Cherokee artists Lisa Rutherford, left, and Cathy Moomaw discuss art that is part of the 16th Annual Cherokee Homecoming Art Show during an opening reception Aug. 12. WILL CHAVEZ/CHEROKEE PHOENIX

Jackson wins grand prize at Homecoming Art Show

Troy Jackson stands next to his grand-prize-winning sculpture titled “Halfbreed-Am I Red and White or Am I White and Red.” WILL CHAVEZ/CHEROKEE PHOENIX People take in the artwork that is part of the 16h Annual Cherokee Homecoming Art Show at the Cherokee Heritage Center. The show runs through Oct. 2. WILL CHAVEZ/CHEROKEE PHOENIX A painting titled “After the Vote” by Cherokee artist Joseph Erb won the Visual Arts category in the 16th Annual Cherokee Homecoming Art Show that opened Aug. 12. COURTESY PHOTO
Troy Jackson stands next to his grand-prize-winning sculpture titled “Halfbreed-Am I Red and White or Am I White and Red.” WILL CHAVEZ/CHEROKEE PHOENIX
BY WILL CHAVEZ
Senior Reporter
08/17/2011 08:42 AM
TAHLEQUAH, Okla. – Cherokee artist Troy Jackson took home the grand prize in the 16th Annual Cherokee Homecoming Art Show that opened Aug. 13.

Along with a ribbon, Jackson received a $1,100 check, which was part of $15,000 in prize money awarded during the opening. The show, which runs through Oct. 2, was open to enrolled members of the three federally recognized Cherokee tribes: the Cherokee Nation, United Keetoowah Band of Cherokee Indians and Eastern Band of Cherokee Indians.

“This year, I’m very proud to say, is the largest Homecoming Art Show ever. We had 81 artists submit 162 pieces … and they are all Cherokee,” said Cherokee Heritage Center Executive Director Carey Tilley. “We accepted the best quality, originality and craftsmanship. We are very excited about the quality of the entries, and we’re very excited about the quality of the show.”

Cherokee Nation Businesses sponsored the show and allocated $25,000 for the show, which included the $15,000 in prize money.

“It (Homecoming Show) helps keep Cherokee art alive, which is what I think is Cherokee Nation Businesses’ goal here,” Tilley said.

Jackson of the Grandview Community won the Grand Prize with his sculpture titled “Halfbreed-Am I Red and White or Am I White and Red.”

“I am both white and Native American, and so I struggle with it in different areas. Sometimes I feel like I’m white and sometimes I feel like I’m Native American,” Jackson said.

He added growing up he dealt with this conflict and believes many other Cherokee people can identify with his struggle.

Jackson said he has been working on his art for about 10 years. In April, he won the Grand Prize in the annual Trail of Tears Art Show for his work “Putting The Pieces Together” in the pottery category.

He said he appreciates the two Cherokee art shows because it allows him to see the work of other Cherokee artists and his competition.

“Every year that I come here it just seems to be a better show, and people are progressing in their work. I think that is important because this is the 21st century, and I see people really shooting for the future in Native American art,” he said.

Joseph Erb of the Blackgum Community, won the Visual Arts category with his painting titled “After the Vote,” which depicts the reactions of Cherokee people after the June 25 Cherokee Nation election.

He said he was surprised by his win because the painting depicts a controversial period. He added he wasn’t even sure the piece would be accepted into the show.

“It was made because a lot of stuff occurred after the election to where the community started fighting each other. I thought I’d make an art piece about it,” Erb said. “It’s a perspective. I’m not picking the side of one group or another. I just wanted to show the reality of what politics can do to a community. It’s about the idea that we were letting an election divide our community.”

In the piece, the leaders of each political group are wearing gourd booger masks while their supporters are wearing wooden booger masks. Each faction carries a banner that reads “no good” in the Cherokee syllabary.

The words around the eyeball in the center of the painting say “after the vote” in the syllabary to show the arguing and campaigning continued after the votes were cast, Erb said. A keyboard and computer represent the way Cherokee people communicated about the election using the Internet and social networks like Facebook.

Erb also included in the painting the Cherokee Phoenix’s role in covering the election and controversy. He said Cherokee people depended on the newspaper’s website and its Facebook page to keep them up to date on what was happening on a daily basis.

“It think this increased our news cycle that it will actually never change again because people are really expecting fast news,” he said. “This is really a neat thing to see happen. A newspaper that gave us such notoriety as Native people throughout the world is still running today and still serving the people. That’s one of the reasons I paid homage to it.”

