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Art act in effect at holiday

Assistant Editor – @cp_tsnell
09/18/2008 10:23 AM
TAHLEQUAH, Okla. – This Cherokee National Holiday, anyone marketing themselves as Indians and operating vendor booths on Cherokee Nation property must be able to prove citizenship in a federally recognized tribe or face expulsion.

The tough measure stems from the tribe’s Truth in Advertising for Native Art Act, which Tribal Councilors passed and Principal Chief Chad Smith signed in January.

“We sent all of our arts and crafts vendors a copy of the Truth in Advertising for Native Art Act along with an arts and crafts contract,” Lou Slagle, holiday coordinator, said. “I’ll be making up some sort of license or verification (showing) that this vendor is an authorized Native American vendor.”

He said his staff would check booths to ensure that the act is followed and that if a vendor is caught misleading or deceiving customers, the vendor would be escorted off CN property by CN marshals and banned.

Despite the tough penalty, the act isn’t designed to stop non-Indians from operating holiday booths, but to stop them from claiming to be Indians.

“Any vendor can go out there. It’s just the difference between this vendor being certified as a tribal member versus someone who is just selling stuff,” Tonia Williams, CN Web manager and member of the tribe’s Fraudulent Indian Tribes Team, said. “As a Cherokee, as a federally recognized tribal citizen, you should be able to be certified as a federally recognized tribal citizen instead of just coming in and claiming to be Indian.”

FITT members said they initiated the act after seeing non-Indians using Web sites, buying memberships into state-recognized tribes or other so-called Indian groups and calling or associating themselves with Indian cultures – primarily through art – to legitimize themselves as Indians.

Cara Cowan Watts, Dist. 7 Tribal Councilor and FITT member, said many non-Indians use “fake identities” to sell art, fabricate culture and legitimize themselves as Indians.

Williams said FITT members don’t know how much money has been spent on non-Indian art over legitimate Indian art during the years but “for every dollar they (non-Indians) receive, it’s a dollar that doesn’t go to a real Native American.”

Theact’s main purpose is to foster authentic Indian art and combat non-Indians selling art as Indian art by defining an Indian as a federally recognized tribal citizen. Cowan Watts said the limited definition makes the CN act stronger than the U.S. Indian Arts and Crafts Act, which includes state-recognized tribal citizens.

She said the tribe’s act also expands the definition of art. It states that art is “an object or action that is made with the intention of stimulating the human senses as well as the human mind/and or spirit regardless of any functional uses,” including crafts, handmade items, traditional storytelling, contemporary art or techniques, oral histories, other performing arts and printed materials.

“It is to clarify any art, performing art, physical art or written art that you have to be a federally recognized tribal citizen if you are claiming that those things are Indian or Native American,” Cowan Watts said. “That’s different from the federal Indian Arts and Crafts Act in that it is more inclusive of all art forms. And it limits it to federally recognized tribal citizens because we believe that so-called state recognized tribes are illegitimate.”

FITT coordinator Julie Ross said the federal law allows non-Indians to market themselves as Indians because all they have to do is join a state-recognized tribe, which usually requires an enrollment fee.

“Because the federal act recognizes state-recognized tribes, it is meaningless,” Ross said.
CN’s act also establishes guidelines for the purchase, promotion and sale of genuine Native American arts and crafts within its jurisdiction and by its entities. That includes CN government offices, Cherokee Nation Businesses, Cherokee Nation Enterprises, Cherokee Nation Industries, the Housing Authority of the Cherokee Nation and any component and entity the CN is a sole or majority stockholder or owner.

For example, if non-Indian vendors sell items while claiming to be Indians on Cherokee Heritage Center grounds and go unpunished, the CHC could lose its CN funding.
“This is still all in process,” Williams said. “We don’t know what really is going to happen, but we hope that we at least start a trend.”

Cowan Watts said the act’s enforcement at holidays should bring back Cherokee artists who have been pushed out by non-Indians.

