᏕᏆ. 9ᏁᎢ ᎤᎴᏅᎮ ᏚᎸᏫᏍᏓᏁᎲᎢ ᎤᏑᎵᎪᏣ Mickel Yantz ᏗᎦᏘᏱ ᎨᏒ Sherwin Miller ᎤᏪᏘ ᎠᏍᏆᏂᎪᏛ Jewish Arts Tulsa ᏭᎴᏅᎮ ᏚᎩᏫᏍᏓᏁᎲᎢ.

ᎤᏴᏢᎧᎸᎬ ᏍᎦᏚᎩ ᏩᎦᎸᎳᏗᏴ ᏧᎾᏕᎶᏆᏍᏗᏱ ᏧᏍᏆᏛ Chunestudy ᎣᎯᏍᏗ ᏗᏟᎶᏍᏙᏗ ᏧᎾᏕᎶᏆᏍᏗ.
“ᏓᎳᏚ ᏳᏕᏘᏴᏓ ᏥᎨᏒ ᎤᎴᏅᎮ ᏚᎸᏫᏍᏓᏁᎲ (ᏣᎳᎩᎯ ᎠᏰᎵ) summer youth (ᏗᎨᏥᎾᏢᏗ ᎤᏙᏢᏒ) ᎠᎴ ᏁᎳᏚ ᏳᏕᏘᏴᏓ ᏥᎨᏒ ᎦᏓᎫᎦ ᏧᏃᏢᏗ ᏚᎸᏫᏍᏓᏁᎸᎢ,” ᎠᏗᏍᎬᎢ.

ᎾᎯᏳᏃ ᎪᎨᏱ ᏗᎾᏛᏍᎩ ᏧᏂᎸᏫᏍᏓᏁᏗ ᎤᏙᏢᏒᎢ, ᏥᏚᏂᎸᏫᏍᏓᏁᎲᎢ ᏴᏫ ᎠᏂᎷᎬ Adam’s Corner, CHC ᏕᎧᏃᎯᏎᎲ ᏂᏧᎵᏍᏓᏅᏒ ᎠᎴ ᏄᏍᏛ ᏣᏁᎮ ᎾᎯᏳ ᎠᏂᏣᎳᎩ 1890s ᏧᏕᏘᏴᏌᏗᏒ ᎠᏂ ᏍᎦᏚᎩ ᏂᎦᎵᏍᏗᏍᎬᎾ ᏥᎨᏒ ᎣᎦᎳᎰᎹ ᏔᎵ ᏧᏕᏘᏴᏓ ᏚᎸᏫᏍᏓᏁᎴ Summer Youth Program ᏧᏪᏘ ᏗᎪᏪᎳᏅ ᏗᏍᏆᏂᎪᏙᏗ ᎠᎴ ᏗᎪᏪᎵᏍᎩ ᎨᏎ Chunestudy.

ᎾᏊ ᏗᎦᏘᏱ ᏥᏄᎵᏍᏔᏅ ᎤᏠᏱᏊ ᎢᏳᏍᏗ ᏥᏍᏓᏩᏗᏎᏍᏗ Mickel ᏚᎸᏫᏍᏓᏁᎸᎢ ᎠᏗᏍᎨᎢ Chunestudy. ᏌᏚ ᏧᏕᏘᏴᏛ ᏚᎸᏫᏍᏓᏁᎸ ᎨᏌ Meckel, ᎣᏍᏛ ᏄᏛᏁᎴ ᎣᎯᏍᏗ ᏧᎾᏟᎶᏍᏔᏅ ᎬᏂᎨᏒ ᏂᏕᎬᏁᎲ ᎠᎴ ᎠᎾᏛᏁᎵᏍᎬ ᎠᎭᏂ ᏣᎳᎩᎯ ᏧᎾᏓᎴᏅ ᎠᏰᎵ ᎠᏆᏚᎵ ᎪᎱᏍᏗ ᎢᏤ ᎠᎴ ᏧᏓᎴᏅᏓ ᏧᎾᏟᎶᏍᏔᏅ ᎠᎴ ᎤᎾᏛᏁᎸᏗ ᎠᎩᏲᎯᏍᏗ ᎠᎭᏂ ᏣᎳᎩᎯ ᏧᎾᏓᎴᏅ ᎠᏰᎵ, ᎾᏞᎬᏊ ᎯᎸᏍᎩ ᏧᏓᎴᏅᏓ ᎠᎾᏛᏁᎵᏍᎬ ᎠᎪᏩᏛᏗ ᎨᏎᏍᏗ. ᎾᏊ ᎨᏒᎢ “ᏧᎦᎶᎩ ᎠᏂᏬᏂᏍᎩ ᏗᏟᎶᏍᏔᏅ ᏂᏓᏳᏓᎴᏅᎩ ᏣᎳᎩ ᏗᎪᏪᎶᏗ ᏧᏃᏴᎦ ᎧᏃᎮᏍᎩ” ᎤᏃᎸᏔᏂ 15 ᎤᏓᎴᏅᎮ ᎧᏬᏂ 12 ᎢᎪᎯᏛ ᎠᎪᏩᏛᏗ ᎨᏎᏍᏗ 2016 Trail of Tears ᏧᎾᏟᎶᏍᏔᏅ ᎾᎯᏳ ᏗᎪᏩᏛᏗ ᎨᏎᏍᏗ.

“ᎩᎳ ᎢᎬᏱ ᎨᏒ ᏣᎳᎩ ᏧᎾᏟᎶᏍᏔᏅ ᎤᏂᎾᏗᏅᏗ ᏙᎦᎵᎪᏎᏍᏗ ᏧᎾᏓᎴᏅᏓ ᎠᏰᎵ ᎠᏍᏆᎵᏍᎨᏍᏗ ᎠᎾᏛᏍᎩ ᏧᎾᏟᎶᏍᏔᏅ ᎠᎾᏓᎪᏅᏗᏍᎬ, ᎣᏍᏓᏃ ᎠᎩᏰᎸᏐᎢ ᏅᏍᎩ ᏥᏂᎦᎵᏍᏗᏌᎭ,” ᎠᏗᏍᎬᎢ. “ᎠᎴ ᎢᎬᏱᎢ, ᏓᏲᏣᎵᏲᏂ ᏣᎳᎩ Art Market ᎠᎴᎾᏍᏊ ᏓᏲᎩᏍᏆᎸᎡᎵ ᏗᎾᏛᏍᎩ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᎠᎾᏓᎪᏅᏗᏍᎩ. ᏂᎬᏯᎢᏎᏍᏗ, ᎠᎭᏂ Heritage Center, ᎠᎴ ᎾᏍᎩ ᎤᎾᏓᏠᏒᎢ ᏧᎾᏟᎶᏍᏔᎾᎾᎢ ᎬᏂᎨᏒᎢ ᏄᏍᏕᏍᏗ ᏱᎪᎯᏓ ᎠᏍᏆᎵᏍᎨᏍᏗ Trail of Tears Art Show.”

ᎾᏍᎩᏃ ᏧᏚᎵᏍᎨᎢ ᎾᏍᎩ ᎠᎦᏘᏱ ᏧᎸᏫᏍᏓᏁᏗᎢ, Chunestudy ᎢᎧᏃᎮᏍᎬᎢ ᏂᎪᎯᎸᏃ ᎤᎸᏉᏕᎢ ᏧᏍᏕᎸᎡᏗᎢ ᏗᏍᏆᏂᎪᏔᏅᎢ ᎠᎴ ᎬᏂᎨᏒᎢ ᏣᎳᎩ ᎢᏳᏛᏅᎵᏓᏍᏗᎢ.

“ᏗᏟᎶᏍᏔᏅᏅᏃ ᎢᎦᏃ ᎣᏍᏓ ᎾᏍᎩᏃ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎾᏂᎥᏃᏍ ᏯᏂᎪᏩᏔ ᏄᏬᏚᏒᎢ. ᏓᎩᎸᏫᏍᏓᏁᎲᎢ ᎥᎿᎾᏂ Cherokee Heritage Center ᎠᎴ ᎣᏍᏓ ᎠᎦᏘᏗᏗᏍᏗ ᎢᎦᏤᎵᎢ ᎦᏟᏎᏅᎢ ᏱᎪᎯᏓᏃ ᏛᎦᏌᏙᏍᎬᎢ ᎠᏂᏣᎳᎩ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᎾᏍᎩ ᎪᎯᏴ ᏥᎩ ᏣᏁᎭ ᎾᏍᎩᏃ ᎤᎵᏍᎨᏓ ᎠᎩ ᎢᏯᏆᏛᏁᏗᎢ,” ᏗᎦᏍᎬᎢ.

CHC ᏄᎬᏫᏳᏒ Candessa Tehee ᎢᏳᏪᏛ ᎾᏍᎩᏃ Ꮎ CHC ᎣᏏ Chunestudy ᏏᏊ ᏧᎴᏅᎲ ᏚᎸᏫᏍᏓᏁᎲᎢ.

“ ᎾᏍᎩᏃ ᎤᏂᏔ ᏧᎶᏌ ᎣᏍᏓ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᎠᎴᎪᏟᎬᎢ ᎠᏂᏣᎳᎩ ᏧᎾᏛᏁᎸᏍᏔᏅᎢ ᎠᎴ ᏗᏍᎦᏚᎩ ᎠᎴ ᎾᏍᎩ ᏄᏍᏛᎢ ᏕᎤᎲᎢ,” ᎠᏗᏍᎬᎢ Tehee. “ ᎾᏍᎩᏃ ᎤᎸᏉᏛᎢ ᏣᎳᎩ ᏗᏟᎶᏍᏔᏅᏅᎢ ᏧᎾᏛᏁᎸᏍᏔᏅᎢ ᎾᏍᎩ ᎬᏂᎨᏒᎢ ᏂᎦᎵᏍᏗᎭ ᎾᏛᏁᎲᎢ ᏴᎪᏩᏔ ᏚᎸᏫᏍᏓᏁᎲᎢ ᎠᎴ ᎣᏍᏓ ᎢᏳᎵᏍᏓᏁᏗᎢ ᎤᏩᎬᏗᏗᏒᎢ ᎥᎿᎾᏂ CHC.”

ᎾᏍᎩᏃ CHC ᎥᎿ ᏧᏙᏢᎭ 21192 S. Keeler Drive. 9 a.m. to 5 p.m. ᎤᎾᏙᏓᏉᏅᎢ ᎤᎾᏙᏓᏈᏕᎾ ᏂᏛᏓᎴᏂᏍᎩ ᏕᎭᎷᏱ 15 ᏚᎵᏍᏗ 15 ᏱᎪᎯᏓ ᎠᏍᎢᏐᎢ.

CN Angel Project provides Xmas gifts for children

BY STACIE GUTHRIE
Reporter – @cp_sguthrie
12/03/2015 08:30 AM
TAHLEQUAH, Okla. – On Nov. 24, the Cherokee Nation kicked off the season of giving with its 2015 Angel Project event to help provide Christmas gifts to Cherokee children in need.

To begin the giving, CPR, a Tribal Employment Rights Office-certified and Cherokee-owned roofing business, donated 250 bicycles to the help fill the wants of children who were a part of the Angel Project.

“Giving back is something my mother raised me to do and my employees love helping give back also,” CPR President Robert Brown said. “I remember one year when my mother was unable to buy me a Christmas gift and she received help from a local store owner, who helped her in providing me that one toy under the Christmas tree.”

Rachel Fore, CN Indian Child Welfare administrative operations manager, said the donation of bikes would cover a “large amount” of what children are requesting for their respective Christmas gifts.

“That’s a fabulous donation that we haven’t ever had before, so it kind of changed the way we had to do things on the application side,” she said. “We pretty swiftly decided that we would just pull all the angels that have requested bikes and then we would utilize the funds that we receive to fill in the needs for those children.”
People surround the Cherokee Nation Angel Project Tree on Nov. 24 at the W.W. Keeler Tribal Complex in Tahlequah, Oklahoma. There are nearly 2,000 Cherokee children in the tribe’s 14-county jurisdiction who are apart of the project this year. STACIE GUTHRIE/CHEROKEE PHOENIX
People surround the Cherokee Nation Angel Project Tree on Nov. 24 at the W.W. Keeler Tribal Complex in Tahlequah, Oklahoma. There are nearly 2,000 Cherokee children in the tribe’s 14-county jurisdiction who are apart of the project this year. STACIE GUTHRIE/CHEROKEE PHOENIX

ᏓᎵᏆ, ᎣᎦᎳᎰᎹ. – ᎾᎯᏳᏃ ᏅᏓᏕᏆ. 24, ᎾᏍᎩ ᏣᎳᎩᎯ ᎠᏰᎵ ᎤᎾᎴᏅᎲᎩ ᎯᎠ ᏓᏓᏁᏟᏴᏍᎬᎢ 2015 ᏗᎧᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ ᎤᎾᎵᏍᏕᎸᎯᏓᏍᏗᎢ ᏓᏂᏍᏓᏲᎯᎲᎢ ᏗᏓᏁᏗ ᏧᏂᏁᏗᎢ ᎠᏂᏣᎳᎩ ᏗᏂᏲᏟ ᎾᏍᎩ ᎤᏂᏂᎬᎬᎢ.

ᎾᏍᎩᏃ ᎤᎾᎴᏅᎯᏓᏍᏗᎢ ᏧᏂᏁᏗᎢ, CPR, ᎠᏂᏍᏓᏢᎢ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏧᏂᏍᏓᏩᏛᏍᏗ – ᎠᎵᏍᎪᏟᏗᏍᎩ ᎠᎴ ᏣᎳᎩ-ᎤᏅᏏ ᎤᎾᏤᎵᎢ ᏗᏂᎵᏦᏛᏍᎩ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᏚᎾᎵᏍᎪᏟᏔᏅᎢ 250 ᏱᎦᎢ ᎳᎵ ᏗᎦᏆᏘ ᏗᎩᎸᏙᏗ ᎾᏍᎩ ᏓᏂᏍᏕᎵᏍᎬᎢ ᏗᏂᏲᏟ ᎾᏍᎩ ᎨᎪᏪᎸᎢ ᎥᎿᎾᏂ ᏗᎧᎿᏩᏗᏙᎯ ᎤᎾᏓᏁᎳᏁᏗᎢ.

“ ᎪᎱᏍᏗᏃ ᎠᏓᏁᏗ ᎾᏍᎩ ᎠᎩᏥᏃ ᎠᏇᏲᏅᎢ ᎢᏯᏛᏁᏗᎢ ᎠᎴ ᏗᎦᏥᎾᏝᎢ ᎠᏂᏉᏗᎭ,” CPR ᏄᎬᏫᏳᏒᎢ
Robert Brown ᎢᏳᏪᏓ. “ᎡᏘᏴᏃ ᏥᎨᏒᎢ ᏫᎦᏅᏓᏗᎠ ᎠᎩᏥ ᎤᏄᎸᏅᎢ ᎨᏒᎢ ᎪᎱᏍᏗ ᎠᎩᏁᏗᎢ, ᎠᎴ ᎠᏓᎾᏅᎢ ᏧᎸᏫᏍᏓᏁᎯ ᎠᏆᏍᏕᎸᎲᎢ ᏌᏊ ᏗᏁᏟᏙᏗ ᎠᎩᏁᎸᎢ. ᎯᎠᏃ ᏥᏂᎦᎵᏍᏗᎭ ᎾᏍᎩ ᏗᏂᏲᏟ ᎠᎴ ᎤᎾᏓᎬᏴᎵᎨᎢ ᏛᏍᏕᎵᏍᎬᎢ ᎾᏍᎩ ᏰᎵᎢ ᎪᎱᏍᏗ ᎬᏩᏂᎩᏍᏗ ᏓᏂᏍᏓᏲᎯᎲᎢ ᏑᎾᎴᎢ.”