Lisa Forrest of the Rocky Ford Community entered the Contemporary and Traditional Basket categories and won a judges’ choice award with her traditional basket titled “Fall Harvest.” This is the third award she has won in the Homecoming Show, she said.

Forrest said she learned how to weave baskets from her mother, Lena Blackbird, who is Cherokee National Treasure.

“I’m just carrying on with it and it makes her pretty proud,” Forrest said.

She added she appreciates the homecoming show because it allows her to see the artwork of other Cherokee artisans.

“It’s just pretty amazing what our people can do,” she said.

Cherokee artwork was judged in traditional and contemporary divisions with 162 entries under consideration. The traditional division is defined as arts originating before European contact and consists of four categories including basketry, jewelry and beading, pottery and traditional arts.

The contemporary division is defined as arts arising among the Cherokee after European contact, and consists of five categories including paintings, sculpture, pottery, basketry and textiles.

Other winners in the Homecoming Art Show

Contemporary Basketry – Winner - Shawna Cain, “Squisidi Agasga”

Honorable Mentions - Sandra Pallie and Joann Richmond


Contemporary Pottery – Winner - Troy Jackson, “One Man’s Legacy”

Honorable Mentions - David Pruitt, Joel Queen and Janet Smith


Jewelry and Beadwork – Winner – Antonio Grant , “The Union”

Honorable Mentions – Abraham Locust and Teri Lee Rhoades


Sculpture – Winner – Jane Osti, “Selu”

Honorable Mentions – Karen Berry and Janet Smith


Textiles – Winner – Bessie Russell, “Dogwood Quilt”

Judges’ Choice – Ernest Grant, “Red Clay Reunion”

Tonia Hogner-Weavel, “Stripes”

Rene’e Hoover, “Winter Grays”

Honorable Mention – Dorothy Ice


Traditional Basketry – Winner – Bessie Russell, untitled

Judges’ Choice – Lisa Forrest


Traditional Pottery – Winner – Joann Richmond, “Earth, Wind and Fire”


Traditional Arts – Winner – Rebecca Alice Wiltshire Whitwell, “Wenona’s Rattle”

Honorable Mentions – Noel Grayson and Lisa Rutherford


Visual Arts – Winner – Joseph Erb, “After the Vote”

Judges’ Choice – Dan Horsechief, “Resurgence”

Honorable Mentions – Hilary Glass and Lori Smiley


will-chavez@cherokee.org • 918-207-3961
About the Author
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M.

He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life.
He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association.

Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years.
WILL-CHAVEZ@cherokee.org • 918-207-3961
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M. He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life. He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association. Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years.