“What we find is, too frequently, it’s real easy for these folks who aren’t Cherokee to scream and yell louder than our real Cherokees,” she said. “If these non-Indian people spend their entire day playing Indian while all our real tribal citizens have regular jobs, then it’s much easier for all these people buying and selling to be attracted to these non-Indians. This will be the first holiday that the act has an effect on, so I expect that to encourage our traditional folks to return.”

The act also states the CN shall not knowingly offer for sale art produced by individuals who falsely claim, imply or suggest they are Indian and will not host, sponsor, fund or otherwise devote or contribute resources to exhibits showing artists who falsely claim, imply or suggest they are Indian.

“So we if find the Five Civilized Tribes Museum (in Muskogee, Okla.) is including known wannabes, not just state recognized…but people who are not part of a state-recognized tribe and are truly just claiming to be Indian in an art show over our federally recognized tribal citizens we could pull the money,” Cowan Watts said. “Our belief is that the Five Tribes Museum is supposed to serve the Five Civilized Tribes.”

Roger Cain, a Cherokee citizen and artist from Stilwell, Okla., said he and his wife Shawna support the act and see it as honoring their Cherokee ancestors.

“To me, if they are federally recognized they are the ones with the ancestors who stood up and said ‘I’m Cherokee; I’m Keetoowah,’ from the very beginning. We have to honor our ancestors who did this,” he said. “I got friends who are mad about it and were from the very beginning. I feel bad for them, but I tell them that I’m honoring my ancestors.”

Cain said although he supports the act, he thinks state-recognized tribal citizens have the right to make art but should have separate categories at art shows.

“If a person is buying Native art, they should know that the artist still lives in the community, still works with the Indian community and practices within the Indian community and is federally recognized,” he said. “We want to make a different category for the state-recognized tribes so they can show their stuff and aren’t competing with us.”

He does, however, want the law to impact people who know nothing about Indians or Indian culture yet tell people they are Indian.

“I want this law to impact those guys,” he said. “That’s what this law is about, catching those guys. If I’m out here in the woods gathering what I need to make my art piece, and then somebody in a big city who all of a sudden realizes they are Indian because of an old family photo can order stuff off the Internet and make their piece, it makes me say, ‘hey, I’m out here living the Cherokee culture by gathering my materials and you’re living where the Cherokees got moved away from.’ That is what the act is about – reinforcing real Cherokees and real Indians.”

FITT members said along with the holiday booths and CHC gift shop, the act has also affected CNE’s art markets and gifts shops by ensuring each item sold under the Indian art label is made by federally recognized tribal citizens.

“The entities have cleaned up a lot of the stuff they had,” Williams said. “We’ve had everything from stuff made in China to artists’ works and things like that. They have cleaned up to where they aren’t presenting non-Indians’ works, especially books. If you are saying that you are Cherokee in the book, and you’re not, then don’t say it.”

Cowan Watts said books not written by “federally recognized tribal citizens are supposed to be migrated out or there’s going to be a sticker on them saying they are not Cherokee or Indians.”

One writer she cites is author Robert J. Conley, whose books include Cherokee history-based fictions, as well as the non-fiction works “A Cherokee Encyclopedia” and “The Cherokee Nation: A History,” which the CN commissioned him to write.

Cowan Watts said Conley is only an associate member of the United Keetoowah Band and can’t trace any Cherokee heritage.

Conley, who disagrees with the act, said he traces his Cherokee lineage to the Dawes Rolls via his grandmother, Myrtle E. Parris, who is listed on the final rolls.

“If I’m not a Cherokee, it’s interesting that the Cherokee Nation registered me initially and the UKB later enrolled me,” he said. “My grandmother is one of the original (Dawes Rolls) enrollees. If Cara Cowan and her cohorts have nothing better to do than be Cherokee blood police, then they need to find some kind of lives for themselves.”