Rachel Force, ᏣᎳᎩᎯ ᎠᏰᎵ ᎠᏂᏴᏫᏯ ᏗᏂᏲᏟ ᏗᏂᏍᏕᎵᏍᎩ ᏄᎬᏫᏳᏒᎢ ᏂᏚᏍᏗᏗᏒᎢ ᏄᎬᏫᏳᏌᏕᎩ, ᎢᎧᏃᎮᏍᎬᎢ ᎾᏍᎩ ᏔᎵ ᏗᎦᏆᏘ ᏗᎩᎸᏙᏗ ᏧᎾᎵᏍᎪᏟᏔᏅᎢ ᎤᏂᎪᏗ ᏗᎬᏩᏂᎩᏍᏗ “ ᎤᏓᏍᏈᏍᏙᏒᎢ” ᎨᏎᏍᏗ ᏄᏍᏛᎢ ᎠᏂᏔᏲᎯᎲᎢ ᏓᏂᏍᏓᏲᎯᎲᎢ.

“ᎾᏍᎩᏃ ᎤᎸᏈᏍᏗ ᎤᎾᎵᏍᎪᏟᏔᏅᎢ ᎥᏝ ᎢᎸᎯᏳ ᎥᏍᎩᏳᎵᏍᏓᏂᏙᎸᎢ ᏱᎩ, ᎾᏍᎩᏃᏅ ᎤᏓᏁᏟᏴᏒᎢ ᏄᏍᏛᎢ ᎢᏯᏛᏁᏗᎢ ᏗᎧᎵᏏᏐᏗᎢ ᏗᎪᏪᎵ,” ᎠᏗᏍᎬᎢ. “ᎾᏍᎩᏃ ᎩᎳᏫᏴᎢ ᏙᎫᎪᏔᏅᎢ ᎾᏍᎩ Ꮎ ᏗᎧᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ ᎾᏍᎩ ᏧᏂᏔᏲᏢᎢ ᏔᎵ ᏗᎦᏆᏘ ᏗᎩᎸᏙᏗ ᎾᏍᎩᏃ ᏗᎵᏍᎪᏟᏔᏅᎢ ᏥᎩ ᏱᏓᏅᏗ ᎥᏍᎩᎾᏅ ᏗᏂᏲᏟ ᏧᏂᏔᏲᏢᎢ ᏱᏓᏂᎲᏏ.”

Fore Z ᎢᏳᏪᏓ ᏂᎦᏛᏃ 250 ᏔᎵ ᏗᎦᏆᏗ ᏗᎩᎸᏙᏗ ᏚᎪᎭ ᎤᎵᎮᎵᏨᎢ ᏚᏂᏠᏛᎢ ᎥᎿᎾᏂ ᏙᏱᏗᏢᎢ W.W. Keeler Tribal Complex.

“ᏓᏆᏠᏍᏔᏅᎢ ᏂᏗᎦᎵᏍᏙᏗ ᎾᏍᎩᏃ ᏱᏗᏣᏁᏏ ᏗᎧᎵᏏᏐᏗ ᎾᏍᎩ ᎤᎾᏓᏍᏈᏍᏙᏒᎢ ᎠᏁᎭ ᎤᏂᏂᎬᎬᎢ ᎪᎱᏍᏗ ᎠᎴ ᎠᎦᏲᏝ ᎤᏂᏂᎬᎦ ᏗᎦᏤᎵᎢ ᎠᏂᏣᎳᎩ ᏗᏂᏲᏟ ᎾᏍᎩ ᏕᎪᏪᎸᎢ ᎥᎿᎾᏂ ᏗᎧᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ, ᎠᎴ ᎬᎪᏩᏛᏗ ᎾᏍᎩ ᎩᎶ ᎬᏬᏟᏍᏗ ᏙᎯᏳᎯᏯ ᎤᏚᏟᏛᎢ ᎾᏍᎩ ᎤᏂᎪᏗ ᏗᏂᏲᏟ ᎾᏍᎩ ᏗᎬᏩᏂᏘᏲᏍᏗ, ᎾᏍᎩ ᏙᏳᎢ ᏗᎦᏙᎵᏍᏗ, ᎠᎴ ᎢᎦᎨᏃ ᎣᏍᏓ ᎠᏂᏣᎳᎩ ᎠᏂᏣᎳᎩ ᏓᎾᎵᏍᏕᎵᏍᎬᎢ,” ᎠᏗᏍᎬᎢ.

Fore Ꮓ ᎢᎧᏃᎮᏍᎬᎢ 2,000 ᎾᎥᎢ ᏄᏂᏨᎢ ᏗᏂᏲᏟ ᎠᏂ ᎠᏓᏁᎳᏁᏗ ᎠᏁᎳ. ᎢᎧᏃᎮᏍᎬᎢᏃ ᏓᎬᏖᏃᎲᎢ ᏧᎪᏩᏛᏗᎢ ᏢᏃ 100 ᎢᏳᏂᏨᎢ ᎤᎾᏚᏟᏗ ᏳᎾᏛᏂ ᏧᏂᎧᎵᏏᏌᏅᎢ ᎯᎠ ᏥᏛᏟᏱᎳ.

“ᎾᎥᏂᎨᏍᏗᏃ ᎠᏟᎠᎵᏎᏍᏗ ᎠᏂᏏᏴᏫ ᏂᏛᏂᏪᏏ, ᎥᏝ ᏱᏥᎦᏔᎮᎢ ᎥᏍᎩ ᏱᎦᎢ ᏧᎵᎬᏩᎶᏗᎢ ᎠᎴᏱᎩ ᎣᏍᏗᏁᎳ ᏧᎸᏫᏍᏓᏁᏗᎢ ᎤᏲᎱᏎᎸᎢ ᏥᏛᏟᎠᎵᏒᎢ. ᎠᎴᎾᏍᏊ ᎥᏍᎩᎾᎾ ᏗᏂᏲᏟ ᏱᏙᏥᏯᎾ ᎠᎴ ᏱᏙᏥᏍᏕᎳ,” ᎠᏗᏍᎬᎢ. “ᎡᏘᏴᏃ ᏥᎨᏒᎢ, 2,016 ᏗᏂᏲᏟ ᏙᏥᏍᏕᎸᎲᎢ ᎾᏍᎩᏃ ᏂᎬᏩᏍᏕᏍᏗ ᎠᎴ ᎠᏛᏅᎢᏍᏕᏍᏗ ᏦᎩᎸᏫᏍᏓᏁᏗᎢ ᎯᎠ ᏧᏕᏘᏴᏌᏘ.”

Fore Z ᎢᎧᏃᎮᏍᎬᎢ ᏳᏓᎵᎭᎢ ᎥᏝ ᏂᎦᏓ ᏗᏂᏲᏟ ᎾᏍᎩ ᎨᎪᏪᎸᎢ ᎥᎿᎾᏂ ᎢᏡᎬᎢ ᏱᎨᎦᏑᏰᏐᎢ, ᎠᏎᏃ ᎢᎧᏃᎮᏍᎬᎢ ᎾᏍᎩ ᎤᎾᎵᏍᏕᎸᏗ ᏥᏂᎦᎵᏍᏓ ᎥᏝᏃ ᏳᏂᏂᎬᎨᏍᏗ.

“ᏳᏓᎵᎭᏃ, ᏥᏂᎦᎵᏍᏗᎭ ᎣᏣᏓᎾᎾᏁᏍᎪᎢ 200 ᎠᎴ 400 ᏦᏥᏍᏕᎸᎡᏗᎢ ᎾᏍᎩ ᎥᎿᎾᏂ ᎢᏡᎬᎢ ᎨᎪᏪᎸᎢ ᎨᎦᏑᏰᏓ ᏂᎨᏒᎾ ᏱᎩ, “ᎤᎾᎵᏍᎪᏟᏔᏅᏃ ᎾᏍᎩᏃ ᎣᏨᏗᏍᎪᎢ ᎾᏍᎩ ᏦᏥᏍᏕᎸᎡᏗᎢ. ᎾᏍᎩ ᎣᏣᎦᏎᏍᏗᏍᎪᎢ ᎢᏳᏍᏗ ᎤᏂᏂᎬᎬᎢ ᎢᎬᏱᏱᎢ ᎡᎵᏊᏃ ᏌᏊᏊ ᎢᏳᏍᏗ ᎤᏂᏔᏲᏢᎢ ᎠᏂᎩᎰᎢ ᎯᎠ ᏧᏕᏘᏴᏌᏗ.”

Fore Z ᎢᎧᏃᎮᏍᎬᎢ ᎯᎠᏃ ᏧᏕᏘᏴᏌᏗ ᎾᏍᎩ ᎢᏃᏱᏱᎢ ᎤᎵᏍᏕᎸᏗ ᏂᎦᎵᏍᏗᏍᎬᎢ ᎥᎿᎾᏂ ᏣᎳᎩᎯ ᎠᏰᎵ ᏗᎸᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ, ᎠᎴ ᎾᏍᎩ ᎣᏍᏓ “ᎠᎩᏰᎸᏅᎢ” ᏄᏍᏛᎢ ᎠᏆᏕᎶᎰᏒᏅᎢ.

“ᏁᎵᏍᎬᏃ, ᎦᏙᏍᎩᏂ ᏄᏍᏕᏍᏗ ᏗᎦᏁᏍᏗᎢ ᎯᎠ ᏗᎧᎵᏏᏐᏗ?’ ᎠᎴ ᏗᎪᏩᏛᏗ ᎤᎾᏓᏥᎢ ᎠᎴ ᎤᎾᏓᏙᏓ ᎾᏍᎩ ᏧᎾᏚᎵᎠ ᎪᎱᏍᏗ ᏰᎵᎢ ᏗᎬᏩᏂᏁᏗ ᏗᏂᏲᏟ ᏚᏂᎧᎲᎢ ᏓᏂᏍᏓᏲᎯᎲᎢ,” ᎠᏗᏍᎬᎢ. “ᎠᏴᏃ ᎥᏝ ᏱᎨᎵᏍᎨᎢ ᎥᏍᎩ ᏱᎦ ᏂᏓᏥᏰᎸᏂᏒᎢ.”

ᎠᏗᏍᎬᎢ ᎠᎴᎾᏍᎩᏊ ᎤᏠᏱ ᏄᏁᎵᏒᎢ ᎠᏂᏏᏓᏁᎸᎢ ᏄᏍᏛᎢ ᎾᏅᏛᏁᎲᎢ ᏓᏂᏍᏓᏲᎯᎲᎢ.

“ᎾᏍᎩᏂᏃᏅ ᎤᏠᏱ ᎾᏊᎵᏍᏓᏁᎰᎢ ᎠᏋᏌ ᎨᎥᎢ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎢᎦᏥᎦᏙᏍᏗᎰᎢ ᎠᏆᏌ ᏓᏆᏓᏘᎿᎥᎢ ᎠᎴ ᏱᎾᏇᎵᏏ ᏍᏈᏯ ᎢᎦᏥᏁᎰᎢ ᎠᏋᏌ ᏓᏆᏓᏘᎿᎥᎢ,” ᎠᏗᏍᎬᎢ. “ᏍᏗᏃ ᎬᏕᎶᎰᎯᏍᏗ ᏛᎧᏂᏍᎬᎢ ᏗᎧᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ ᎠᏯᏃ ᏄᏓᎴᎢ ᎣᏥᎪᏩᏛᏗ ᎣᏥᏏᏓᏁᎸᎢ ᏃᎦᏛᏅ ᎯᎠ ᏧᏕᏘᏴᏌᏗ. ᎡᎵᏊᏃ ᎾᏊ ᎥᏝ ᎥᏍᎩ ᏱᎦ ᏱᏂᎦᎬᏛᎦ ᎠᎴ ᏱᏂᎦᏥᏛᏂᏏ ᎾᏍᎩ Ꮎ ᎪᎱᏍᏗ ᎬᏩᏂᎩᏍᏗ ᎠᏰᏟᏴ ᎠᏋᏏ ᏓᏆᏓᏘᎿᎥᎢ ᎤᏂᎩᏍᏗ ᏱᎦᏥᎥᏏ.”

ᎾᏍᎩᏃ Ꮎ ᎦᎧᎿᏩᏗᏙᎯ ᎠᏓᏁᎳᏁᏗ ᎾᏍᎩ ᎠᏛᏅᎢᏍᏓ ᎾᏍᎩ ᏣᎳᎩᎯ ᎠᏰᎵ ᎠᏁᎳ 14-ᏍᎦᏚᎩ ᎢᎬᎾᏕᎾ ᎠᏁᎯ ᎤᏅᏙᏗ, ᏱᎦᏃ ᎠᏃᏢᏍᎬᎢ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ ᎬᏂᎨᏒᎢ ᎢᏳᏅᏁᏗ ᎠᎴ ᎾᏍᏊ 0 ᎠᎴᏱᎩ 16 ᎢᏧᎾᏕᏘᏴᏓ ᏗᏂᏲᏟ ᏱᏚᏂᎧᎭ.

Fore Z ᎢᎧᏃᎮᏍᎬᎢ ᏂᎦᏓᏃ ᎤᎾᎵᏍᎪᏟᏔᏅᎢ ᏗᎦᏇᏅᏓ ᏂᎨᏒᎾ ᏧᏂᏲᎯᏍᏗ ᎥᎿᎾᏂ ᏣᎳᎩᎯ ᎢᎬᏱᏱᎢ ᎥᎿᎾᏂ Tribal Complex ᎤᏓᎷᎸᏊ ᎥᏍᎩᏱ. 9. “ᎤᏓᎷᎸᏃ ᎾᏍᎩ ᏴᎯᏁᎦ ᎠᏏᏴᏫ ᏚᏙᎥᎢ,’ ᎠᏗᏍᎬᎢ.

CN ᎬᏂᎨᏒᎢ ᎢᏳᏅᏁᎸᎢ, tax-free monetary ᎠᎵᏍᎪᏟᏔᏅᎢ ᎠᎵᏍᏕᎵᏍᎩ ᏗᏓᏁᏗ ᏗᏩᎯᏍᏗᎢ ᏱᏣᎵᏍᎪᏟᏔᏂ ᎥᎿᎾᏂ CN at http://bit.ly/10xobLR. ᎤᎪᏗᏃ ᎠᏕᎶᎰᎯᏍᏗᎢ ᏲᏚᎵᎠ,ᏩᏟᏃᎮᏗᏃ Fore 918-458-6919.

Sarabia finds success in BMX sport

BY STACIE GUTHRIE
Reporter – @cp_sguthrie
11/06/2015 08:30 AM
BULLHEAD CITY, Ariz. – A young Cherokee Nation citizen is making a name for herself in the BMX world, also known as bicycle motocross. Payton Sarabia, 5, has two big titles under her belt and is just beginning her biking journey.

Payton’s mother, Priscilla, said Payton became interested in BMX after attending one session.

