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Art act in effect at holiday

BY TRAVIS SNELL
Assistant Editor – @cp_tsnell
09/18/2008 10:23 AM
TAHLEQUAH, Okla. – This Cherokee National Holiday, anyone marketing themselves as Indians and operating vendor booths on Cherokee Nation property must be able to prove citizenship in a federally recognized tribe or face expulsion.

The tough measure stems from the tribe’s Truth in Advertising for Native Art Act, which Tribal Councilors passed and Principal Chief Chad Smith signed in January.

“We sent all of our arts and crafts vendors a copy of the Truth in Advertising for Native Art Act along with an arts and crafts contract,” Lou Slagle, holiday coordinator, said. “I’ll be making up some sort of license or verification (showing) that this vendor is an authorized Native American vendor.”

He said his staff would check booths to ensure that the act is followed and that if a vendor is caught misleading or deceiving customers, the vendor would be escorted off CN property by CN marshals and banned.

Despite the tough penalty, the act isn’t designed to stop non-Indians from operating holiday booths, but to stop them from claiming to be Indians.

“Any vendor can go out there. It’s just the difference between this vendor being certified as a tribal member versus someone who is just selling stuff,” Tonia Williams, CN Web manager and member of the tribe’s Fraudulent Indian Tribes Team, said. “As a Cherokee, as a federally recognized tribal citizen, you should be able to be certified as a federally recognized tribal citizen instead of just coming in and claiming to be Indian.”

FITT members said they initiated the act after seeing non-Indians using Web sites, buying memberships into state-recognized tribes or other so-called Indian groups and calling or associating themselves with Indian cultures – primarily through art – to legitimize themselves as Indians.

Cara Cowan Watts, Dist. 7 Tribal Councilor and FITT member, said many non-Indians use “fake identities” to sell art, fabricate culture and legitimize themselves as Indians.

Williams said FITT members don’t know how much money has been spent on non-Indian art over legitimate Indian art during the years but “for every dollar they (non-Indians) receive, it’s a dollar that doesn’t go to a real Native American.”

Theact’s main purpose is to foster authentic Indian art and combat non-Indians selling art as Indian art by defining an Indian as a federally recognized tribal citizen. Cowan Watts said the limited definition makes the CN act stronger than the U.S. Indian Arts and Crafts Act, which includes state-recognized tribal citizens.

She said the tribe’s act also expands the definition of art. It states that art is “an object or action that is made with the intention of stimulating the human senses as well as the human mind/and or spirit regardless of any functional uses,” including crafts, handmade items, traditional storytelling, contemporary art or techniques, oral histories, other performing arts and printed materials.

“It is to clarify any art, performing art, physical art or written art that you have to be a federally recognized tribal citizen if you are claiming that those things are Indian or Native American,” Cowan Watts said. “That’s different from the federal Indian Arts and Crafts Act in that it is more inclusive of all art forms. And it limits it to federally recognized tribal citizens because we believe that so-called state recognized tribes are illegitimate.”

FITT coordinator Julie Ross said the federal law allows non-Indians to market themselves as Indians because all they have to do is join a state-recognized tribe, which usually requires an enrollment fee.

“Because the federal act recognizes state-recognized tribes, it is meaningless,” Ross said.
CN’s act also establishes guidelines for the purchase, promotion and sale of genuine Native American arts and crafts within its jurisdiction and by its entities. That includes CN government offices, Cherokee Nation Businesses, Cherokee Nation Enterprises, Cherokee Nation Industries, the Housing Authority of the Cherokee Nation and any component and entity the CN is a sole or majority stockholder or owner.

For example, if non-Indian vendors sell items while claiming to be Indians on Cherokee Heritage Center grounds and go unpunished, the CHC could lose its CN funding.
“This is still all in process,” Williams said. “We don’t know what really is going to happen, but we hope that we at least start a trend.”

Cowan Watts said the act’s enforcement at holidays should bring back Cherokee artists who have been pushed out by non-Indians.

“What we find is, too frequently, it’s real easy for these folks who aren’t Cherokee to scream and yell louder than our real Cherokees,” she said. “If these non-Indian people spend their entire day playing Indian while all our real tribal citizens have regular jobs, then it’s much easier for all these people buying and selling to be attracted to these non-Indians. This will be the first holiday that the act has an effect on, so I expect that to encourage our traditional folks to return.”