According to the UKB Office of Enrollment, Conley is an inactive member.

“In tribal enrollment terms his file is labeled ‘inactive’ because there is no record of a relinquishment letter (of CN citizenship) or a CDIB (Certificate Degree of Indian Blood) for Mr. Conley,” Sammy Still, UKB media coordinator, wrote in an e-mail. “In regards to whether Mr. Conley would be able to become a member of the United Keetoowah Band, this would depend on what degree of blood he is by providing the tribe with a CDIB.”

Conley said there was no relinquishment letter because he wasn’t a CN citizen when he enrolled in the UKB and that he doesn’t have a CDIB because he doesn’t want one.

Another aspect of the act allows the CN Tribal Employment Rights Office to certify a list of federally recognized tribal citizens as artists. Artists who register on the list would do so voluntarily, which Cowan Watts encourages.

“I get calls from Tulsa corporations or from all over the United States…and they want to buy gifts or something like that,” she said. “That way there’s a list I can send that is much more fair and equitable and we know it’s legitimate.”

Cowan Watts said the act should also help with the tribe’s cultural tourism by ensuring that tourists meet authentic Cherokees and Cherokee artists.

“We also felt that it was important to get ahead on this for the cultural truth,” she said. “It’s an economic development tool, and it’s important that we have all this in place before cultural tourism develops. We don’t want Japanese and German tourists coming in and buying from these known wannabes. We want them buying from our community members…not from who has the biggest turkey feathers.”
About the Author
Travis Snell has worked for the Cherokee Phoenix since 2000. He began as a staff writer, a position that allowed him to win numerous writing awards from the Native American Journalists Association, including the Richard LaCourse Award for best investigative story in 2003. He was promoted to assistant editor in 2007, switching his focus from writing to story development, editing, design and other duties.

He is a member of NAJA, as well as the Society of Professional Journalists, Investigative Reporters and Editors, and Society for News Design.

Travis earned his journalism degree with a print emphasis in 1999 from Oklahoma City University. While at OCU, he served as editor, assistant editor and sports reporter for the school’s newspaper.

He is married to Native Oklahoma publisher Lisa Snell. The couple has two children, Sadie and Swimmer. He is the grandson of original enrollee Swimmer Wesley Snell and Patricia Ann (Roberts) Snell. • 918-453-5358
Travis Snell has worked for the Cherokee Phoenix since 2000. He began as a staff writer, a position that allowed him to win numerous writing awards from the Native American Journalists Association, including the Richard LaCourse Award for best investigative story in 2003. He was promoted to assistant editor in 2007, switching his focus from writing to story development, editing, design and other duties. He is a member of NAJA, as well as the Society of Professional Journalists, Investigative Reporters and Editors, and Society for News Design. Travis earned his journalism degree with a print emphasis in 1999 from Oklahoma City University. While at OCU, he served as editor, assistant editor and sports reporter for the school’s newspaper. He is married to Native Oklahoma publisher Lisa Snell. The couple has two children, Sadie and Swimmer. He is the grandson of original enrollee Swimmer Wesley Snell and Patricia Ann (Roberts) Snell.