“It was very hard to find a sport that would take kids at that young of an age, and BMX was one of them. We took her one day and she tried (it) and from there she was hooked,” she said. “She started on one of those little bikes that don’t have pedals, it kind of teaches the kid to balance. From there she moved onto pedal bikes, which is what she’s on now and competing on.”

Payton said she likes the sport because she likes making friends and “jumping” her bike.

Priscilla said Payton’s usual class she races with, the 5 and under class, is extremely competitive.
Cherokee Nation citizen Payton Sarabia rides her bike with a purple tutu over her riding gear. She has earned the name ‘Payton the Purple Pickle Flying Tutu’ for her look. COURTESY Payton Sarabia
Cherokee Nation citizen Payton Sarabia rides her bike with a purple tutu over her riding gear. She has earned the name ‘Payton the Purple Pickle Flying Tutu’ for her look. COURTESY

Bullhead City, Ariz. – ᎠᏓᎨ ᎠᎨᏳᏣ ᏣᎳᎩ ᎠᏰᎵ ᎨᎳ ᎠᎦᏅᏐ ᏂᎦᎵᏍᏗᎭ ᎾᏍᎩ ᎨᎳ BMX ᎡᎶᎯ ᎬᎾᏕᎾ, ᎾᏍᎩᏍᏊ ᏔᎵᏗᎦᏆᏘ ᎠᏂᎩᏍᏗᏍᎩ ᏚᎾᏗᏫᏍᏗᎭ. Payton Sarabia, ᎯᏍᎩ ᏳᏕᏘᏴᏓ, ᎦᏳᎳ ᏚᎾᎠ ᏗᎪᏪᎵ ᏄᏛᏁᎸ ᎭᏫᎾᏗᏢ ᎤᏓᏠᎲᎢ ᎠᎴ ᏃᏊ ᎠᎴᏂᎭ ᎾᎿ ᏔᎵ ᏗᎦᏆᏘ ᎠᎩᎸᏗᏍᎬᎢ ᎠᏂᎩᏍᎪᎢ.

Payton’s ᎤᏥᎢ, Priscilla, ᎠᏗᏍᎬ Payton ᎤᎴᏅᎲ ᏓᏍᏆ.ᎪᏍᎬ BMX ᎣᏂ ᎾᎿ ᏧᏭᏪᏙᎸ ᏌᏊ ᏓᎾᏠᏍᎬᎢ ᎠᎾᎵᏏᎾᎲᏍᏗᏍᎬᎢ.

“ᏍᏓᏱ ᎨᏒ ᎠᏩᏛᏗ ᏗᎬᏩᎾᏁᎶᏗ ᎬᏩᎾᏕᎳᏗᏍᏗ ᎠᎴ ᏗᎬᏩᏂᏯᏍᏗ ᎨᏒ ᏗᏂᏲᏟᏊ, ᎠᎴ BMX ᎾᏍᎩ ᏓᏂᏯᏂᏍᎬ ᎾᏍᎩᏊ ᎢᏳᎾᏕᏘᏴᏓ. ᏌᏊ ᎢᎦ ᎣᏍᏓᏘᏅᏒ ᎠᎴ ᎤᏁᎶᏔᏅ ᎠᎴ ᎾᎯᏳ ᎤᎴᏅᏓ ᎤᎸᏉᏔᏅ,” ᎠᏗᏍᎬᎢ. “ᎤᎴᏅᎲ ᎤᎩᎸᏔᏅ ᎤᏍᏗ ᏔᎵ ᏗᎦᏆᏘ Ꮭ ᏗᎳᏍᎬᏍᏗ ᏱᏗᎪᏢᏎ, ᎤᎾᏕᎶᏆᏍᏙᏗ ᎨᏒ ᎤᎾᎩᎸᏙᏗᎢ. ᎾᎯᏳ ᎤᎴᏅᎲᎢ ᏌᏊ ᎠᎳᏍᎬᏍᏗ ᎪᏢᏒ, ᏅᏍᎩᏃ ᎤᎩᎸᏙ ᎠᎴ ᏓᏙᎩᏯᏍᏗᏍᎪᎢ.”

Payton ᎠᏗᏍᎬ ᎤᎸᏉᏛ ᎾᏍᎩ ᏧᏁᎶᏗ ᏅᏗᎦᎵᏍᏙᏗ ᎤᎸᏉᏙ ᏧᎵ ᏓᏩᏗᏍᎬ ᎠᎴ “ᏓᎵᏔᏗᏅᏗᏍᎬ” ᎾᎿ ᎤᏤᎵ ᏔᎵ ᏗᎦᏆᏘ.

Priscilla ᎠᏗᏍᎬ Payton’s ᎾᏍᎩ ᏓᎩᏍᎬ ᏓᏕᎶᏆᎠᎬ ᎾᎿ ᏓᏙᎩᏯᏍᏗᏍᎬ, ᎾᏍᎩ ᎯᏍᎩ ᎠᎴ ᎭᏫᎾᏗᏝ ᎠᏂᏯᎢ, ᎾᏍᎩ ᎢᎦ ᎤᏂᎸᏉᏓ ᎤᎾᏙᎩᏯᏍᏗ.

“ᎾᏍᎩ ᎯᏍᎩ ᎢᏧᎾᏕᏘᏴᏓ ᏱᏃᎵ ᎠᏂᎨᏳᏣ ᎠᏁᎪ ᎾᏍᎩ ᎤᏬᎸᏗ ᎤᏁᏓᏍᏗᎢ, ᎠᏎᏃ ᎢᎦ ᎤᎾᏓᎪᎾᏙᏗ ᎤᏂᎸᎴᏓ,” ᎠᏗᏍᎬᎢ. “ᎾᏍᎩ ᎠᏂᏧᏣ ᏱᎩ ᎾᏍᎩ ᎾᎾᏛᏁᎰ, ᎠᏎᏃ ᎾᏍᎩ ᎠᏂᎨᏳᏣ ᎾᏍᎩᏍᏊ ᎤᏠᏯ.”

Priscilla ᎠᏗᏍᎬ ᎯᎠ ᏧᏕᏘᏴᏌᏓ Payton ᎤᎩᏒ ᎤᏓᏠᏒ ᎾᎿ Arizona ᎢᎬᏱ ᎠᏂᏙᎾ ᎤᎾᏓᏠᏒ ᎠᎴ ᏦᎢᏁ ᎤᎾᏓᏠᏒ ᎾᏍᎩ DK ᏔᎵ ᏗᎦᏆᏘ ᏓᎶᏂᎨ ᎠᎫᎩᏍᏓ Regional ᎤᏂᏍᎦᏎᏗ, ᎢᏧᎳ ᎾᎿ ᎯᏍ ᎢᏳᎾᏕᏘᏴᏓ ᎠᎴ ᎭᏫᎾᏗᏢ ᎠᏂᎨᏳᏣ ᎠᏂᏯᎥᎢ.

“ ᎯᎠ ᏧᏕᏘᏴᏌᏗ ᎾᏍᎩ ᎢᎬᏱ ᎤᏕᏘᏴᏌᏗᏒ ᎾᏍᎩ ᏙᎦᏁᎶᏂ ᎤᏔᏂ ᏓᎾᏁᎶᎲᏍᎬ ᎾᎿ ᏍᎦᏚᎩ ᎠᎴ ᎾᎿ ᎠᏕᎳ ᏓᎶᏂᎨ ᎤᎵᏍᏈᏓ,” ᎠᏗᏍᎬᎢ. “ᎾᏍᎩ ᏍᎦᏚᎩ ᎠᎾᏙᎩᏯᏍᎬᎢ, ᎾᏍᎩ ᎢᎸᏍᎩ ᎨᏒ ᏂᎬᎾᏛ ᏍᎦᏚᎩ. ᎤᏕᎳᏛ ᎾᎿ, ᎠᏆᏚᎵ ᎠᏆᏗ, ᏑᏓᎵ ᏯᏂᎢ. ᎤᏗᏗᏝ ᎾᎿ ᏍᎦᏚᎩ ᎠᎾᏙᎩᏯᏍᎬ ᎾᏍᎩ ᎤᏂᎩᏒ ᏩᎦᎸᎳᏗᏴ ᎾᎿ ᏅᎩ ᎤᏂᏅᏅ ᎠᎴ ᎾᏍᎩ ᎤᏂᏍᏆᏛ ᏂᎦᏓ, ᎠᎴ ᏂᎦᎵᏍᏗᏊ ᎩᎶ ᏭᎪᏛ ᎤᏂᎾᎢ ᎠᎴ ᏭᎪᏛ ᎤᎾᏓᏠᏒ ᎠᎵᏍᏆᏗᏍᎬ ᎾᏍᎩ ᎠᏂᎩᏍᎪ ᎤᏓᏠᏒᎢ ᎾᎿ ᏍᎦᏚᎩ ᏩᎦᎸᎳᏗᏴ ᎤᏓᏠᏒᎢ.”

Priscilla ᎠᏗᏍᎬ ᎾᏍᎩ Peyton ᏓᏱᎦᎵᏍᎪᎸᏓᏁᎵ ᎤᎾᏫᏗᎢ ᎢᎬᏱ ᎪᏪᎵ ᏖᎵᏙ ᎤᏫᏗ ᏔᎵ ᏗᎦᏆᏘ ᎤᎩᎸᏛ ᎾᏍᎩ ᎤᏓᏠᏒ ᏍᎦᏚᎩ. ᎾᏍᎩᏍᏊ ᏔᎵ ᏯᎦᏴᎵ ᏍᎩᎦᏚ ᏍᎦᏚᎩ ᎢᎬᏱ ᎠᏂᏙᎾᎢ ᎦᎵᏔᏅᏙᏗ ᏕᎦᎶᏗ ᎠᎵᏏᏓᏍᏗ.

ᎠᏗᏍᎬ Peyton ᎤᏍᏆᏛ ᎠᏂᏐᎢ ᏗᎾᏁᎶᎲᏍᎩ ᎠᏂᎨᏳᏣ ᎾᏍᎩ ᎤᏕᎵᎬ ᎠᏁᎯ ᎾᏍᎩ ᎠᎹᏱᏟ ᏗᏍᎦᏚᎩ ᎾᎿ ᎤᎾᏓᏠᏒ ᏦᎢᏁ ᎤᏙᏢᏒ ᎾᎿ DK ᏔᎵ ᏗᎦᏆᏘ ᎠᏕᎳ ᏓᎶᏂᎨ ᎤᎵᏍᏈᏓ.

“ᎾᏍᎩ ᎯᎠ ᏗᏂᏲᏟ ᎾᏍᎩ ᎤᏠᏯ ᎢᏧᎾᏕᏘᏴᏓ ᎠᎴ ᎾᏍᎩ ᎢᎦ ᎠᏂᎦᏔᎲᎢ ᎾᎿ ᎨᏒᎢ,” ᎠᏗᏍᎬᎢ. “ᎠᎾᏙᎩᏯᏍᎬ ᎤᎾᏕᎶᎰᎯᏍᏗ ᎾᏳ ᏛᎬᏂᎩᏏᏒ ᎤᏓᏠᏒᎢ.”

Priscilla ᎠᏗᏍᎬ ᎣᏍᏓ ᎤᏱᎸ ᎾᎿ ᎤᏪᎧᎲ ᎠᎨᏳᏣ ᎠᎴ ᎢᎦ ᎤᏓᏠᏒᎢ ᎾᎿ ᏓᏁᎶᎲᏍᎬᎢ.

“ᎠᏯ ᎢᎦ ᎦᎵᎡᎵᎬ. ᏥᏢᏩᏍᎬ ᎠᏇᏥ. ᎠᏍᏆᏗᏍᎬ ᎤᏬᏢᏅ ᎤᏂᏃᎮᏗ,” ᎠᏗᏍᎬᎢ. “ᎢᎦᏃ ᎤᏍᏆᏂᎪᏛ ᎾᎿ ᎯᎠ ᎢᏳᎵᏍᏙᏗ ᎤᏓᏠᎯᏍᏗᎢ ᏅᏗᎦᎵᏍᏙᏗ ᎢᏳᎾᏥᏍᏈᏍᏗ ᏗᏂᏲᏟ ᎠᎾᏓᎪᎾᏗᏍᎪᎢ.”

ᎾᏍᎩ Tuff Gurlz Trophy ᎤᎾᏓᏡᎬ, ᏂᎦᏓ ᎠᏂᎨᏳᏣ BMX ᎤᎾᏓᏡᎬ, ᎤᏍᏕᎸᎯᏙ Payton.

Priscilla ᎠᏗᏍᎬ Payton ᎠᎦᏅᏙ ᎤᎾᏬᏍᏗ ᎾᏍᎩ ᎠᏕᎭᎷᎨ ᏚᏚ ᎦᏚᏗᏝ ᎠᎾᏙᎩᏯᏍᎩ ᏧᎾᏄᏬᏍᏗ ᏚᏄᏭᎢ.

“ᎾᏍᎩ ᎢᎬᏱ ᏧᎴᏅᎲ BMX Ꮭ ᏳᏅᏖ ᎢᏳᏍᏗ ᎤᏑᏰᏍᏗ ᎾᎿ BMX ᎠᎴ ᎤᎵᏍᎩᏍᏗᎢ ᎾᏍᎩᏃ ᏄᎵᏍᏔᏅ ᎤᏓᎴᏅᎭ ᎾᏍᎩᎴ ᎤᎩᏍᏔᏅ ᏚᏙᎥᎢ, ‘Payton ᎾᏍᎩ ᎠᏕᎭᎷᎨ ᎦᎦᎹ ᎦᏃᎯᎴᎦ ᏚᏚ’ ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗ ᎤᏅᏬ ᏚᏚ ᎦᏚᎵᏢ ᎾᏃ ᏗᏐᎢ ᏚᏄᏮᎢ,” ᎠᏗᏍᎬᎢ. “ᎾᏍᎩᏃ Ꮟ ᎾᏥᏪᏎᎰᎢ ᎠᎴ ᎾᏍᎩ ᎠᏕᎭᎷᎨ ᏚᏚ ᎤᏄᏬᎢ.”

Payton ᎠᏗᏍᎬ ᎤᎸᏉᏛ ᎤᏄᏬᏍᏗ ᎠᏕᎭᎷᎨ ᏚᏚ ᏅᏗᎦᎵᏍᏙᏗ “ᎤᏟᏍᏗ” ᎨᏐ ᎠᎴ ᎬᏩᏓᏠᎯᏍᏗ.

Priscilla ᎠᏗᏍᎬ ᎾᏍᎩ ᏧᎦᏴᎵᎨ ᏳᏂᎪᎯ Payton ᎤᏄᏮ ᎤᏤᎵ ᏚᏚ ᎠᎾᏁᎶᏗᏍᎪ ᎤᏁᏥ ᎠᎨᏳᏣ ᎤᏪᎳᏗᏓᏍᏗ ᎾᎿ ᏓᎾᏁᎶᎲᏍᎬᎢ.