The act also states the CN shall not knowingly offer for sale art produced by individuals who falsely claim, imply or suggest they are Indian and will not host, sponsor, fund or otherwise devote or contribute resources to exhibits showing artists who falsely claim, imply or suggest they are Indian.

“So we if find the Five Civilized Tribes Museum (in Muskogee, Okla.) is including known wannabes, not just state recognized…but people who are not part of a state-recognized tribe and are truly just claiming to be Indian in an art show over our federally recognized tribal citizens we could pull the money,” Cowan Watts said. “Our belief is that the Five Tribes Museum is supposed to serve the Five Civilized Tribes.”

Roger Cain, a Cherokee citizen and artist from Stilwell, Okla., said he and his wife Shawna support the act and see it as honoring their Cherokee ancestors.

“To me, if they are federally recognized they are the ones with the ancestors who stood up and said ‘I’m Cherokee; I’m Keetoowah,’ from the very beginning. We have to honor our ancestors who did this,” he said. “I got friends who are mad about it and were from the very beginning. I feel bad for them, but I tell them that I’m honoring my ancestors.”

Cain said although he supports the act, he thinks state-recognized tribal citizens have the right to make art but should have separate categories at art shows.

“If a person is buying Native art, they should know that the artist still lives in the community, still works with the Indian community and practices within the Indian community and is federally recognized,” he said. “We want to make a different category for the state-recognized tribes so they can show their stuff and aren’t competing with us.”

He does, however, want the law to impact people who know nothing about Indians or Indian culture yet tell people they are Indian.

“I want this law to impact those guys,” he said. “That’s what this law is about, catching those guys. If I’m out here in the woods gathering what I need to make my art piece, and then somebody in a big city who all of a sudden realizes they are Indian because of an old family photo can order stuff off the Internet and make their piece, it makes me say, ‘hey, I’m out here living the Cherokee culture by gathering my materials and you’re living where the Cherokees got moved away from.’ That is what the act is about – reinforcing real Cherokees and real Indians.”

FITT members said along with the holiday booths and CHC gift shop, the act has also affected CNE’s art markets and gifts shops by ensuring each item sold under the Indian art label is made by federally recognized tribal citizens.

“The entities have cleaned up a lot of the stuff they had,” Williams said. “We’ve had everything from stuff made in China to artists’ works and things like that. They have cleaned up to where they aren’t presenting non-Indians’ works, especially books. If you are saying that you are Cherokee in the book, and you’re not, then don’t say it.”

Cowan Watts said books not written by “federally recognized tribal citizens are supposed to be migrated out or there’s going to be a sticker on them saying they are not Cherokee or Indians.”

One writer she cites is author Robert J. Conley, whose books include Cherokee history-based fictions, as well as the non-fiction works “A Cherokee Encyclopedia” and “The Cherokee Nation: A History,” which the CN commissioned him to write.

Cowan Watts said Conley is only an associate member of the United Keetoowah Band and can’t trace any Cherokee heritage.

Conley, who disagrees with the act, said he traces his Cherokee lineage to the Dawes Rolls via his grandmother, Myrtle E. Parris, who is listed on the final rolls.

“If I’m not a Cherokee, it’s interesting that the Cherokee Nation registered me initially and the UKB later enrolled me,” he said. “My grandmother is one of the original (Dawes Rolls) enrollees. If Cara Cowan and her cohorts have nothing better to do than be Cherokee blood police, then they need to find some kind of lives for themselves.”

According to the UKB Office of Enrollment, Conley is an inactive member.

“In tribal enrollment terms his file is labeled ‘inactive’ because there is no record of a relinquishment letter (of CN citizenship) or a CDIB (Certificate Degree of Indian Blood) for Mr. Conley,” Sammy Still, UKB media coordinator, wrote in an e-mail. “In regards to whether Mr. Conley would be able to become a member of the United Keetoowah Band, this would depend on what degree of blood he is by providing the tribe with a CDIB.”

Conley said there was no relinquishment letter because he wasn’t a CN citizen when he enrolled in the UKB and that he doesn’t have a CDIB because he doesn’t want one.

Another aspect of the act allows the CN Tribal Employment Rights Office to certify a list of federally recognized tribal citizens as artists. Artists who register on the list would do so voluntarily, which Cowan Watts encourages.

“I get calls from Tulsa corporations or from all over the United States…and they want to buy gifts or something like that,” she said. “That way there’s a list I can send that is much more fair and equitable and we know it’s legitimate.”