10/06/2016 08:15 AM
TAHLEQUAH, Okla. – Congratulations to Nan Butler from Wellston for being the Cherokee Phoenix’s third quarter giveaway winner. On Oct. 3, Butler won four painted tiles by Cherokee artist MaryBeth Timothy of MoonHawk Art after Cherokee Phoenix staff members drew her name from approximately 980 entries. The tiles are 6 inches by 8 inches and titled “Bear Clan” with a bear, “Ancient Glory” with an eagle, “PeekaBoo” with a wolf and “Seven” or “GaLiQuoGi” with horses. Butler joins Wauneta Wine of Columbia, Maryland, and Dale Easky of St. Clair, Missouri, as the 2016 Cherokee Phoenix giveaway winners. Wine won a carving by Cherokee sculptor Matthew Girty on July 1, and Easky won a knife by Cherokee knife maker Ray Kirk on April 1. Entries can be obtained by donating to the Cherokee Phoenix’s Elder Fund or buying a Cherokee Phoenix subscription or merchandise. One entry is given for every $10 spent. The Cherokee Phoenix will hold its fourth drawing on Jan. 3 when it gives away beaded jewelry by Cherokee artist and Native Uniques owner Samantha Barnes. For more information regarding the giveaways, call Samantha Cochran at 918-207-3825 or Justin Smith at 918-207-4975 or email <a href="mailto:"></a> or <a href="mailto:"></a>. For more information on Native Uniques, go to or call 918-214-0030. For more information on MoonHawk Art, email <a href="mailto:"></a> or visit <a href="" target="_blank"></a>.
Media Specialist – @cp_rgraham
10/04/2016 12:00 PM
VINITA, Okla. – Eastern Trails Museum and Cherokee Nation officials on Sept. 24 opened the museum’s new CN addition with a ribbon-cutting and proclaimed the day as “Cherokee Day.” With funding provided by the Tribal Council and cultural artifacts donated by CN citizens, the museum, which opened in its current location in 1970, can now show the connection between the town of Vinita and the CN. Secretary of State Chuck Hoskin Jr. said he was proud of the addition. “There’s always been Cherokee items at this wonderful museum, but lately the museum has focused on putting an emphasis on Cherokee history because Vinita is a Cherokee town. Vinita was built by Cherokees. It was certainly here before statehood,” he said. “The Cherokee Nation is just here today to help the museum and the town celebrate the opening of the new addition.” Hoskin, who is from Vinita, added that there are deep roots in the northern Cherokee community. According to, Vinita is located in Craig County and was established in 1871 by Elias Cornelius Boudinot, the son of the first Cherokee Phoenix editor, Elias Boudinot. The town was originally called Downingville after CN Chief Lewis Downing but was later renamed Vinita after artist Lavinia Ellen Ream Hoxie. It was incorporated in 1898, nine years before Oklahoma statehood. It was also the first town in the state to receive electricity. Eastern Trails Museum Director Kathleen Duchamp said she was excited about the addition and was glad to see Cherokees sharing their culture. “Cherokee Nation brought seven Cherokee National Treasures who demonstrated basketry, loom weaving, buffalo grass dolls, sculptures, pottery and traditional bow making to large, appreciative crowds,” she said. Duchamp said the exhibit tells the story of the region’s Cherokees and how they were the area’s important pioneers. Dist. 11 Tribal Councilor Victoria Vasquez said she was “thrilled” about the event. “I’m also thrilled I was able to help with Cherokee funds to make this Cherokee exhibit possible. It’s a permanent Cherokee exhibit, it’s brand new and it’s going to be here forever.” Vasquez, who also lives in Vinita, donated several items to the exhibit. She said she’s visited the Eastern Trails Museum since she was a girl and called it a Craig County showpiece. For more information about the museum located 215 W. Illinois Ave., call 918-323-1338 or visit <a href="" target="_blank"></a>.
Senior Reporter – @cp_wchavez
10/04/2016 08:30 AM