“ᎤᎪᏓ ᎾᏍᎩ ᏓᎾᏙᎩᏯᏍᏗᎬ ᎣᏤᏙᎲ, ᎢᎦᏓ ᏧᎾᏓᎦᏴᎵᎨ ᎠᏂᏧᏣ ᏚᏂᎧᎲ ᎠᏂᏧᏣ ᎠᎾᏙᎩᏯᏍᎪ ᎠᎾᏁᎶᏗᏍᎪ ᏧᏁᏣ ᎠᏂᎨᏳᏣ ᏧᎾᏁᎶᏗᎢ, ᎠᏎᏃ ᎠᏂᎨᏳᏣ ᎯᎠ ᎾᏂᏪᏍᎪ, ᎠᏂᏧᏣᏛᎢ ᏧᎾᏁᎶᏗ ᎾᏍᎩ. Ꮭ, ᏯᏆᏚᎵ ᎾᏍᎩ ᏯᏆᏛᏗᎢ.’ ᎾᏍᎩᏃ ᎠᏂᎷᏤᎭ Payton ᎠᎴ ᎠᎾᏛᏛᎲᏍᎪ ᏗᎨᎦᏟᎶᏍᏙᏗ ᎾᏍᎩ ᎤᏅᏮ ᎾᏍᎩ ᎤᎾᏂᎩᏍᏗ ᎠᎴ ᏧᏎᎮᏗ ᎾᎿ ᏧᏁᏣ ᎠᏂᎨᏳᏣ ᎾᏍᎩ ᏧᎾᏁᎶᏗ ᏧᎾᏁᎶᏗ ᎠᎴ ᏂᎯ ᎡᎵ ᎢᎨᏣᏛᏗ,” ᎠᏗᏍᎬᎢ. “ ᏙᎯᏳᏃ ᏓᏂᎦᎵᏍᏓᏗᏍᏗᏍᎪ ᎤᏂᎪᏓ ᎠᏂᏴᏫ ᏓᎾᏁᎶᎲᏍᎪᎢ.

McCarter shares blowgun dart-making knowledge

BY WILL CHAVEZ
Assistant Editor – @cp_wchavez
10/05/2015 08:41 AM
PARK HILL, Okla. – Cherokee artist Danny McCarter, of Tahlequah, possesses skills handed down by Cherokee people for hundreds of years. He makes blowguns from river cane and the darts shot from it.

Along with knowing these skills, he uses a blowgun at his job as a villager in the Cherokee Heritage Center’s Diligwa Village. He interprets for the village’s visitors the Cherokee lifeways of the mid-1700s.

To make darts, he uses a thistle plant and a wooden shaft, which is usually difficult for a person when first trying.

“I can teach people to make a blowgun in one day...but the dart is really the art part because it takes a lot of dexterity to roll the dart and catch the thistle on there,” he said. “It looks simple when you see somebody do it that’s done it a thousand times, but it’s really difficult.”

His late uncle, J.C. McCarter, who worked in the CHC’s Ancient Village, introduced him to the blowgun. Danny’s brother, Rob, and another villager named Scott Rackliff also had a hand in teaching Danny about the blowgun and dart making when they worked in the village in the 1980s.
Cherokee artist Danny McCarter, of Tahlequah, Oklahoma, attaches Scottish Thistle to a wooden shaft using thread to make a blowgun dart for a river cane blowgun. WILL CHAVEZ/CHEROKEE PHOENIX After tying thistle to a wooden shaft to make a blowgun dart, Cherokee artist Danny McCarter rolls the dart in his palms to get rid of loose seeds and downy from the thistle. WILL CHAVEZ/CHEROKEE PHOENIX Cherokee blowgun maker Danny McCarter removes seeds from a dry Scottish Thistle bulb before using it for fletching for a blowgun dart. He gathers the thistle in mid-to-late August. WILL CHAVEZ/CHEROKEE PHOENIX Scottish Thistle is used for blowgun dart fletching. The purple plant blooms about mid-August in northeastern Oklahoma. For a dart’s fletching, Cherokee artist Danny McCarter takes a dried thistle bulb and gently removes the brown, seedy part from the pod to avoid pulling out the white, fluffy part of the pod that will be used to form the fletching. WILL CHAVEZ/CHEROKEE PHOENIX
Cherokee artist Danny McCarter, of Tahlequah, Oklahoma, attaches Scottish Thistle to a wooden shaft using thread to make a blowgun dart for a river cane blowgun. WILL CHAVEZ/CHEROKEE PHOENIX

ᎠᏭᏂᏴᏍᏗ, ᎣᎦᎵᎰᎹ. – ᏣᎳᎩ ᎪᏢᏅᏍᎩ Danny McCarter, ᏓᎵᏆ ᎡᎯ ᎠᎦᏔᎭ ᎾᏍᎩ ᏍᎪᎯᏧᏈ ᎾᏕᏘᏯ ᏂᏓᏃᏢᏍᎪᎢ ᎠᏂᏣᎳᎩ ᎠᏂᏴᏫ ᎾᏍᎩᏃ ᎠᎦᏘᎯ. ᏕᎪᏢᏍᎪ ᏚᏇᏍᏗ ᎾᎿ ᎢᎯᏯ ᏕᎪᏢᏗᏍᎪᎢ ᎠᎴ ᎾᏍᏊ ᏥᏥ ᏗᏍᏓᏲᏍᏙᏗ.

ᎾᏍᎩ ᎤᏅᏙ ᎯᎠ, ᎬᏗᏍᎪ ᏚᏇᏍᏗ ᏚᎸᏫᏍᏓᏁᎲ ᎤᏍᏗ ᎦᏚᎲ ᎾᎿ ᏣᎳᎩ ᏧᎾᏓᎴᏅ ᎠᏰᏟ ᏗᎵᏆ ᎤᏍᏗ ᎦᏚᎲᎢ. ᏕᎧᏃᎯᏎᎰ ᎤᏍᏗ ᎦᏚᎲ ᎠᏁᏙᎯ ᎠᏂᏣᎳᎩ ᎠᏁᎲᎢ ᎾᎿ ᎦᎵᏆᏚ ᎢᏍᎪᎯᏧᏈ ᎤᏕᏘᏴᏌᏗᏒᎢ.

ᏥᏥ ᏗᎪᏢᏗᎢ, ᎬᏗᏍᎪ ᏥᏥ ᎠᎴ ᎬᎾᏍᏗ, ᎢᎬᏱ ᎠᏓᎴᏂᏍᎬ ᎡᎵ ᎠᏍᏓᏲᎢ ᎢᎪᏢᏗᎢ.

“ᎡᎵᏊ ᏱᏥᏰᏲᎲᎦ ᎨᎶ ᎾᎿ ᏚᏇᏍᏗ ᎪᏢᏗ ᏌᏊ ᎢᎦ…….ᎠᏎᏍᎩᏂ ᏥᏥ ᏓᏃᏎᎰ ᏚᏇᏍᏗ ᏗᏍᏓᏲᏍᏙᏗ ᎾᏍᎩ ᏙᎯᏳ ᏍᏓᏯ ᎪᏢᏗ ᎪᎯᏓ ᎾᏟᎢᎵᏙ ᏥᏥ ᎾᏍᎩ ᎢᎬᏅᏙᏗ ᎾᎿ ᎦᎾᏍᏗᎢ ᎪᎯᏗ ᎠᎵᏏᎾᎲᏍᏙᏗ ᎩᎳ Ꮩ ᎣᏍᏓ ᏴᏕᎶᏆ,” ᎠᏗᏍᎬᎢ. ᏛᎧᏂᏍᎬᏊ ᎠᎴ ᎩᎶ ᏱᎪᏢᏍᎦ ᎠᎯᏓ ᏄᏫᏍᏙ ᎠᏎᏃ ᎾᏍᎩ ᎢᏳᏩᎪᏛ ᎨᏒ ᎢᏩᏛᏁᎸ ᎨᏐᎢ, ᎠᏎᏃ ᎢᎦ ᏍᏓᏱᎢ.”

ᎤᏚᏥ ᏚᎸᏫᏍᏓᏁᎮ ᎾᎿ ᎤᏍᏗ ᎦᏚᎲ ᏧᎸᏫᏍᏓᏁᎯ ᎨᏎ ᎦᏙᎥ J.C. McCarter ᏚᏙᎡᎢ. ᎾᏍᎩᏃ ᎤᏪᏲᏁ ᏌᏊ ᎨᏒ ᏗᎾᏓᏅᏟ Rob ᏧᏙᎩᏓ, ᏐᎢᏃ ᏚᎸᏫᏍᏓᏁᎮ Scott Rackliff ᏚᏙᎡ ᎾᏍᎩᏍᏊ ᎤᏕᎶᏆᎡᎴᎢ ᎠᎴ ᏗᏍᏓᏲᏍᏙᏗ ᏥᏥ ᏗᎪᏢᏔᏅ ᎤᏕᎶᏆᎥᏁ ᎾᎿ ᏐᏁᎳᏚ ᎢᏍᎪᎯᏧᏈ ᏁᎵᏍᎪ ᎤᏕᏘᏴᏌᏗᏒᎢ ᎨᏎᎢ.

Danny ᎠᏗᏍᎬ ᎤᎦᏎᏍᏔᏂᏙᎸ Ꮭ ᏙᎢ ᏱᎦᏅᏗ ᎾᎿ ᏙᎯᏳ ᎤᏓᎴᏅᎲ ᎦᏇᏍᏗ ᏓᏃᏢᏍᎬ ᎠᎴ ᎤᏓᎴᏅᎲᎢ, ᎠᏎᏃ ᏓᏅᏗᏍᎬ ᎠᏂᏃᎰᎵᏙᎲᎢ. ᎢᎦᏓᏃ ᎤᏛᎾ ᎤᎦᎾᏮ ᎠᎹᎵᎧ ᎠᏁᎯ ᎢᎦᏓ ᏓᏅᏗᏍᎪ ᏧᏠᏯ ᏚᏇᏍᏗ ᏚᏙᏢᏒ ᎠᏎᏃ ᏓᎾᏟᎲ ᏓᏅᏗᏍᎪ ᎠᎴ ᎠᏓᏟᏓᏗᏍᎩ ᎠᏂᏅᎵᏰᏍᎪ ᎦᎾᏍᏗᎢ. ᎾᏍᎩᏍᎩᏂ, ᎠᏗᏍᎬ ᎠᏂᏣᎳᎩ ᎠᏂᏴᏫ ᏓᏅᏗᏍᎪ ᏚᏇᏍᏗ ᎾᎿ ᏌᎶᏂ, ᏥᏍᏚ, ᎠᎴ ᏥᏍᏆ ᏚᏂᏲᎲ ᏓᏂᎯᏍᏗᏍᎪ. ᎠᏂᏣᎳᎩ ᎨᎳ ᏗᎾᏛᏍᎩ ᏓᏅᏗᏍᎪ ᏓᏂᏲᏍᏗᏍᎪ ᎪᎱᏍᏗ ᏯᏕᏯᏙᏗ ᎤᏂᏫᏒᏅᎢ.

ᎠᏗᏍᎬ ᎠᏂᏣᎳᎩ ᏧᎾᏍᏗ ᎨᏒ ᎤᎾᏙᏢᏒ, ᎾᏍᎩᏃ ᎤᎪᏛ ᎠᏅᏔᏅᏍᎬ Ꮭ ᎠᏎ ᏙᎯᏳ ᎤᏟᏂᎩᏓ ᏱᎨᏎ ᎾᏍᎩᏍᎩᏂ ᎠᏂᎦᏔᎾᎢ ᎨᏒᎢ. ᎠᏗᏍᎬᏃ ᎢᎦᏓ ᎠᏂᏴᏫ ᎢᎦ ᏍᏓᏯ ᎠᎾᏦᏔᏍᎪ ᎾᎿ ᏚᏇᏍᏗ ᏝᏃ ᎾᏍᎩ ᏱᎩ ᎤᏟᏍᏗ ᏩᏦᏔᏍᏗ.

ᎠᏗᏍᎬ ᎤᏓᏠᏒ ᎾᎿ ᎠᎾᏓᎪᎾᏗᏍᎬ ᎾᏍᎩ ᎠᏂᏣᎳᎩ ᎤᎾᏕᏘᏱᏍᎬ ᎠᏍᏆᎵᏍᎬᎢ ᎬᏗᏍᎬᏃ ᏚᏇᏍᏗ ᏅᎩ ᎠᏰᏟ ᎢᎳᏏᏗ ᎢᎦᏅᎯᏓ ᎾᏍᎩᏃ ᎠᏂᏐᎢ ᎨᏴ ᏕᎦᏅᎯᏒ ᎾᏍᎩᏃ ᏫᏚᏂᏲᏍᏗ ᎨᏒ ᎾᎿ ᏅᎩᏍᎪ ᎯᏍᎩ ᏯᎳᏏᏗ ᎨᏐᎢ. ᎠᏗᏍᎬᏃ ᎾᏍᎩ ᎤᏤᎵ ᏚᏇᏍᏗ ᏱᏚᏍᏓᏲᏟ ᎤᎪᏙ ᎤᏟᏂᎩᏓ ᎠᏝᏫᏗᏍᎪᎢ ᎾᎿ ᎦᏅᎯᏓ ᎨᏒᎢ ᏅᎩᏍᎪ ᎯᏍᎩ ᎢᏯᎳᏏᏗ ᎨᏐ ᏫᏓᏂᏲᎯᎲᎢ. ᎠᏗᏍᎬ ᎾᏍᎩ ᏱᏓᏍᏓᏲᏟ ᎾᏍᎩ ᏍᏆᎳᎯᎨ ᏴᎬᏗ ᎤᎪᏙ ᎤᏟᏂᎩᏓ ᎨᏐ ᎠᎴ ᎠᏅᎯᏲ ᎠᏟᏫᏗᏍᎪᎢ.

Danny ᎠᎴᏂᏍᎪ ᎦᏟᏏᏍᎬ ᎠᎴ ᎤᏲᎰ ᏥᏥ ᎢᎾᎨᎢ ᎾᏍᎩ ᏳᏥᎸᎾ ᎠᏰᏟᏴ ᎤᏂᎩᏓ ᎦᎶᏂ ᎠᎴ ᏚᎵᏍᏗ ᏕᎧᎸᎢ ᏱᎩ ᎤᏲᎰ ᎾᏍᎩ ᎠᎭᏂ ᎨᏒᎢ. ᎾᏍᎩ ᎠᏕᎭᎵᎩ ᎠᏥᎸᏍᎪ ᎾᏍᎩ ᎤᏴᏢ ᎢᏗᏢ ᏣᎳᎩᎯ ᎠᏰᎵ ᎠᎴ Ꮟ ᎣᏂᏴ ᎤᏣᏘᏂ ᎨᏒᎢ. ᎠᏗᏍᎬᏃ ᎾᏍᎩ ᏥᏥ ᏏᏉᏲ ᏍᎦᏚᎩ Ꮭ ᏯᏥᎸᏍᎪ ᎠᏰᏟ ᎤᏂᎩᏓ ᏚᎵᏍᏗ ᎧᎸ.

“ᏝᏃ ᎣᏍᏓ ᏱᎩ ᎢᎬᏅᏕᏍᏗ ᎾᏍᎩ ᏕᎭᎵᎨ ᏳᏥᎸᎭ. ᎢᎬᏅᏕᏍᏗ ᎾᏍᎩ ᎤᏬᏗᎨ ᏱᎩ. ᎢᏳᏃ ᏱᏂᎬᏂᏕᏏ ᎠᎴ ᏯᏍᏆᏂᎪᏔᏅ ᎾᏍᎩ ᏕᎭᎵᎨ ᏱᎩ ᏱᎧᎾᏬᏓᏛᎦ (ᎣᏂ ᎬᏙᏗ ᏱᎵᏏ), ᏱᎧᎾᏬᏓᏛᎦ,” ᎠᏗᏍᎬᎢ.