Cowan Watts said the act should also help with the tribe’s cultural tourism by ensuring that tourists meet authentic Cherokees and Cherokee artists.

“We also felt that it was important to get ahead on this for the cultural truth,” she said. “It’s an economic development tool, and it’s important that we have all this in place before cultural tourism develops. We don’t want Japanese and German tourists coming in and buying from these known wannabes. We want them buying from our community members…not from who has the biggest turkey feathers.”
About the Author
Travis Snell has worked for the Cherokee Phoenix since 2000. He began as a staff writer, a position that allowed him to win numerous writing awards from the Native American Journalists Association, including the Richard LaCourse Award for best investigative story in 2003. He was promoted to assistant editor in 2007, switching his focus from writing to story development, editing, design and other duties.

He is a member of NAJA, as well as the Society of Professional Journalists, Investigative Reporters and Editors, and Society for News Design.

Travis earned his journalism degree with a print emphasis in 1999 from Oklahoma City University. While at OCU, he served as editor, assistant editor and sports reporter for the school’s newspaper.

He is married to Native Oklahoma publisher Lisa Snell. The couple has two children, Sadie and Swimmer. He is the grandson of original enrollee Swimmer Wesley Snell and Patricia Ann (Roberts) Snell.
TRAVIS-SNELL@cherokee.org • 918-453-5358
Travis Snell has worked for the Cherokee Phoenix since 2000. He began as a staff writer, a position that allowed him to win numerous writing awards from the Native American Journalists Association, including the Richard LaCourse Award for best investigative story in 2003. He was promoted to assistant editor in 2007, switching his focus from writing to story development, editing, design and other duties. He is a member of NAJA, as well as the Society of Professional Journalists, Investigative Reporters and Editors, and Society for News Design. Travis earned his journalism degree with a print emphasis in 1999 from Oklahoma City University. While at OCU, he served as editor, assistant editor and sports reporter for the school’s newspaper. He is married to Native Oklahoma publisher Lisa Snell. The couple has two children, Sadie and Swimmer. He is the grandson of original enrollee Swimmer Wesley Snell and Patricia Ann (Roberts) Snell.