EUCHA, Okla. – Each year in late September, Cherokee Nation citizen Mark Dunham and his father Tad check chinkapin trees, which were once plentiful in the area, for prickly, green burs that hold nuts. Logging practices and a chestnut disease in the 1950s and 1960s nearly wiped out the Ozark chinkapin or Chinquapin. The Dunhams now compete with squirrels, deer and other animals for the small amount of nuts produced by the chinkapin trees on their land in Delaware County. “It’s a tree that’s becoming scarce because of a fungal virus. The fungal virus came from Chinese chestnut trees, which are very closely related to these trees,” Mark said. “Historically, the tree used to grow about 3 foot in diameter and would grow anywhere from 60 to 80 foot tall. It was a really good producer every year of nuts. The Cherokees, a long time ago, would make bread out of the nuts. The nuts are really high in protein, and they’re very good for you.” According to the Ozark Chinquapin Foundation, the Ozark chinkapin is also called the Ozark chestnut. It was drought tolerant and grew on acidic dry rocky soils on hilltops and slopes. It bloomed in late May to early June after the threat of frost. The wood was prized because it was rot resistant and made excellent railroad ties and fence posts. “The Ozark Chinquapin nuts were delicious, and we waited for them to fall like you would wait on a crop of corn to ripen. They were that important. Up on the hilltop the nuts were so plentiful that we scooped them up with flat blade shovels and loaded them into the wagons to be used as livestock feed, to eat for ourselves and to sell. Deer, bears, turkeys, squirrels and a variety of other wildlife fattened up on the sweet crop of nuts that fell every year. But, starting in the 1950s and 60s all of the trees started dying off. Now they are all gone and no one has heard of them,” said a 96-year-old Missouri outdoorsman to the Ozark Chinquapin Foundation, describing chinkapins before the blight reached the Ozarks. Mark said these days the trees usually grow 4 inches in diameter and about 20 to 25 feet tall. Periodically, a tree dies but sends up sprouts that grow for a few years before they too die. He said the trees usually grow four to seven years before dying and sprouting again. In 2015, Mark said he and his father harvested a pint of chinkapin nuts from one tree, and this year they managed to get about 10 nuts from a tree. “So, this was really a poor year,” Mark said. The Dunhams use leather gloves to handle the “spiky hull” that holds chinkapin nuts. Once the hulls or burs are pulled off a tree, Tad uses his pocketknife to split open the bur, which are three-quarter to 1-1/2 inches in diameter, to remove the nuts. Often the burs form in clusters on stems, but each bur contains a single, shiny brown acorn-like nut, which are called oo-na-geen or oo-ha-geen in Cherokee, Mark said. Mark said there is also a chinkapin oak tree that sometimes people mistake for Ozark chinkapin. The chinkapin oak produces acorn nuts and the nuts from the trees look similar, he said, but the leaves are different with the Ozark chinkapin leaves, being more elongated and about 3 to 6 inches long. He said besides making bread, he has eaten the nuts raw and roasted. Mark said the nuts have an “original taste” while Tad said the nuts taste similar to hazelnuts. Tad has planted Chinese chestnut trees in his yard, which are disease resistant and produce a larger nut than the Ozark chinkapin, usually more than twice the size. Mark said the Chinese chestnut produces a nut about the size of a quarter while the Ozark chinkapin produces a nut smaller than a dime. The Dunhams said they have a heritage of living off their land. Tad maintains a garden and keeps and feeds catfish in his pond. The family also gathers wild onions, morel mushrooms, black walnuts and black haws, which are a dark-black berry fruit. The family also hunts deer on its land. Tad said he is proud that his family could nearly sustain itself off of his property.
09/29/2016 10:00 AM
MUSKOGEE, Okla. – The Muskogee Phoenix, Bacone College and Five Civilized Tribes Museum are joining forces to create synergies between new and current events to usher in the inaugural “River City Intertribal Celebration” on March 31. But to kick off the event, Native American musical group Brule will perform on Sept. 30 at the Civic Center. On Oct. 1, the event shifts to Bacone College for the traditional powwow, a gathering of hundreds of the top Native dancers from across the country will compete for cash prizes. The day also will feature an art exhibit/show and dozens of Native American vendors displaying their arts and crafts. Event officials said years ago Muskogee was home to the Indian International Fair, which resembled contemporary agricultural fairs. Held annually in Muskogee, Indian Territory, in September or October from 1875 to about 1900, the weeklong event featured produce and domestic exhibits in a barn-like pavilion. Officials said these displays along with horse racing on the adjacent track, a merry-go-round and commercial vendors attracted many Indians and non-Indians from the Indian Territory and nearby states. “As a historian, I am thrilled about the prospect of joining forces with