ᎠᏗᏍᎬ ᎾᏍᎩ ᎦᏅᎯᏓ ᎤᏝᏫᏗᎢ ᏥᏥ ᎾᏍᎩ ᏬᏌᏂᏴᎢ ᎬᏙᏗᎢ ᎤᏟᏍᏗ ᎬᏙᏗᎢ, ᎠᏗᏍᎬ ᏂᎦᏓᏊ ᎢᏳᏍᏗ ᎣᎦᎵᎰᎹ ᎠᏁᎯ ᎠᏂᏣᎳᎩ ᏓᏅᏗᏍᎪ ᏚᏇᏍᏗ ᎠᎾᏓᎪᏅᏗᏍᎬᎢ ᎾᏍᎩ ᏫᏚᏂᏲᏍᏗ ᏅᎩᏍᎪ ᎯᏍᎩ ᎢᎳᏏᏗ ᎢᏴᎢ ᎠᎴ ᏚᎪᏛ ᏚᏇᏍᏗ ᏧᏂᎳ ᎠᎴ ᏍᎪᎯ ᎢᎳᏏᏗ ᎢᏗᎦᏅᎯᏓ ᎨᏐᎢ. ᏯᏛᏂᏃ ᎦᎶᏇ ᏱᎩ, ᏚᏇᏍᏗ ᏱᎩ ᎦᏅᎯᏓ ᏱᎩ ᎢᎾ ᏫᎦᎷᎪ ᏥᏥ ᎦᏅᎯᏓ ᎠᏝᏫᏗᏍᎪᎢ.

ᏱᎰᏓᎪᏢᎾ ᏧᏍᏓᏲᏍᏙᏗ, ᎤᎧᏲᏓ ᎬᏗᏍᎪ ᎠᎴ ᏂᏕᎬᏅᏕᏍᎪ ᏂᎦᏓ ᎤᏬᏗᎨ ᎨᏒ ᎠᎴ ᎤᏂᎦᏘ ᎾᏍᎩ ᎤᏁᎦ ᎨᏒᎢ ᏂᎦᏓ ᎧᏃᎯᏯᏍᎪ ᎤᏬᏢᏙᏗ ᏥᏥ.

“ᎾᏍᎩᏊᏃ ᎢᎦ ᎨᏐ, ᎾᏍᎩ ᎭᏫᏂ ᏄᏍᏛᎢ ᏕᎪᏢᏗᏍᎪᎢ,” ᎠᏗᏍᎬᎢ.

ᏃᏊᎴ ᎠᏴᏩᏘᏍᎪ ᎦᏥᏃᏍᏗ ᎠᏓ ᎠᎴ ᏓᏰᎶᎰ ᎦᎸᎳᏗ. ᎠᏗᏍᎬ ᎨᎶ ᎠᎵᏊ ᏱᏕᎪᏢᏗ ᎢᎯᏯ ᎠᎴ ᎧᎶᏇᏓ ᏓᎶᏂᎨ ᎾᏄ ᏍᏓᏯ ᎠᏓ ᎤᏬᏚᎯ ᎾᏍᏊ. ᏗᏐᎢ ᎠᏓ ᏗᎦᎬᏙᏗ ᎾᏍᎩ ᏧᏍᎦ, ash, maple, ᏩᏁᎢ, ᎠᎴ ᏎᏗ. ᎠᏎᏍᎩᏂ, ᎤᏟᏍᏛᎢ ᏗᎪᏢᏗ ᏱᏓᏩᏏᏊ ᏕᎦᎳᏗᏍᏛ ᎦᏅᏍᏗ ᎠᎾᏓᏍᏓᏴᎲᏍᎪ ᏓᏅᏗᏍᎪᎢ.

ᎦᎸᎳᏗ ᏱᏓᏰᎳᎵ, ᏴᎩ ᎦᏰᏫᏒᏙᏗ ᎬᏗᏍᎪ ᎠᎴ ᏓᎧᏁᎯᎰ ᎠᎴ ᏂᎬᏅᏗᏍᎪ ᎾᎿ ᎬᎾᏍᏗᎢ.

ᏃᎴ ᎾᏍᎩ ᎤᏁᎦ ᏩᏂᎨ ᎨᏒ ᎦᏅᏍᏗᎢ ᏃᏊ ᎠᏍᏘ ᎠᎴᏂᏍᎪ ᎦᎸᏪᏯᏍᏗᏍᎪ ᎪᏢᏍᎪ ᏚᏇᏍᏗ ᏗᏍᏓᏲᏍᏙᏗ. ᏙᎯᏳᏃ ᏕᎬᏗᏍᎪ ᏧᏬᏰᏂ ᎠᎴ ᎾᏍᏊ ᏗᎦᏅᏙᎬ ᎾᏍᎩ ᏕᎬᏗᏍᎪ ᏂᎬᏅᏗᏍᎬ ᏥᏥ ᎾᎿ ᎬᎾᏍᏗᎢ.

ᏓᎧᏁᎯᎰ ᎤᏍᎪᎵ ᎠᎴ ᎾᏍᎩ ᏩᏂᎨ ᎨᏒ ᎠᎴ ᎦᎸᏪᏯᏍᏗᏍᎪ ᎦᏅᏍᏗᎢ ᏂᎦᏓᏃ ᏳᎸᏪᏯᏍᏔᏂ ᏂᎬᏅᏕᏍᎪ ᏂᎦᏓ ᏃᏒ ᎨᏒᎢ.

“ᏧᏓᎴᏅᏓ ᎣᎬᏔᏅᎾ ᏙᏦᏢᏗᏍᎬ ᏗᏲᏍᏙᏗ ᏯᏛᎾ ᏥᏍᏆ, ᏌᎶᎵ ᎦᏙᎩ, ᎠᎴ ᏥᏍᏚ ᎤᏩᏂ. ᎠᏂᏣᏗ ᎾᏍᎩ ᎧᏍᎩᏲᎩ ᎠᏁᎯ ᎠᏅᏗᏍᎪ ᎤᏥᎸᎢ ᏅᏗᎦᎵᏍᏙᏗ ᎾᏍᎩ ᎤᏥᎸ ᎠᎾᏛᎯᏍᏗᏍᎩ, ᎠᏎᏃ ᏥᏥ ᎾᏍᎩ ᏬᏌᏂᏴ ᎠᏗᏍᎬᎢ,” ᎠᏗᏍᎬᎢ. ᎾᏍᎩᏃ ᎯᎠ ᎠᏍᏕᎵᏍᎪ ᏥᏥ ᎦᎶᏇᎯ ᎠᏰᏟ ᎢᏳᎵᏍᏙᏗ , ᎠᎴ ᎠᏍᏕᎵᏍᎪ ᎦᎶᏇᎯ ᏥᏳᎪᏓ ᎢᏳᎵᏍᏙᏗ ᏥᏥ ᎾᏍᎩ ᎤᏠᏯ ᎦᏟᏓ.

Three C’s of Crawdads: catching, cleaning and cooking

BY JAMI MURPHY
Senior Reporter – @cp_jmurphy
08/19/2015 08:00 AM
LOST CITY, Okla. – Cherokee Nation citizen Larry Shade has lived his life in this northern Cherokee County community learning the ways of the Cherokee culture from his grandparents and father, the late Deputy Chief Hastings Shade. Among the cultural aspects he’s learned, one he truly enjoys is crawdad gigging.

Larry gigs crawdads in a section of Fourteen Mile Creek that his family owns.

“It’s just something that my dad always did when we were growing up. He worked, and when he came home that was the first thing we were going to do. We’d go out in the daytime, but a lot of times we’d go out at night, which is a lot easier,” he said. “It’s just a time-honored tradition that we hold true to our culture.”

He said many people who catch crawdads use traps, but he and his family use homemade gigs, something he also learned to do from his father.

“The gigs we are using tonight are all hand-forged by my dad. I’m in my 50s and the gigs that we’re going to use, I was 18 when dad made them,” he said.
Cherokee Nation citizens Larry, left, and Dustin Shade hunt for crawdads at night in Fourteen Mile Creek in Cherokee County. The father-son duo used homemade gigs to catch the crustaceans. JAMI MURPHY/CHEROKEE PHOENIX Father and son Larry, left, and Dustin Shade clean crawdads after gigging them in Fourteen Mile Creek. JAMI MURPHY/CHEROKEE PHOENIX Before cooking crawdads, Larry Shade and his family soaks the cleaned crustaceans in hot water with salt. After draining them, the Shades add salt and pepper, cornmeal and then fry them in oil. JAMI MURPHY/CHEROKEE PHOENIX Cherokee Nation citizen Larry Shade, the son of the late Deputy Chief Hastings Shade, cooks crawdads and fried potatoes near the bank of Fourteen Mile Creek in Lost City, Oklahoma. JAMI MURPHY/CHEROKEE PHOENIX Larry Shade holds a cleaned crawdad just after being caught out of Fourteen Mile Creek in Cherokee County. JAMI MURPHY/CHEROKEE PHOENIX Cherokee Nation citizen Dustin Shade shows a large crawdad he caught. COURTESY Cherokee Nation citizen Larry Shade, the son of the late Deputy Chief Hastings Shade, holds a gig made by his father more than 30 years ago. Larry continues to use the gig to hunt crawdads. JAMI MURPHY/CHEROKEE PHOENIX
Cherokee Nation citizens Larry, left, and Dustin Shade hunt for crawdads at night in Fourteen Mile Creek in Cherokee County. The father-son duo used homemade gigs to catch the crustaceans. JAMI MURPHY/CHEROKEE PHOENIX

LOST CITY, ᎣᎦᎳᎰᎹ.- ᏣᎳᎩᎯ ᎠᏰᎵ ᎨᎳ Larry Shade Z ᎤᏴᏢᎢ ᏗᏜ ᏣᎳᎩᎯ ᏍᎦᏚᎩ ᏗᎦᏚᎿᎢ ᎦᏁᎳ ᏓᏕᎶᏆᎡᎲᎢ ᎤᏙᏓ ᎠᎴ ᎤᏂᏏ ᎠᏂᏣᎳᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᎢ, ᎾᏍᎩ ᏔᎵᏁ ᎠᏓᎴᏁᎢ ᎤᎬᏫᏳᎯ ᎢᏳᎵᏍᏔᏂᎢ Hastings Shade. ᎾᏍᎩ ᎢᏯᏛᏁᎵᏓᏍᏗᎢ ᎤᏕᎶᏆᎥᎢ, ᎾᏍᎩ ᏭᎸᏈᏛᎢ ᏥᎩ ᏥᏍᏛᎾ ᏕᎦᏘᎲᎢ.

Larry Ꮓ ᏕᎦᏘᎰᎢ ᏥᏍᏛᎾ ᎥᎿᎾᏂ ᏂᎦᏚ ᎢᏳᏟᎶᏓ ᎠᎹᏱ ᎤᏪᏴᎢ ᎾᏍᎩᏃ ᎠᏂᏏᏓᏁᎸᎢ ᏥᎩ ᎤᎾᏤᎵᎪᎯ.

“ ᎾᏍᎩ ᎢᏯᏛᏁᎯ ᎨᏒᎢ ᏂᎪᎯᎸᎢ ᎣᎩᏙᏓ ᏙᎦᏛᏏᏗᏒᎢ. ᎾᏍᎩ ᏚᎸᏫᏍᏓᏁᎲᎢ, ᎠᎴ ᏱᎤᎷᏥ ᎾᏍᎩᏃ ᎥᏍᎩ ᎢᎬᏱᎢ ᏃᏣᏛᏁᎲᎢ. ᎢᎦ ᏱᎩ ᎣᏤᏙᎲᎢ, ᎠᏎᏃ ᏭᎪᏛᎢ ᎨᏒ ᎤᏒᎢ ᏱᎩ ᏬᏤᏙᎲᎢ, ᎾᏍᎩᏃ ᎠᎯᏗᏳ ᎨᏒᎢ,” ᎠᏗᏍᎬᎢ. “ ᎾᏍᎩᏃ ᎦᎸᏉᏗ ᎢᏲᎦᏛᏁᎵᏓᏍᏗ ᎣᎩᎭ ᏙᎩᏂᏱᏓ.”

ᎢᎧᏃᎮᏍᎬᎢ ᏭᏂᎪᏛᎢ ᏴᏫ ᏗᏌᏛᏗ ᏓᏅᏗᏍᎪᎢ ᏥᏍᏛᎾ ᏓᏂᏂᏍᎬᎢ, ᎠᏎᏃ ᎤᏮᏌ ᎠᎴ ᎠᏂᏏᏓᏁᎸᎢ ᎤᏅᏌ ᏧᏃᏢᏅᎢ ᏗᎦᏘᏍᏗ ᏓᏅᏗᏍᎪᎢ, ᎾᏍᎩ ᏥᎩ ᎤᏕᎶᏆᎡᎸᎢ ᎤᏙᏓ.

“ ᎾᏍᎩᏃ ᏗᎦᏘᏍᏗ ᏥᏕᏛᏗᎲᎢ ᎪᎯ ᎤᏒᎢ ᎡᏙᏓ ᏧᏬᏢᏅᎢ. ᎯᏍᎩ ᏍᎪᎯ ᎤᎶᏒᏍᏗ ᎢᏯᏆᏕᏘᏴᏓ ᎠᎴ ᎾᏍᎩ ᏗᎦᏘᏍᏗ ᏥᏙᏓᏛᏔᏂ, 18 ᏁᎳᏚ ᎢᏯᏆᏕᏘᏴᏓ ᎨᏒᎢ ᎾᎯᏳ ᏥᏚᏬᏢᏅᎢ,” ᎠᏗᏍᎬᎢ.

Hastings Ꮓ 2010 ᏥᎨᏒᎢ ᎤᏲᎱᏎᎢ 67 ᎢᏳᏕᏘᏴᏓ ᎨᏒᎢ ᎾᎯᏳ. ᎠᏂᏣᎳᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᎢ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᎪᎵᎦ ᎨᏒᎢ ᎠᎴ ᏂᎬᎾᏛ ᎠᏃᏟᎩ ᎨᏒᎢ ᎠᏂᏣᎳᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᎢ ᎠᏍᏆᏂᎪᏗᏍᎩ ᎨᏒᎢ ᎠᎴ ᎠᏏᎾᏏ ᎨᏒᎢ ᎤᏬᏢᏅᏗᎢ. ᎠᎴ ᎠᏂᏣᎳᎩ ᎢᎬᎾᏕᎾ ᎠᏁᎯ ᎠᏃᏢᏅᏍᎩ ᎨᏥᎸᏉᏗᏍᎩ ᎨᎳ ᎥᎨᏒᎢ ᎾᎯᏳᏃ 1991ᏗᎬᏓᎴᏂᏍᎩ ᎾᏍᎩ ᏄᏍᏛᎢ ᎤᏬᏢᏅᏗᎢ, ᎾᏍᎩ ᏗᎦᏘᏍᏗ ᎦᎪᏢᏍᎩ ᎢᏳᏍᏗ.