Culture

BY WILL CHAVEZ
Senior Reporter – @cp_wchavez
12/05/2016 08:30 AM
PARK HILL, Okla. – Family and friends of Cherokee National Treasure and potter Anna Mitchell recently attended a reception for a Cherokee Heritage Center exhibit celebrating her life and legacy as a Cherokee potter. The “Anna Mitchell Legacy” will be on display through April 1 and includes pottery Mitchell made during four decades. Anna Belle Sixkiller Mitchell was born Oct. 16, 1926, to Oo-loo-tsa and Houston Sixkiller in Delaware County and died March 3, 2012, at age 86. The CHC and Mitchell’s family wanted to showcase her life’s work and contributions. Mitchell’s daughter, Victoria Mitchell Vazquez, said for her mother’s exhibit she located collectors who agreed to loan pottery items made by her mother for the exhibit. She said it was her idea to recreate her mother’s studio for the exhibit, complete with original pottery tools her mother worked with, her original worktable, examples of clay and some in-the-works pieces. Her mother’s worktable came from her sister’s cellar and still has clay on it. “I love the way it has all been put together. Jane Osti (a Mitchell student) helped a lot,” she said. “I love the panels that have all the descriptions and stories of mother. I like the easy flow of being able to go in a circle and you see some of her best work, and as you go around you see her work, her students’ work and their students’ work.” She said while the exhibit captures much of who her mother was it doesn’t capture all of her mother’s essence. How important Mitchell was for bringing back pottery making to the Cherokee people is not fully captured, she said. Mitchell was instrumental in bringing back Southeastern-style pottery to Cherokee people in Oklahoma. No one had been able to continue the tribe’s pottery tradition after it was moved to Indian Territory, now Oklahoma, in the early 1800s. Cherokee potter Crystal Hanna studied pottery under Mitchell. She met her after seeing Mitchell’s photo in a brochure for the annual Red Earth festival in Oklahoma City. Hanna said she contacted Red Earth representatives to get in touch with Mitchell because she felt she was someone she should get to know. Mitchell later called her and invited her to her house in Vinita. “That was in October of 1998, and she asked me if I was interested in doing an apprenticeship. I hadn’t really thought about it then. I was so excited to meet her to see what she did,” Hanna said. “She invited me to come back in March, that’s when she started working (making pottery) for Indian Market in Santa Fe (New Mexico).” Hanna said she returned to Vinita in March 1999 for a three-month apprenticeship with Mitchell. Mitchell loaned her books about Southeastern-style pottery and told Hanna she wanted her to study her “ancient culture and history before she put her hands in the clay.” One of Hanna’s tasks was sifting dried clay pieces for hours and rehydrating the clay for use. “After I did that all afternoon, she said, ‘oh, I just wanted to let you know how our ancestors did it.’ There’s an easier way. You can take the hand-dug clay and put it in little pebbles, soak it and then put it through a screen,” she said. “We went through every step – grinding the clay, processing it, the hand coiling, the burnishing, the slip painting.” She said after her apprenticeship Mitchell was always available to answer pottery questions. “We definitely bonded. She kind of reminded me of my mom. She was amazing, really amazing, and I loved her,” Hanna said. Vazquez learned pottery making from her mother after her father, Bob, died in 1997. After his death she moved home to Vinita from Houston where she had worked. “I came back to stay with mom for a couple of weeks, and I decided I need to stay here to support her but also really get serious about making pottery back in Oklahoma because you couldn’t do it in an apartment in Houston,” she said. Vazquez is known for making effigy pottery with human and animal faces. “I like pots, but I always wanted to do something different. I’ve always been drawn to animal or human effigies,” she said. Mitchell’s youngest daughter, Julie McPeek, never took up her mother’s craft, but she appreciated what her mother and father created as a team. She said her father was her mother’s support system and encouraged her constantly. McPeek said by the time she finished college and began raising her family, her mother was too busy with making pottery for art markets and customers that she no longer had time to teach. “And then it just seemed there was not opportunities after that,” she said. She said based on taking a pottery class with Victoria, she now understands that one just can’t “take a lesson or two” to really learn how to make great pottery. One has to learn “from the ground up” and study the culture behind Southeastern-style pottery making, she said. “I was here when they were getting things put in (for the exhibit), and it has such a presence of Mom here. I’m just overwhelmed,” McPeek said. “I love the way it flows from her work and then on around to students that she has taught and then students that her students have taught.”
BY ROGER GRAHAM
Media Specialist – @cp_rgraham
11/18/2016 08:00 AM
PARK HILL, Okla. – More than 1,800 school-age children from surrounding schools attended the annual Cherokee Heritage Festival on Nov. 3-4 at the Cherokee Heritage Center. CHC Interim Director Tonia Weavel said 371 students visited the first day and 1,449 students visited the second day. “We have schools today from Tulsa, McAlester, Roland, Marietta, Dahlonegah, Muskogee and others.” Weavel said. “The Cherokee Heritage Festival is a fantastic fall event where we’ve invited children to come and learn about the Cherokee culture.” Weavel said students who attended received “hands on and up close” lessons on Cherokee culture and history. “So we’re glad they’re here. It’s going to be a good day.”