the (Muskogee) Phoenix and the Five Civilized Tribes Museum in the effort to raise awareness of the incredible underlying Native history of Muskogee,” Dr. Patti Jo King, Bacone College’s Center for American Indians director, said. “It will be wonderful to bring this history to light again, and to be able to instill that historic pride in our community and future generations.” King added that Bacone College, which opened in 1880, is the embodiment of the story of Indian Country and is a community treasure. “I have spoken to many people who have passed by this landmark for years, but have never ventured inside its gates,” she said. “I guarantee that if you would, you would find yourself fascinated by its beauty and intrigued by its amazing history and the stories that tie this wonderful old school to the town and people of Muskogee. This town is truly a history enthusiast’s paradise.” Officials said as an outgrowth of the Okmulgee Constitutional Convention of the early 1870s, the Indian International Fair served several purposes, including boosting the town and territory. Through music, dance, exhibits, food, talent shows, traditional Native American games and activities and much more, officials said the “River City Intertribal Celebration” hopes to rekindle and recapture that same spirit of yesteryear. “We are excited for the Five Civilized Tribes Museum and the participation of many talented artists in the River City Intertribal Celebration,” Sean Barney, museum executive director, said. “The festival is part of an effort to promote the region’s Indian music heritage and artistic talent. The festival will be the kickoff for the events showcased in April. We are very excited about the economic impact and awareness this event will bring to Muskogee.” Officials said the event’s support does not stop with the Muskogee Phoenix, Bacone College and the Five Civilized Tribes Museum as they are reaching out to the Cherokee, Muscogee Creek, Choctaw, Chickasaw and Seminole nations, as well as the Comanche Nation for collaboration. Officials said while working with the local and regional tribes, this celebration is also open to all Native American tribes throughout the country. “Our Native and non-Native communities have lived side by side for decades,” King said. “What fun it would be to put out heads together and share the very best of what we both have to offer – our stories and cherished historic memories. We are excited to be a part of this first big event, and we are looking forward to welcoming our friends, neighbors and visitors to be a part of the celebration. Our hats off to John Newby for this splendid idea of sharing our cultural heritage here in this unique, historic area.” Newby, publisher of the Muskogee Phoenix, said the dream is much larger than the inaugural event. “While the inaugural event is starting out as a day-and-a-half event, the goals and plans certainly don’t stop there,” he said. “It is the vision that we build one of the premier several-day Native American destination events in the country. Muskogee was once the Native American capital of the country. We need to bring that feeling back, and what better way to lay the foundation to accomplish this goal?” For more information, email Newby at <a href="mailto:"></a>; King at <a href="mailto:"></a> or Barney at <a href="" target="_blank"></a> or call Bacone Public Relations Office at 918-348-5868.
09/27/2016 03:00 PM
PARK HILL, Okla. – The Cherokee National Treasures Art Show opens Oct. 1 and will run through Nov. 5 at the Cherokee Heritage Center. The artists are held in highest regard by the Cherokee Nation for their talented work as culture keepers. The show introduces the most recently named treasures and features the work of others. Most artwork displayed is available for purchase. “We are beyond grateful to have such gifted citizens who are dedicated to the preservation and perseverance of Cherokee culture,” CHC Curator Callie Chunestudy said. “Our National Treasures are shining examples of how we ensure our tribal heritage thrives for generations to come.” The Cherokee National Treasure Award was created in 1988 and is given annually to a few people during the Cherokee National Holiday. These artisans are known for their commitment to preserving and promoting Cherokee culture. Since inception, nearly 100 CN citizens have earned this distinction. Each artist boasts a minimum of 10 years experience within their field and is a master of their craft. Included in the show is a special display honoring the late Edith Catcher Knight, of Stilwell. Knight, who died earlier this year, was bestowed the Cherokee National Treasure honor in 1992 for her work with traditional Cherokee clothing. A special reception is slated for 6 p.m. on Sept. 30 at the CHC to recognize Cherokee National Treasures and open the show. The event is free to attend and open to the public. The Cherokee National Treasures Art Show is made possible through the support of the Oklahoma Arts Council. The CHC is located at 21192 S. Keeler Drive. For information on 2016 season events, operating hours and programs, call 1-888-999-6007 or visit <a href="" target="_blank"></a>.