ᏛᎦᏘᎲᏃ, ᎢᎧᏃᎮᏍᎬᎢ Larry ᏗᎬᏩᏂᏰᏍᏗᏃ ᏱᎦᎢ ᏓᏂᏂᏱᏍᎬᎢ ᏥᏍᏛᎾ. ᎾᏍᎩᏃ ᎤᏩᏌ ᎠᎴ ᎠᏂᏏᏓᏁᎸᎢ ᏱᏓᏄᎪᏓ ᏱᎦᎢ ᏥᏍᏛᎾ ᏗᎬᏩᏂᏂᏗ ᎾᏍᎩ ᏧᏁᎵᏍᏗᎢ ᎠᏂᎥᎢ ᎠᎴ ᏳᏁᎾ ᎥᏍᎩᏭ ᏱᎦᎢ ᏓᏂᏂᏍᎬᎢ.
“ ᏙᏥᏂᏯᏍᎬᏃ ᎠᏂᏐᎢ ᎠᏂᏏᏓᏁᎸᎢ ᏧᏂᏂᏗ ᎠᎴ ᎡᏘᏴᎢ ᏦᎩᏂᏗ, ᎥᏝᏃ ᏦᎬᏙᏗ ᏂᎨᏒᎾ ᏱᏙᏥᎾᏫᏗᎰᎢ,” ᎠᏗᏍᎬᎢ. ᎾᏍᎩ ᏄᏍᏗ ᎠᏣᎳᎩ ᎢᏳᏛᏁᏗᎢ.”

ᎾᏍᎩᏃ ᎢᎧᏃᎮᏍᎬᎢ ᏭᎪᏛᎢ ᎠᏂᏏᏓᏁᎸᎢ “ᏳᎾᏓᏟᏌᏂ” ᎾᎯᏳ ᎤᏒᎢ ᏯᏁᎾ ᏥᏍᏛᎾ ᏱᏓᏂᏘᏡᎦ.

“ᎠᏇᏥᏃ ᎠᏧᏣ ᎠᎴ ᏧᎵᎢ ᎠᎴ ᎠᏇᏥ ᎠᎨᏳᏣ, ᏲᏤᎾ ᎠᎴ ᎠᏂᏔᎯ,” ᎠᏗᏍᎬᎢ. ᎠᎹᏱᏃ ᎦᏁᎲᎢ ᎣᏣᎢᏐᎢ ᏳᏴᏜ ᎠᎴᏱᎩ ᏳᎦᎾᏩ, ᎠᎴᏱᎩ ᏜᏄᏐ ᏯᏂᏯᎠ ᎠᎴ ᏱᎩ ᎢᎾᏛᎯ ᏱᎩ. ᎤᎾᏂᏙᏃ ᏂᎦᏂᏰᎬᎢ ᎥᎿᎾᏂ, ᎠᏎᏃ ᏙᎦᏛᏏ ᎥᏍᎩ ᏂᎬᏲᏣᏛᏁᎰᎢ.”

ᎾᏍᎩᏃ ᏥᏄᏍᏗ ᎢᏳᏛᏁᏗᎢ Shade ᎥᏝ ᎠᎯᏓ ᏱᎩ, ᎠᏗᏍᎬᎢ Larry, ᎠᏎᏅ ᎾᏍᎩ ᏂᎤᏍᏗ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᎢ ᎠᎴ ᎾᏍᎩ ᏂᎤᏍᏗ ᎤᎭ ᎦᎸᏉᏗᏍᎬᎢ ᎠᏂᏣᎳᎩ ᎢᏳᎾᏛᏁᏗᎢ ᎠᎴ ᏄᏍᏛᎢ ᎤᏂᏍᏓᏩᏛᏍᏗ.

“ ᎾᏍᎩᏃ ᎤᎪᏗ ᎠᎯᏗᏱ ᎾᏍᎩ ᎢᏯᏛᏁᏗᎢ ᏗᎦᎦᏂᏱᏗ ᎨᏒ ᏥᏍᏛᎾ, ᎠᏎᏅ ᎾᏍᎩ ᏂᎤᏍᏗ ᏱᎦᏲᎦᏛᏁᏗ ᎨᏒᎢᏢ,” ᎠᏗᏍᎬᎢ. “ ᏥᏏᎾᏏᏃ ᎾᏍᎩ ᎢᏯᏆᏛᏁᏗᎢ ᎠᎴ ᎠᏍᏓᏯ ᏄᏓᎴᎢ ᎪᎱᏍᏗ ᎢᏯᏆᏛᏁᏗᎢ.”

Larry Ꮓ ᎢᎧᏃᎮᏍᎬᎢ ᎦᏅᏓᏗᏍᎬᏃ ᏂᏗᎦᏘᏟᏙᎲᎢ.

“ ᏂᏗᎬᏓᎴᏂᏍᎩᏃ ᎡᏙᏓ ᏁᎳᎩ ᎤᏪᎵᏍᏗᎢ ᎠᎴ ᎡᎵ ᎢᏲᎦᏕᏘᏴᏓ ᏄᎵᏍᏔᏂ ᎠᎴ ᎣᎪᏟᏍᏗᎢ ᏄᏍᏛᎢ ᎦᏛᎬᎢ ‘ᎥᏝ’ ᎠᎴ ᏞᏍᏗ ᎥᏍᎩ ᏱᏣᏛᏁᎸᎢ,” ᎠᏗᏍᎬᎢ. 5 ᎯᏍᎩ ᎠᎴᏱᎩ 6 ᏑᏓᎵ ᏓᎬᏛᏂ ᎢᏲᎦᏕᏘᏴᏓ ᎨᏒᎢ … 46 ᎾᏕᏘᏯ ᏥᎨᏒᎢ.”

ᎾᏍᎩ ᎢᎧᏃᎮᏍᎬᎢ ᎢᎸᎯᏳᏃ ᏥᎨᏒᎢ ᏥᏍᏛᎾ ᏛᎦᏂᏱᏍᎬᎢ ᎾᏍᎩ ᏄᏍᏕᎢ ᏗᎦᎨᎳᏍᏗ ᎨᎲᎢ ᎠᏂᏏᏓᏁᎸᎢ. ᎥᏝ ᎥᏍᎩ ᏱᏄᏍᏗ ᎪᎯᏴᏥᎩ, ᎠᏎᏃ ᎾᏍᎩ ᎠᎬᏔᎲᎢ ᏏᏓᏁᎸᎢ ᏧᏪᎵᏍᏗᎢ ᏏᏓᏁᎸᎢ ᎾᏍᎩ ᎦᎸᏉᏙᏗ ᎠᎴ ᎠᏍᏆᏂᎪᏙᏗ.

“ ᏗᎬᎩᏚᏓᏃ ᎾᏍᎩ ᎤᏠᏱ ᏄᎾᏛᏁᎳ ᎠᎴ ᎤᏁᏲᎾ ᎡᏙᏓ. ᎠᎴ ᎡᏚᏓ, ᏕᎦᏃᏗᏍᎬᎢ ᏔᎷᎩᏍᎩ, ᎾᏍᎩ ᎠᎨᏲᏅᎢ ᎡᏙᏓ,” ᎠᏗᏍᎬᎢ Larry. “ Dustin’s (Larry’Z ᎤᏪᏥ) ᎣᎩᎾᎵᏲᏐᎢ ᏭᎪᏛ ᎨᏒ ᎠᎴ ᎢᎦᎵᎮᎪᎢ ᎣᎩᎾᎵᎪᎲᎢ ᎠᎴ ᎤᏚᎩ ᎠᏋᏐᎢ ᏂᎬᏯᎢᏎᏍᏗᏊ ᎾᏍᎩ ᎠᏧᏣ. ᎥᏝᏃ ᏂᎪᎯᎸᎢ… ᏲᏤᎮᏍᏗ ᎠᎴ ᎤᏚᎩ ᎠᏋᎭ ᎾᏍᎩ ᎢᏲᎦᏛᏁᎵᏓᏍᏗᎢ ᏦᎩᎭ… ᏗᏂᏲᏟ ᏦᎨᏥ ᎠᎴ ᏗᏂᏲᏟ ᏓᎩᎧᎲᎢ ᎠᏂᏧᏣ ᎠᎴ ᎠᏂᎨᏳᏣ ᎠᎴ ᏧᎾᎵᎢ ᎤᏚᎩ ᎠᏋᎭ ᏂᎬᏂᎯᎵᏎᏍᏗᏊ ᎾᏅᏛᎲᎢ ᎤᏠᏱ.”

Larry Z ᎢᎧᏃᎮᏍᎬᎢ ᎩᎶ ᎢᎸᎯᏳ ᎤᏁᏟᏔᏅᎢ ᏂᎨᏒᎾ ᏱᎩ ᏧᏩᏘᏍᏗᎢ ᏳᎾᏚᎵᎠ ᏱᏛᏂᏃᎲᎵ ᎠᎲᏂ larry-shade@cherokee.org.

ᏱᎦᎵᎮᎵᎦ ᏥᏩᏛᏗᎢ. ᏗᏍᏆᏟᏍᏓᏁᎸᎢ. ᏱᎦᏯᏘᏄᎦ. ᎤᏒᏃᎢ ᏱᏁᎾ ᎠᎴ ᏱᎬᏰᏲᎲᎦ ᎢᏯᏛᏁᎵᏓᏍᏗᎢ,” ᎠᏗᏍᎬᎢ. “ ᎾᎢᎥᎢ ᎠᏂᏣᎳᎩ ᎠᎴᏱᎩ ᏣᎳᎩᎯ ᎨᎳ. ᎢᏳᏃ ᏳᎾᏚᎵᎠ ᎤᎾᏕᎶᎰᎯᏍᏗᎢ ᎪᎯᎩ ᏥᎨᏒ ᏄᎵᏍᏔᏅᏅᎢ ᎠᎴ ᎦᏲᏟ ᎢᏱᎦᏛᏁᎵᏓᏍᏗᎢ.”

Catching

Larry Shade ᎠᎴ ᎠᏂᏏᏓᏁᎸᎢ ᎤᎾᏙᏢᏒᎢ ᏍᎦᏃᎵ ᎠᎾᎢᏐᎢ ᎠᎹᏱ ᏗᏨᏍᏗ ᏗᎪᎯᏅᏍᏗ ᏓᏂᏰᎰᎢ, ᎠᎴ ᎤᎵᏣᏗ ᎠᎴ ᏗᎦᏘᏍᏗ. ᏥᏍᏛᏂᏃ ᎤᏒᎢ ᎠᎾᎵᏍᏓᏂᏙᎰᎢ.

ᎾᏍᎩᏃ ᎠᏂShade ᎤᏅᏬᏛᎢ ᎠᎴ ᏍᏛᎩᎢ ᎠᎹᏱ ᏓᏂᏂᏱᎰᎢ. “ᎭᏢᏊ ᏗᏩᏛᏗ ᏱᎩ ᏥᏍᏛᎾ. ᎾᏍᎩᏃ ᏗᏁᏙᎲᎢ ᏫᏣᎷᎯᏍᏗ. ᎥᏝ ᏂᎯ ᎮᏙᎲᎢ ᏱᎬᏂᎷᎩ,” ᎠᏗᏍᎬᎢ.

LarryZ ᎢᎧᏃᎮᏍᎬᎢ ᏭᏂᎪᏛᎢ ᏴᏫ “ᏓᏂᏌᏛᏍᎪᎢ” ᎾᎯᏳ ᎤᏒᎢ “chum” ᏭᎾᏕᎪᎢ ᎠᎴᏱᎩ ᎪᎱᏍᏗ ᎤᏂᎩᏍᏗ Ꮎ ᏥᏍᏛᎾ ᎠᎴ ᏓᏂᏌᏛᏍᎬᎢ. “ ᎠᏣᏗᏃ ᏱᏓᎩᏅᎦᎸᎯ, ᏳᏓᎵᎭ ᎥᏍᎩᎾᎾ ᏱᏩᏮᏓᎤᎦ ᎠᎹᏱ ᎠᎴ ᎾᏍᎩ ᎤᏂᎩᏍᏗᏭ ᏥᏍᏛᎾ. ᎥᏝ ᏱᎦᏥᏌᏛᏍᎪᎢ ᏥᏍᏛᎾ. ᎾᏍᎩ ᎪᎯᎩᏴ ᏥᎿᎾᏛᎲᎲᎢ ᏃᏣᏛᏁᎰᎢ. ᎥᏝ ᏱᏥᎶᏄᎮᏍᎪᎢ,” ᎠᏗᏍᎬᎢ.

LarryZ ᎢᎧᏃᎮᏍᎬᎢ ᏱᏛᎦᏘᎭ, ᎾᎥᏃ ᏫᎦᎷᎯᏍᏗ ᏥᏍᏛᎾ ᏗᏁᏙᎲᎢ ᎡᎵᎢ ᏱᎩ ᏂᏛᏍᎦᏍᏓᏁᎲᎾ ᏱᎩ, ᎾᏊᏃ ᏗᎦᏘᏍᏗ ᏥᏍᏛᎾ ᎦᏘᏍᏗ ᎬᏗ ᎦᏚᎢᏗᏜ ᏥᏍᏛᎾ ᎠᏰᎸᎢ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎦᏂᏓᏛᎢ ᎦᏰᏍᏗ ᎠᎴ ᎥᏝ ᏱᏣᏚᎵᎠ ᏣᏲᏍᏙᏗᎢ. ᎾᏍᎩᏃ ᏱᎧᏃᎮᏍᎬᎢ ᎤᎵᏍᎨᏗᏯ ᎾᎯᏳ ᏥᏍᏛᎾ ᏱᏙᏲᎭ ᎠᏎᎢ ᎢᎦᎯ ᎠᏨᏍᏗ ᎠᏫᏗ ᏰᎵᏊ ᎠᎹᏱ ᎭᏫᎾ ᏫᏗᎬᏩᎸᏌᏓᏗᏍᏗᎢ ᎠᎴ ᎣᏂᏘ ᎢᏳᎵᏍᏙᏗ ᎥᎿ ᎬᏩᏕᏱᏓ ᎥᏙᎲᎢ.

Cleaning and cooking

ᎣᏍᏓᏃ ᏱᎦᎢ ᏱᏗᎦᏂᏴᎯ, LarryᏃ ᎠᎴ ᎠᏂᏏᏓᏁᎸᎢ ᏓᏂᏅᎦᎵᏍᎪᎢ Ꮎ ᏥᏍᏛᎾ, ᎥᎿᎿ ᎠᎹᏳᏟᏗ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎠᎯᏗᏭ ᎨᏐᎢ.

“ ᎾᏍᎩᏃ ᏃᏣᏛᏁᎲᎢ ᏱᏙᎩᏅᎦᎸ ᎦᏚᎢ ᏗᏜ ᎠᎴ ᎦᏌᎾᎩᏍᏗ ᎦᎸᏓᎬᏘ ᎠᎴ ᎦᏅᎦᏟᏗ ᏱᏗᎬᏓᎡᏗ ᏚᎩᏧᎸᎢ. ᎠᎴ ᎣᏂᏗᏢ ᏗᏜ ᎦᏂᏓᏛᎢ ᎠᏰᏟ ᎤᏥᏍᎦᏢᎢ ᏱᎬᏂᏕᏍᏗ. ᎤᎩᏧᎸᏃ ᏅᎬᏂᏕᎠ ᎾᏍᎩ ᏱᎾᏛᏁᎳ. ᏭᎪᏛᏃ ᎨᏒ ᏙᏥᎳᏕᏍᎪᎢ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎠᎩᏍᏗ ᎨᎰᎢ ᎢᎬᏱᏗᏜ ᏗᏜ ᎤᏕᏅᎢ ᎾᏍᎩ ᏱᎬᏂᏍᏔᏂ ᎠᎴ ᏲᏥᏲᏍᏓ ᎦᏂᏓᏛᎢ ᏗᏜ ᎤᏕᏅᎢ ᎠᎴ ᏲᏥᎦ ᎭᏫᏯ ᎥᎿ ᏄᏍᏛᎢ ᎤᏯᏍᎦᏢᎢ ᎭᏫᏂ.”