BY STAFF REPORTS
11/17/2016 04:00 PM
ROLAND, Okla. – Cherokee Nation Businesses is preserving and promoting Cherokee culture at each of its properties by utilizing themes and technology to immerse guests in tribal art, language and history. The tribe’s newest gaming and hospitality property, Cherokee Casino & Hotel Roland, highlights the company’s ability to enhance the entertainment experience by embracing technology and sharing the tribe’s history and culture. The venue’s design represents earth, wind, water and fire and is evident throughout the casino. “Our Cherokee heritage is unique and beautiful,” Principal Chief Bill John Baker said. “Adorning our entertainment properties with cultural elements, brilliant works of Cherokee art and even subtle design motifs allows us to preserve and share our tribal culture while creating memorable impressions that invite visitors to return time and again.” More than 25 years ago, the Cherokee Nation opened its first gaming operation, a bingo hall, on the same property as the current casino resort. At that time, much of the technology used today was nonexistent. The technological advances in gaming, security and surveillance have transformed Cherokee Casino & Hotel Roland into the region’s leading entertainment destination. The tribe’s business arm used new methods to match the property’s increased focus on technology and art, including an animated TV wall featuring art with moving elements and audio across three monitors and a mosaic TV wall displaying the casino and hotel’s entire art collection. Holographic greeters offer patrons a quick and factual education in Cherokee culture and language while also depicting the tribe’s history within Sequoyah County. The greeters feature the appearances and voices of actual employees who work at the property. “It’s an honor as both an employee and as a Cherokee Nation citizen to work in an environment that expresses so much of our tribal history and culture through numerous displays,” Chad McReynolds, general manager of Cherokee Casino & Hotel Roland, said. “Our guests appreciate the art and are interested in hearing the stories behind each piece. The art team really did a wonderful job with this project." Cherokee culture is represented throughout CNB and CNE properties by using historical and modern media. The Roland location features the works of 28 Cherokee artists, including eight Cherokee National Treasures: Bill Glass Jr., David Scott, Donald Vann, Jane Osti, Luther Toby Hughes, Noel Grayson, Shawna Morton Cain and William Cabbagehead. The property boasts 3-D works ranging from basketry to ceramics by Cain, Osti and Scott, photos by Cherokee photographer Jeremy Charles and a ceiling centerpiece reflecting the four directions on earth created by Bill and Demos Glass. Honeysuckle baskets, woven and hand-built pottery, a historic sugar bowl and handmade hunting and fishing tools used before European contact, as well as 8-foot-tall panels displaying Ron Mitchell’s piece “Art of the People” are also on display. “It is very important that we continue to preserve our culture and support Cherokee artists,” Gina Olaya, CNB director of cultural art and design, said. “Cherokee Casino & Hotel Roland exemplifies the many ways modern technology helps us share and enjoy Cherokee history, language and art, while simultaneously creating an entertainment experience unlike anything else in the area.” The CN and its businesses rely on Cherokee artists and their works to bring authenticity to all of the tribe’s properties. A catalogue of the tribe’s collection is accessible through an online art database at <a href="http://cnart.pastperfect-online.com" target="_blank">http://cnart.pastperfect-online.com</a>.
BY STAFF REPORTS
11/10/2016 08:30 AM
INDIANAPOLIS – Western paintings and Native American artifacts collected by former NFL Tennessee Titans owner Kenneth S. “Bud” Adams go on exhibit Nov. 12 at the Eiteljorg Museum of American Indians and Western Art. The “Titan of the West: The Adams Collection of Western and Native American Art” exhibition includes items from a multimillion-dollar collection bequeathed by Adams to the museum when he died in 2013 at age 90. It is one of the largest and most historically important bequests the museum ever has received. Visitors will see paintings by Frederic Remington, Charles Russell, Thomas Moran and other artists who shaped the image of the Old West. They also will see Native American artifacts, including beaded and quilled clothing from Plains tribes, pottery and weavings from the Southwest, Cherokee basketry and a variety of horse gear, smoking pipes and moccasins all gifted to the museum by the late Adams in his will. “Bud Adams and his wife Nancy Adams assembled an impressive personal art collection at their Houston home and business inspired by Bud’s dual heritage as an enrolled member of the Cherokee Nation and descendant of pioneers. While football fans knew Bud Adams as the owner of the Tennessee Titans, we at the Eiteljorg Museum also came to know him as a tremendous enthusiast for the history of the West. The Adams’ collection is one of national importance, and we were thunderstruck with gratitude when Bud entrusted this collection to the Eiteljorg for the public’s enjoyment and appreciation,” said Eiteljorg Museum President and CEO John Vanausdall. A wealthy Houston businessman and rancher, Adams was prominent in the oil and gas industry as CEO of Adams Resources & Energy. Adams also was a central figure in the history of modern professional football. He was co-founder of the American Football League, which later merged with the NFL, and he was owner of