Reporter – @cp_sguthrie
09/26/2016 08:45 AM
TAHLEQUAH, Okla. – Creativity flows from Cherokee Nation citizen Nathalie Standingcloud’s mind and fingertips as she creates artworks, whether they are temporary such as chalk or permanent such as tattoos. Through her creations she illustrates her calling in art. Standingcloud said she started drawing as soon as she could hold a pencil. “Being an artist as a young child, I have a lot of artists in my family so it’s kind of in my blood,” she said. “I always grew up drawing dragons and stuff, and people would tell me how good my drawings were and that I should get involved with it and really go with it. I just thought it was something good I could do. I never thought that I could create a career until I got older and realized that I don’t want to sit in an office. I’d rather just be outside drawing.” Growing up she never took art classes, she said, and didn’t until attending Northeastern State University. “I really haven’t become super involved in my art 24/7 everyday until maybe about two years ago when I started college because I took art classes there and really found out what my potential was,” she said. She said at NSU she won the 43rd annual Symposium on the American Indian poster contest in 2015. “They featured my pregnant woman on the poster, and I got to see it not only on the poster but in the newspaper, around town and on a billboard. So that was the first time I actually got to see my illustrations up and out there for the world to see,” she said. “To see that up there on the billboard, my artwork, it’s way different from seeing it in my notebook that’s for sure. It just made me feel, I don’t know, useful. Made me feel like I was making the world pay attention a little bit more, look at things and be inspired.” Since early summer she’s been involved with chalk art after winning a chalk art competition in Wagoner. “A family wanted me to go out and draw a portrait of their son who recently passed and we won first place. The family was happy. I was happy,” she said. “I never worked with chalk before then so there’s something about that competition that really inspired me to work with that medium a lot more.” She said some of her latest chalk art consist of traditional Cherokee pieces. “My first piece is a double-headed woodpecker Cherokee original, traditional design that I did,” she said. “The other one, the big circle with the two dragons, Uktena, that’s another original Cherokee design.” She’s also drawn Pokémon around Tahlequah, which she created after the hype the mobile game Pokémon Go made. “Pokémon’s a big thing now, so I like to draw Pokémon,” she said. “For some of the kids who don’t have a phone it’s kind of not fun to go outside and not see Pokémon, so when little kids walk by and they see Pikachu on the wall or Squirtle under the bridge it’s a little magical.” Standingcloud said because her chalk artwork isn’t permanent it’s important to see it before it’s gone. “My chalk work does take quite a bit of time to finish, but I think the fact that my chalk work is washable kind of makes it a little more special because it isn’t permanent. You only have a couple of days before the rain’s going to wash it away,” she said. Standingcloud said along with painting, sketching and tattooing she likes trying new mediums. “Being an artist, I just love to explore new mediums and hopefully chalk won’t be my last medium to explore,” she said. “I plan on becoming a full-time professional tattoo artist, so ink is another medium that I’m interested in. Just anything where I can get my creative juices flowing.” Standingcloud said she enjoys being an artist and hopes to continue creating and getting commission work. “I really enjoy this, and I hope that I get more commissions so my purpose of being an artist is fulfilled, and I just keep growing and learning and keeping people happy,” she said. To view her art or to commission a piece, visit her Facebook page, Instagram at littlemisscherokee or email <a href="mailto:"></a>.