ᏲᎩᏍᏆᏓ ᏙᏥᏅᎦᎵᏍᎬᎢ, ᏙᏨᏩᏢᏍᎪᎢ ᏥᏍᏛᎾ ᎤᏗᏞᎩ ᎠᎼᎢ ᏍᏗ ᎠᎹ ᏚᎵᏍᏔᏅᎢ ᎾᏍᎩ ᎤᎾᏓᏅᎦᏗᎢ ᏥᏍᏛᎾ ᎠᎴ ᎤᏂᏲᏍᏗ ᏂᎨᏒᎾ ᏫᏛᎬᏂᏍᏗᎲᎢ ᏱᎪᎯᏓ.

ᎢᏳᏃ ᎠᏂShade ᏂᏚᏅᏂᏍᏔᏅᎾ ᏱᎩ ᎾᎯᏳ ᎤᏒᎢ, LarryᏃ ᎢᎧᏃᎮᏍᎬᎢ ᏳᏓᎵᎭ ᏑᏟᎶᏓ ᏕᎦᏟᏗᎢ ᏱᏕᎦᎸᎠ ᎠᎹᏃ ᏯᏟᏍᏗ ᏥᏍᏛᎾ ᏕᎦᎸᎢ ᎠᏗᏙᏗᏃ ᏥᏚᏍᏗᎧ ᏯᎧᎵᏣ ᎠᎹ ᏱᏕᎫᎵᏍᏓ ᏥᏍᏛᎾ ᎠᎴ ᎦᏁᏍᏓᎳᏗᏍᎩ ᏱᏕᎦᎸᎠ.

ᎾᏊᏃ ᏳᏟᎠᎶᏝ ᏗᎬᏂᏍᏙᏗᎢ, Larry ᎢᎧᏃᎮᏍᎬᎢ ᎥᏝ ᎪᎱᏍᏗ ᏄᏓᎴᎢ ᏳᏑᏯᏃᎢ, ᎠᏑᏴᏙᏗᏊ ᏍᏗᎢ ᎠᎴ ᏌᎷᎢᏌ.

ᎢᎧᏃᎮᏍᎬᎢ ᏍᏗᏃ ᎠᎹ ᎠᎴ ᏗᏆᏲᏗ ᎠᎴ ᏍᏗᏭ ᏎᎷᎢᏌ ᏗᎦᏅᎵᏰᏗ ᏥᏍᏛᎾ.

“ ᏍᏗᏃ ᎠᎹ ᎠᎴ ᏍᏗ ᏗᏆᏲᏗ ᎠᎴ ᎿᏊ ᏍᏗ ᏎᎷᎢᏌ ᎠᎴ ᏱᏛᎬᏣᏢᎦ,” “ᎠᏊᏂᏔ ᎥᏝ ᏙᏳᎢ ᎣᏍᏓ ᏱᎩ ᏗᎬᏣᏢᏅᎢ ᏱᎩ, ᎠᏎᏅ ᎥᏍᎩᏭ ᏂᎦᏲᏣᏛᏁᎰᎢ ᏙᏦᎦᏛᏒᎢ.”

CCO brings Cultural Enlightenment Series to local community

BY STACIE GUTHRIE
Reporter – @cp_sguthrie
07/30/2015 08:00 AM
BRIGGS, Okla. – The Cherokee Nation’s Community and Cultural Outreach has found a way to help CN citizens and local community members learn more about the Cherokee culture with its Cultural Enlightenment Series.

The series is held the second Tuesday of each month, and in July it took place at the TRI Community Association W.E.B. Building (Welling, Eldon and Briggs) in Briggs. Those attending watched participants play Cherokee marbles, weave baskets and perform other family and culture-friendly activities.

CCO Director Rob Daugherty said this is just one of the many communities his department reaches out to within the tribe’s 14-county jurisdiction.

“This is one of the buildings that we helped start fund along with other departments of the Cherokee Nation,” he said. “In our jurisdiction area we have several of these building and we work with approximately 38 community buildings that we have. We work with way more communities than that, but this is one of them.”

Daugherty, who watched the marble games, said he’s glad the community has taken up the sport.
Principal Chief Bill John Baker, right, plays a game of Cherokee marbles at the TRI Community Association W.E.B. Building in Briggs, Oklahoma. The Cherokee Nation’s Community and Cultural Outreach hosted its Cultural Enlightenment Series at the community that included marbles and basket weaving. STACIE GUTHRIE/CHEROKEE PHOENIX Cherokee Nation citizens Stacy Holcomb and her son, Preston, weave baskets during the Cherokee Nation Community and Cultural Outreach’s Cultural Enlightenment Series at the TRI Community Association W.E.B. Building in Briggs, Oklahoma. STACIE GUTHRIE/CHEROKEE PHOENIX
Principal Chief Bill John Baker, right, plays a game of Cherokee marbles at the TRI Community Association W.E.B. Building in Briggs, Oklahoma. The Cherokee Nation’s Community and Cultural Outreach hosted its Cultural Enlightenment Series at the community that included marbles and basket weaving. STACIE GUTHRIE/CHEROKEE PHOENIX

Briggs ᎣᎦᎵᎰᎹ. – ᏣᎳᎩ ᎠᏰᎵ ᏍᎦᏚᎩ ᎠᎴ ᏄᏍᏛ ᎤᎾᏕᏅ ᎤᎾᏙᏯᏅᎯᏛ ᎤᏂᏩᏛᎲ ᎢᏳᎾᏛᏗ ᏧᏂᏍᏕᎸᏗ ᏣᎳᎩ ᎠᏰᎵ ᎠᏁᎳ ᎠᎴ ᎾᎥ ᏍᎦᏚᎩ ᎠᏁᎳ ᎤᎾᏕᎶᏆᏍᏗ ᎤᎪᏛ ᎾᏍᎩ ᎠᏂᏣᎳᎩ ᏄᏍᏛ ᎤᎾᏕᏅ ᎾᎿ ᏄᎾᏛᏁᎵᏙᎸ ᏓᏁᏲᎲᏍᎬ ᏄᎵᏍᏔᏅᏒᎢ.

ᎾᎿ ᏄᎵᏍᏔᏅᏒᎢ ᎤᏂᏍᏆᎸᎡᎰ ᏔᎵᏁᎢᎦ ᏔᎵᏁᎢᎦ ᎾᎿ ᏏᏅᏓ ᏂᏕᎵᏍᏔᏂᏒ, ᎠᎴ ᎫᏰᏉᏂ ᎠᎴ ᎾᎿ ᏒᎵᏍᏔᏅ ᎾᏍᎩ TRI ᏍᎦᏚᎩ ᏧᎾᎵᎪᎯ W.E.B. ᎠᏓᏁᎸ (Welling, Eldon and Briggs) ᎾᎿ Briggs. ᏓᎾᏁᎶᎲᏍᎬ ᏗᎦᏓᏲᏍᏗ, ᏔᎷᏣ ᏓᏅᏍᎬᎢ ᎠᎴ ᎾᎾᏛᏁᎲ ᎠᏂᏐᎢ ᏏᏓᏁᎸ ᎠᎴ ᏳᎾᏛᏗ-ᎤᏓᏅᏘ ᎠᎾᏛᏁᎲᎢ.

CCO ᏧᏓᏘᎾᎢ Rob Daugherty ᎤᏛᏅ ᎾᏍᎩ ᏌᏊ ᎢᏳᏓᎴ ᎾᎿ ᎤᎪᏓ ᎨᏒ ᏗᏍᎦᏚᎩ ᏓᏁᏙᎲ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎾᎿ ᏓᏘᏂᏙᎰᎢ ᎾᎿ ᏂᎦᏚ ᏗᏍᎦᏚᎩ ᏚᏙᏢᏒᎢ.

“ᎯᎠ ᎾᎿ ᏌᏊ ᎠᏓᏁᎸ ᎾᏍᎩ ᎣᏥᏍᏕᎸᎲ ᎣᎦᎴᏅᎲ ᎣᏥᏟᏏᏍᎬ ᎾᏍᎩ ᏗᏐᎢ ᏚᏙᏢᏒ ᎾᎿ ᏣᎳᎩ ᎠᏰᎵ,” ᎠᏗᏍᎬ. “ᎾᏍᎩ ᏓᏟᎶᎥ ᎢᎬᎾᏕᎾ ᎢᎸᏍᎩ ᏓᏓᏁᎸ ᎾᎿ ᎣᏤᏙᎰ ᏙᎩᎸᏫᏍᏓᏁᎰ ᎾᏍᎩ ᏦᏍᎪ ᏧᏁᎳ ᏗᏍᎦᏚᎩ ᏓᏓᏁᎸ ᎾᏍᎩ ᏙᎩᎲᎢ. ᎤᎪᏓ ᏗᏍᎦᏚᎩ ᏙᎩᎸᏫᏍᏓᏁᎰ, ᎠᏎᏃ ᎯᎠ ᏌᏊᎢ.”

Daugherty, ᏚᎦᏙᏍᏛ ᏓᏂᏓᏲᎯᎲ, ᎠᏗᏍᎬ ᎠᎵᎮᎵᎪ ᏍᎦᏚᎩ ᏚᏙᏢᏒ ᎾᏍᎩ ᎾᎾᏛᏁᎰ ᏓᎾᏁᎶᎲᏍᎪ.

“ᎢᎦ ᎣᏣᎵᎮᎵᎪ ᎯᎠ ᎣᎦᏓᏡ Ꭼ ᎠᎭᏂ ᎤᎾᎴᏅᎲᎢ ᏓᎾᏁᎶᎲᏍᎬ ᏗᎦᏓᏲᏍᏗ. ᎤᏂᎩᏒ ᎾᏍᎩ ᏌᏊ ᎪᎯᎦ ᏧᎾᏁᎶᏅ, ᎠᎴ ᏃᏊ ᏣᎳᎩ ᎠᏰᎵ ᎪᎯ ᏥᎩ ᎠᎴ ᎾᏍᎩᏃ ᎤᏂᏍᏆᎸᎡᎰᎢ,” ᎠᏗᏍᎬᎢ.

“ᏃᏌᏂᏱ ᎯᎠ ᏗᎾᏁᎶᎲᏍᎩ Ꮭ ᎪᎱᏍᏗ ᏱᎩ ᎯᎳ ᎢᏣᏕᏘᏴᏓ ᎨᏒᎢ. Ꮭ ᎪᎱᏍᏗ ᏱᎩ ᎯᎳ ᎯᎭᏔ ᏱᎩ. Ꮭ ᎠᎱᏍᏗ ᏱᎩ ᎯᏌᏑᏓ ᏱᎩ. ᎯᎠ ᏗᏁᎶᏗ ᏂᎦᎵᏍᏗᏊ ᎢᏴ ᏗᏣᏁᎶᏗ. ᎯᎠ ᏓᎾᏁᎶᎲᏍᎬ ᎤᏬᎸᏗ ᏗᏁᎶᏗ, ᎠᏎᏃ ᎾᏍᎩ ᏗᎧᎾᏩᏛᏍᏗ ᏗᏍᏓᏩᏛᏍᏙᏗ ᎯᎠ ᏗᏁᎶᏗᎢ. ᏧᎾᎵᎪᎯ ᎨᏐ, ᎠᎴ ᏧᎾᎵᎪᎯ ᏓᎾᏟᏃᎮᏍᎪ ᎾᎿ ᎤᏂᎲᏍᏗᎢ, ᎤᏩᏅᏍᏗ, ᎤᎵᏍᏛᎷᏗ ᎠᎴ ᎤᏂᎩᏍᏗᎢ.”

Daugherty ᎠᏗᏍᎬ ᎤᎵᏍᎨᏓ ᏣᎳᎩ ᎦᏬᏂᎯᏍᏗ ᎠᏅᏗᏍᎪ ᎾᎿ ᏄᎾᏛᏁᎸᏍᏔᏅ ᏧᏂᎶᏒ ᎦᏬᏂᎯᏍᏗ ᎠᏅᏗᏍᎪᎢ.

“ᎦᏬᏂᎯᏍᏗ ᎾᏍᎩ ᎤᏔᎾ ᎤᎵᏍᎨᏓ ᎤᎾᏙᏢᎯ,ᏌᏊ ᎢᏳᏓᎴ ᎾᏍᎩ ᎠᎩᏁᏍᏔᏅ ᎢᏳᏍᏗ ᏅᏛᏁᎲ ᎦᏬᏂᎯᏍᏗ ᎢᏛᏗᏍᎨᏍᏗ,” ᎠᏗᏍᎬᎢ.

John Sellers, TRI ᏍᎦᏚᎩ W.E.B Association ᎤᎬᏫᏳᎯ ᎠᏗᏍᎬ ᎠᎵᎮᎵᎬ ᏣᎳᎩ ᎠᏰᎵ ᎠᏂᎷᎬ ᏧᎾᏓᏁᎸ ᏧᏂᎪᏩᏛᏗ ᏍᎦᏚᎩ ᎠᏁᎳ ᏣᎳᎩ ᏳᎾᏛᏁᎵᏓᏍᏗ.

“ᎣᏤᏙᎰ ᏙᏣᏕᎶᏆᏍᎪ ᏌᏊ ᎢᏳᏩᎪᏗ ᏏᏅᏓ ᎨᏒ ᎾᎿ ᏣᎳᎩ ᎠᏰᎵ ᎤᎾᏓᏁᎸ ᎠᎴ ᎤᏂᎪᎲ ᎣᏥᏯᎥ ᎠᎴ ᎠᏂᏃᎮᏍᎬ ᎾᏍᎩ ᎤᏪᏔ ᏗᎦᏓᏲᏍᏗ ᏓᎾᏁᎶᎲᏍᎬ, ᎠᎴ ᎣᏣᏓᏛᏛᎲᏍᎬ ᏧᏂᏍᏓᏩᏛᏍᏙᏗ ᏚᏂᎲᎢ, ᏄᏍᏛ ᏯᏛᏗᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏁᏙᎰ ᎪᎨᏲᎲᏍᎪ ᎠᎴ ᎯᎠ ᏄᏂᏪᏒ, ᎾᏍᎩ, ᏏᏅᏓ ᎢᏳᏓᎵ ᏗᏠᎯᏍᏗ ᎨᏒ ᏙᏓᏲᏣᏠᏏ ᎠᎭᏂ ᎠᎴ ᏂᏓᏲᏣᏛᏁᎵ,”’ ᎠᏗᏍᎬᎢ. “ᏃᏊ, ᎾᎯᏳ ᎩᎶ ᏛᎤᎵᏃᎮᏟ ᎠᎴ ᎠᎨᏯ ᎤᏚᎵᏍᎬ ᏔᎷᏣ ᏗᎪᏢᏗ ᏧᏕᏲᏗ, ᏕᎯᏯᏐᏙᏯ ᎠᏆᏛᏅᎢ.”

Sellers ᎠᏗᏍᎬ ᎢᎦ ᎠᎵᎮᎵᎬ ᎾᏍᎩ ᏣᎳᎩ ᎠᏰᎵ ᏂᎦᏓ ᎯᎠ ᎾᎾᏛᏁᎲ ᎾᏍᎩ ᏍᎦᏚᎩ ᎤᏙᏢᏒᎢ.