the former Houston Oilers franchise that later became the Tennessee Titans in Nashville. Many direct ancestors of Adams were among the Cherokee forced to leave Tennessee on the Trail of Tears. The Tiana Rogers family traveled with a party that took 189 days to reach Indian Territory (in what is now Oklahoma) in 1839. In 1841, daughter Martha married Hilliard Fields. She was Bud Adams’ great-great-grandmother. W.W. “Bill” Keeler was the brother of Adams’ mother and was president of Phillips Petroleum. Keeler became principal chief of the CN first appointed by President Harry Truman and holding the office until 1975. Adams was a supporter of the Cherokee Heritage Center in Park Hill, Oklahoma, and in 2000 received “the highest honor awarded by the Cherokee National Historical Society for his support and dedication to the preservation and promotion of Cherokee culture.” Curators and collection experts at the Eiteljorg have spent nearly three years preparing for the display of 60 paintings and nearly 90 Native American artifacts Adams collected, which together will fill an exhibition room. A full-color 300-page book authored by the curatorial staff accompanies the exhibition. “The Eiteljorg Museum is one of the premier museums of Native American artifacts and Western art in North America, and it is appropriate that these priceless treasures will be housed at the Eiteljorg permanently,” said Amy Adams Strunk, daughter of Bud Adams and controlling owner of the Tennessee Titans. “This collection was very special to my father, and our family hopes that those who view these items on display will walk away with the same sense of wonder and appreciation for the culture and heritage that these unique artifacts and works of art represent.” The “Titan of the West” exhibition continues through Feb. 5 and is included with regular museum admission.
BY STAFF REPORTS
11/07/2016 12:00 PM
TAHLEQUAH, Okla. – The Cherokee Speakers Bureau Thanksgiving will be held Thursday November 10, 2016 from 12:30 - 4pm. We will meet in the Community Ballroom that is located behind the Restaurant of the Cherokee. All Cherokee speakers are invited to attend. If you want to bring a side dish or a dessert, feel free to bring it. Come speak Cherokee and enjoy food and fellowship. For further information about the event, please contact: Edna Jones at (918) 453-5151; John Ross at (918) 453-6170; or Roy Boney, Jr. (918) 453-5487
BY STACIE GUTHRIE
Reporter – @cp_sguthrie
11/07/2016 08:15 AM
TAHLEQUAH, Okla. – After reconnecting with her pre-school teacher, Cherokee Nation citizen Talisha Lewallen learned how to make Cherokee double-wall baskets from basket weaver Regina Thompson. This led her to share the skill with co-worker Joshua Cooper, and they in turn began teaching children they helped while working with CN’s Indian Child Welfare. “We both work for Cherokee Nation Indian Child Welfare, and we started realizing that when we’re teaching kids to do it, it really helps them to be able to talk to us more. It kind of gives them a way to relax around us. It takes their mind kind of off what they’re really telling us and helps, I think, all of us feel a little more comfortable in some situations,” she said. “It also helps them reconnect with their heritage and realize that they’re apart of something bigger and they’re not just out there by themselves.” Cooper, a CN citizen, said the children kept what they made but he and Lewallen noticed they had an excess of baskets. He said this prompted them to start TooNooWee Baskets about a year ago. “From doing that we had all of these baskets left over and never had much to do with it so I was like, ‘might as well start selling them,’” he said. Cooper said they have sold baskets and spread Cherokee culture to people all over the world. “I’ve sent some to Australia. I’ve sent some to England and France and Austria. So we kind of share it (Cherokee culture) that way,” he said. “We also share it with our personal family and also people here in Oklahoma.” Lewallen said they also sold all of their baskets at their booth during the 64th annual Cherokee National Holiday. “Our booth did very well.” Cooper said he believes creating baskets helps him, Lewallen and the children they teach connect with their culture. “These baskets are from the western Cherokee, after the removal. It’s kind of the style that kind of came about because they didn’t have the same materials,” he said. “It kind of keeps us connected to the sacrifices they made and understand how far we’ve come and continue it. I want to be able to teach my kids. Also, we know that the basket kind of holds it’s all self together, there’s nothing added in to it so it’s kind of like the way the Cherokee people kind of work. We kind of hold ourselves together and keep moving forward.” Lewallen said as for her baskets she recently began entering art shows and competitions and is interested in entering more. “I’ve already won two awards from the two art shows I’ve entered so I’m pretty excited about that,” she said. She said she won Judges’ Choice at the 11th annual Cherokee Holiday Art Show and first place at the 2016 Tulsa State Fair Competitive Exhibits. Cooper said the duo also offer basket-weaving classes. “We’ve only done it a few times but it’s something that we really enjoy,” he said. “We’ve actually taught all of ICW for Cherokee Nation. We had a class of probably about 100 something people.” To purchase baskets, request a custom basket or set up a class, visit <a href="http://www.etsy.com/shop/TooNooWeeBaskets" target="_blank">www.etsy.com/shop/TooNooWeeBaskets</a> , call 918-805-7082 or email <a href="mailto: toonooweebaskets@gmail.com">toonooweebaskets@gmail.com</a>. To keep up with TooNooWee Baskets “follow” them on Instagram or “like” them on Facebook.