“Ꮭ ᎡᎵ ᎢᎦ ᏱᎦᏥᏃᎮᎵ ᎾᏍᎩ ᎾᏛᏁᎲ ᏣᎳᎩ ᎠᏰᎵ,” ᎠᏗᏍᎬᎢ. “ᏝᏃ ᏱᎾᎦᏲᏣᏛᎦ ᎯᎠ ᏥᏃᏣᏛᏁ ᎾᏍᎩ ᏄᏙᏢᏒᎾ ᏱᎩ.”

ᎤᎪᏛ ᎠᏕᎶᎰᎯᏍᏗ ᏲᏚᎵ ᎾᏍᎩ ᎯᎠ ᏄᎵᏍᏔᏂᏙᎸ Enlightenment Series, visit www.facebook.com/CNCCO.

Culture

First Nations to expand Native Arts Initiative
BY STAFF REPORTS
02/10/2017 12:00 PM
LONGMONT, Colo. – First Nations Development Institute, a national Native American nonprofit organization that works to improve Native economies and communities, on Feb. 2 announced it has received a $2.7 million grant for a three-year Native arts project.

This award will position First Nations to expand its Native Arts Initiative, formerly known as the “Native Arts Capacity Building Initiative,” into 2019.

Launched in early 2014, the purpose of the Native Arts Initiative is to support the perpetuation and proliferation of Native American arts, cultures and traditions as integral to Native community life. It does this by providing organizational and programmatic resources to Native-led organizations and tribal government programs that have existing programs in place that support Native artists and traditional arts in their communities.

Since 2014, First Nations has awarded more than $600,000 in grant funds to various eligible Native-led nonprofit organizations and tribal programs in Minnesota, North Dakota, South Dakota and Wisconsin to bolster the sustainability of their organizational and programmatic infrastructure as well as the professional development of their staff and leadership.

Under the expansion, First Nations will continue to offer competitive funding opportunities to Native-led nonprofit organizations and tribal programs in Minnesota, North Dakota, South Dakota and Wisconsin. First Nations will begin to offer competitive funding opportunities to Native-led nonprofit organizations and tribal programs in two new regions – the Southwest, including Arizona, New Mexico and Southern California, and the Pacific Northwest, including Washington and Oregon.

First Nations expects to release a request for proposals in the coming days and will award approximately 45 Supporting Native Arts Grants of up to $32,000 each over the next three years to eligible Native-led nonprofits and tribal government programs in these regions.

NAI recipient organizations and programs will utilize their grants to strengthen their organizational and programmatic infrastructure and sustainability, which will reinforce their support of the field of Native American artists as culture bearers and traditional arts in their communities. In addition to financial support, the NAI will offer individualized training and technical assistance opportunities for grantees as well as competitive professional development opportunities for staff members of eligible Native-led organizations and tribal programs.

For a list of current and former NAI grantees, visit http://www.firstnations.org.

Education

Connors State’s Native center focuses on success, cultures
BY LINDSEY BARK
Staff Writer
02/17/2017 08:15 AM
WARNER, Okla. – In August, Connors State College opened the doors to its Native American Success and Cultural Center that features Native American art, a computer lab, language repository and study group rooms for students, faculty, staff and the public.

The center is part of a Title III grant program that Connors received in 2014.

“This was a $5 million dollar grant spread over five years. This particular one has two focus areas. It has the Native American Success Center area, and it also has another focus for online hybrid course development,” Gwen Rodgers, Connors Title III project director, said.

Rodgers said Connors developed a “pride model” to help Native students with retention, help them learn about their respective cultures and be “inclusive” of all cultures.

“The center is open to anybody. It is not exclusive to Native Americans. There’s a rumor going around that only Native American students can utilize the center, and we’re trying to dispel that,” Colleen Noble, NASCC director, said. “We want students, the public, faculty, staff to feel comfortable to come and learn about the history, culture, literature, artwork of the Five Civilized Tribes. That’s our focus. We are reaching out to school districts for them to come and be a part of field trips.”

The Cherokee, Choctaw, Muscogee (Creek), Chickasaw and Seminole nations were labeled as the Five Civilized Tribes.

Noble said in the center’s cultural section artwork is featured with a majority of it being Cherokee, but it also has Muscogee, Seminole, Choctaw, Chickasaw, Pawnee and Osage artwork. For the grant’s remainder, NASCC officials plan to acquire more art pieces from the Muscogee, Seminole, Chickasaw, Choctaw and Cherokee tribes in Oklahoma.

The center also offers cultural activities throughout the year by inviting presenters from different tribes to teach classes such as basket making and moccasin making.

Noble said Connors has a high population of Native American students, and the center is a “stop gap” for them to learn more about their respective cultures and heritages without having to travel to places such as Tulsa, Tahlequah and Muskogee to visit museums.

“We are currently 38 percent Native American students, which is a really good percentage for this area. We are one of the highest Native American populations for the state of Oklahoma for a higher learning institute. The biggest percentage of our students are Cherokee. We have over 900 students who are Native American and out of that over 600 are Cherokee,” Noble said. “We’re able to partner with Cherokee Nation and bring in some really wonderful cultural experts to share their knowledge and skills with our students.”

In the NASCC’s success center section, students learn styles in audio, visual and kinesthetic areas. Kinesthetic learning or tactile learning is where students learn by carrying out physical activities rather than listening to a lecture or watching demonstrations.

Noble said the computers labs have headphones, study rooms have marker and art boards and students can utilize a “spinning chair” to de-stress and re-focus on college studies.

“It is a five-year grant, but it is developed and designed for continuation so that at the end of the five years this doesn’t all stop. It’s institutionalized throughout so that everything we’re doing now will keep going. So Connors will just be stronger because of it. We’re excited to be a part of it,” Rodgers said.

For more information, visit connorsstate.edu or call 918-463-6364.

Council

Tribal Council amends capital, operating budgets
BY LINDSEY BARK
Staff Writer
01/26/2017 12:00 PM
TAHLEQUAH, Okla. – During its Jan. 16 meeting, the Tribal Council unanimously amended the tribe’s fiscal year 2017 capital and operating budgets, increasing both funds.

With Tribal Councilors Curtis Snell and Wanda Hatfield absent, legislators added $76,837 to the capital budget for a total budget authority of $277.8 million. Officials said the increase came from a carryover environmental review for roads projects.

Legislators also increased the FY 2017 operating budget by $132,762 for a total budget authority of $664.5 million. Officials said the increase stems from grants received and authorized carryover reconciliation, new funding awards and an ending grant.

In other business, Deputy Chief S. Joe Crittenden honored three Cherokee veterans with Cherokee Warrior Awards for their military service.

Dale Leon Johnson was drafted in 1967 and sworn into the Army at Fort Polk, Louisiana. In 1968 he was transferred to Fulda, Germany, serving with Company C 19th Maintenance Battalion USAUR as a tank mechanic. He was honorably discharged as Specialist 4 in 1973. He and his wife Patricia have been married for 51 years and he recently retired from AEP/PSO after 37 years working as a lineman.

Shad Nicholas Taylor enlisted in the Oklahoma Army Guard in 1983 while still in high school. After basic and advanced training in Fort Leonard Wood, Missouri, he spent almost 10 years working at Camp Gruber near Muskogee. His duty included tours to Panama and Jamaica for hurricane relief. In 2003 he was deployed for 12 months to Fallujah, Iraq, for Operation Iraqi Freedom. Days before being sent home from Fallujah, he was wounded, sent to Bagdad, Kuwait, and Germany before finally going Fort Sill in Lawton to heal. He said he takes pride in all the commendations he has received and was honored to receive the awards and medals for his 20-plus years of service.

Jimmy Donald Quetone is a graduate of Northeastern State University. He served as a teacher and basketball coach for East Central High School in Tulsa before being drafted by the Army in 1954. He was stationed at Fort Knox in Kentucky and Fort Sam Houston in Texas. He served in the 97th Machine Record Unit where he was responsible for keeping records for personnel and equipment in the 4th Army Area. He was honorably discharged in 1956 and returned to the education field. He retired working as the CN director of Education in 2001. Quetone is also an inductee of the NSU Athletic Hall of Fame and continues to serve others by volunteering at the Tahlequah Senior Citizens center.

In reports, Cherokee Nation Businesses CEO Shawn Slaton recognized the CNB and CN Entertainment Community Impact Teams for raising $21,406.67 for the “Heart of a Nation” campaign, which will be used to help buy needed medical equipment for tribal citizens.

A check was presented to Principal Chief Bill John Baker and Crittenden for the campaign.

“All across the board we’ve got a very giving company both in terms of time and money,” Slaton said. “What it’s intended to do is impact in a positive way, helping Cherokee people.”

Health

Claremore Indian Hospital to host ACA fair
BY STAFF REPORTS
02/15/2017 04:00 PM
CLAREMORE, Okla. – The Claremore Indian Hospital will host an Affordable Care Act Outreach and Enrollment Fair from 9 a.m. to 3:30 p.m. on March 1 in Conference Room 1.

“We will be hosting another ACA Outreach and Enrollment Fair here at Claremore,” Sheila Dishno, patient benefit coordinator, said. “Even though members of federally recognized tribes have a special monthly enrollment status, it is important for American Indian and Alaska Native individuals and families to learn about their insurance options. Whether it’s purchasing insurance through the Marketplace or qualifying for SoonerCare, knowing that you have quality coverage provides peace of mind.”

Dishno said people who attend the fair should bring their Social Security cards, pay stubs, W-2 forms or wage and tax statements, policy numbers for any current health insurance and information about any health insurance they or their families could get from an employer.

Also Blue Cross & Blue Shield of Oklahoma will attend to assist patients with signing up for free-to-low-cost health insurance.

The hospital is located at 101 S. Moore Ave. For more information, call 918-342-6240, 918-342-6559 or 918-342-6507.

Opinion

OPINION: Creating new Cherokee speakers
BY BILL JOHN BAKER
Principal Chief
02/01/2017 12:15 PM
The Cherokee language is one of the most vital elements of our tribal culture. We have invested in preservation efforts and youth education endeavors, including the Cherokee Immersion Charter School, which is a renowned global example for developing youth speakers.

Today, there are an estimated 2,000 to 4,000 fluent Cherokee speakers, and many others who are conversational second-language learners of Cherokee. While we have elders who are fluent and the emerging youth who will be, there was a void in the development of young adults.

That is why, two years ago, we launched the Cherokee Language Master-Apprentice Program. The goal of this program is to create new adult Cherokee language teachers. We selected four young adults to be the first class, and I am proud to say two of the students recently graduated and one of them will soon be teaching at the Immersion School.

When the selected students came into the program, they had little to no knowledge of the Cherokee language. However, upon graduating two years later, they have achieved high conversational levels. That is truly amazing.

The Master-Apprentice Program is an everyday effort. The students perform general, everyday activities but speak nothing but Cherokee. No English is spoken all day. They cook, look for wild onions and mushrooms and have general daily conversations in Cherokee. The approach is to do the everyday things, simple activities that are second nature to speak about in English, but do so only in Cherokee. The Cherokee language immersion environment is eight hours each day, five days per week.

The students are paid an hourly wage to attend the program and are selected through an essay and interview process. The students are referred to as apprentices, and these activities and classes are led by fluent, first-language speakers called masters. The program tries to identify young adults and older learners.

This method has been adopted by many tribes in California and has proven to be effective in producing fluent second-language learners. The evidence-based strategy integrates the Cherokee language and our staff has secured multiple grants to help fund the Master-Apprentice Program. Our success in the past year reinforces this effective learning method. Language immersion may be difficult and disorienting initially, but through perseverance and patience, students begin to grasp and learn Cherokee communication structures. Our mission is to develop Cherokee speakers who will have the knowledge to continue learning and teaching throughout the student’s life and ensure language preservation.

A third class of eight participants was selected in late 2016, bringing our total to 16 students. Increasing our number of speakers means preserving our unique culture. Our goal is to provide a seamless path for Cherokee language achievements that result in cultural preservation and eventually finding employment utilizing the Cherokee language.

With this effort, coupled with our Cherokee Immersion Charter School and the work of our Cherokee translation department, which has helped develop the Cherokee language for new technology that our citizens can use to text and email in Cherokee, we have set the bar for what it means to invest in language development. Cherokee Nation is a leader in Indian Country, and we are committed to preserving and growing our language. The tribe is proving we can cultivate more Cherokee speakers and enhance our language programs.

For more information on the Master-Apprentice Program, contact the program’s manager, Howard Paden, at Howard-Paden@Cherokee.org.

People

Water Spider Creations: Preservation through creation
BY JAMI MURPHY
Senior Reporter – @cp_jmurphy
02/14/2017 08:15 AM
MUSKOGEE, Okla. – During the past several years, Cherokee Nation citizen Jules Brison has tried to preserve Cherokee culture through her art. That preservation has evolved into a business that shares culturally significant art to people from all over.

Brison owns and operates Water Spider Creations. She makes textiles art such as finger-woven belts, moccasins, ribbon shirts and tear dresses.

“I originally started doing art at a very young age. In some areas I’m self-taught, and some others I’ve had great influence from various other artists. My uncle Robert Lewis was probably my biggest influence along with my grandmother,” she said.

Lewis started her focus in textiles, she said. With regards to her sewing, both of Brison’s grandmothers were seamstresses, and they both shared their knowledge with her, which allowed her to create and wear items she had a hand in making.

“When I was Miss Cherokee and Junior Miss Cherokee, I actually helped create my tear dresses. When I ran for Miss Indian Summer my cousin Terri Fields and I and Cierra Fields actually helped make my entire regalia set to compete,” she said.

With influence from others she decided to sell her artwork. She began working as a paid artist two years ago, and each piece commissioned or created for show is unique.

“Each new piece of art I create is not exactly the same as another piece. So each individual piece is original. You’ll see artists that can duplicate things a million times, and that’s not exactly one of my fortes. I feel like that each piece of art has its own character or its influences drawn from other things,” Brison said.

She said it’s not uncommon for her to have multiple projects going at once. For this story, she was working on beaded moccasins, a finger-woven belt and a feather cape for her wedding.

“It kind of gives me a way to express myself in various different forms all in one setting,” she said.

Brison, who has sold pieces to people as far as England and Japan, uses different media to sell her art. Etsy.com – an online marketplace of individual sellers/creators of handmade or vintage items, art and supplies – is one of which she said is a great tool for artists.

“I encourage more artists to use that because that gets your art on a global scale. Anybody from, you know, Ukraine, China, Japan, England – anybody can get on there, see your work and order it,” she said. “I’ve actually sold things all across the globe.”

Brison is also available on Facebook at Water Spider Creations, where she said she enjoys working with customers most because it can be more personal that way.

On April 3, the Cherokee Phoenix will draw a winner for her finger-woven belt that she donated as part of the newspaper’s quarterly giveaway.

“Finger weaving is one of our oldest traditional arts, and it’s also one of the arts that is finally seeing a revitalization,” she said. “The finger-woven belt that I actually did for the Phoenix is purple, cream and maroon. It took me about six hours to complete and is an average waste length, but the colors essentially pop.”

Readers can get one entry in the drawing for every $10 spent with the Cherokee Phoenix. For more information, call 918-207-3825 or 918-207-4975.

To contact Brison for more information about her art, find her on Facebook or email her at usdigvna@icloud.com.
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Call Justin Smith 918-207-4975

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