Culture

BY WILL CHAVEZ
Senior Reporter
04/28/2015 08:00 AM
PARK HILL, Okla. – Bill and Demos Glass of Locust Grove took home the 44th annual Trail of Tears Art Show’s grand prize for their stainless steel, ceramic and wood piece titled “Warrior’s Doorway” during an April 17 reception at the Cherokee Heritage Center. The piece has a ceramic centerpiece with seven hands circling a face and a seven-pointed star. Behind the ceramic centerpiece is a mirror to allow the back of it to be viewed. The centerpiece is attached to a stainless steel hand, which is attached to cherry wood. For winning the grand prize, the Glasses received a copper gorget necklace made by Cherokee artist Toneh Chuleewah, ribbon and prize money. “We just got an opportunity to collaborate, and we bounced some ideas off of one another and also embraced the warrior spirit and created a piece that would embraces the warrior spirit,” Demos said. “It’s got a stainless steel hand. It has a ceramic tile insert, and it’s got some nice hidden things inside there. There’s a mirror behind it to kind of show the back of the piece.” The art show is the longest-running Native American art show in Oklahoma and features authentic Native American art. Artists competed for $15,000 in prize money in the categories of paintings, graphics, sculpture, pottery, basketry, miniatures, jewelry and a Trail of Tears theme. The show runs to May 23. “Each year, the Trail of Tears Art Show showcases breathtaking art created by Native American artists from across the country,” CHC Executive Director Candessa Tehee said. “Last year, the show featured 144 pieces from more than 75 artists who come from 14 tribal nations. This is a must-see show for Native American art enthusiasts.” CHC Curator Mickel Yantz said the annual show is “excellent.” “One category people love is the miniatures category. It’s pieces of artwork from all mediums, but they’re smaller than four inches in any direction. They’re always wonderful, and they’re great starters if people want to get into Native art collecting. It’s a great category to check out,” Yantz said. Regina Gayle Thompson of Rose entered her double-walled baskets in the basketry category. She said she gives all the credit for her basket-making skills to Bessie Russell, who taught her how to weave baskets. “This is my second year of entering. I got brave enough to enter my baskets. Last year I placed with an honorable mention. I thought I’d enter another basket,” she said. “I enjoy mostly what comes out of it when you start weaving. It just totally heals you as you start weaving. You just feel relaxed and calm.” The art show began in 1972 as a means of fostering the development of painting as a form of expressing Native American heritage. This year, the Bank of Oklahoma, Chickasaw Nation, Cherokee Nation Businesses and Rabbit Studios sponsored the art show. The other winners for the show were Stephen Wood, who won the “Trail of Tears Award” for his piece “For Those That Have Walked on Before Me;” Verna Bates, who won the “Bill Rabbit Legacy Award” for her piece “Come a Little Closer;” and Luther “Toby” Hughes, who won the “Betty Garner Elder Award” for his tree of booger masks titled “Tree of Tradition.” Shan Goshorn won the basketry competition for her basket “One Names Make Thunder.” Jeff Edwards won the graphic category for his poster of Sequoyah titled “Hope.” Norma Howard won the miniature category for an untitled piece. Kenny Henson won the painting competition with his piece “A Sign of Promise,” and Chase Earles won the pottery category for his piece Natchitaches Bit “Place of the Pae Paw Eaters II.” Troy Jackson won the sculpture competition again with his piece “Endurance of Changing Times.” Joseph Erb won the jewelry category for his piece “Thunder and Lightning;” and Jacob Waytula won the “Emerging Artists Category” for his piece “The Raven Mocker.”
BY JAMI MURPHY
Reporter
04/17/2015 08:00 AM
PARK HILL, Okla. – The Cherokee Heritage Center’s archives for 2-D and 3-D collections are in dire need of a new storage location, CHC officials said. At a March 26 Tribal Council meeting, CHC Director Candessa Tehee said the archives located at the center have four threats working against them: temperature, humidity, light and pests. Unfortunately, temperature is a threat that CHC Curator Mikel Yantz and the center’s interim archivist cannot currently control, Tehee said. Yantz, who runs the permanent collections as well as the temporary and permanent exhibits in the museum, said the museum’s basement houses the archives and collections. “We have two separate areas downstairs. One is for archives, which is where we have our two-dimensional objects – so newspapers, letters and photographs,” he said. “We also have a separate area for collections, and that’s our three-dimensional objects – so pottery, basketry and stickball sticks. Anything that need to be put on larger shelves.” He said temperature control is the biggest concern when trying to preserve and maintain the archives and collections. “The building that we have wasn’t created four decades ago to sustain the temperature and humidity, so we’re looking forward to trying to fix that by possibly having a new building,” Yantz said. “If you have a higher temperature and higher humidity, it’s very susceptible to fabric or porous materials like wood and especially paper because what it will do is it will increase the moisture, and so it will start growing mold and start deteriorating those much faster than if it was a cooler temperature.” The average temperature for the basement is about 70 degrees, which Yantz says is too high. He said the humidity is OK in the winter, but in the summer as the humidity climbs so does the possibility of damage to the archives and collections. He said the ideal temperature is 60 degrees with 40 percent humidity. “And sometimes it fluctuates here in the building with the temperature outside,” Yantz said. “And as we know in Oklahoma, the temperature ranges from 20 to 120 (degrees) sometimes. And for us to sustain that year-round isn’t possible with what we have.” Yantz said space is another issue facing the CHC archives and collections. “We’re looking to create is around 7,000 square feet, which would double our size, but we’re also going to make sure that building is expandable so when we grow that room and building can grow with us,” he said. “The building will be right next to this museum. So if we need to transfer anything from that building to our exhibit area – because we do display a lot of our archives and collections – we’ll be able to do that and keep the document safe.” Tehee said there have been two recommendations. One is to refurbish the interior of the basement with the other being to build and on-site, metal-fabricated building that would be double the size of the basement. Yantz said the Cherokee National Historical Society board, which governs the CHC, is raising money through granting agencies and possibly the Cherokee Nation and Cherokee Nation Businesses with hopes of creating a new storage area. Yantz said the CHC’s mission is to preserve, promote and teach the Cherokee history and culture. “And the documents and objects that we have here and that we preserve at the museum support that mission. It’s vital to make sure that these last for generations,” he added.
BY STAFF REPORTS
04/15/2015 02:00 PM
TAHLEQUAH, Okla. – Cherokee Nation Cultural Tourism and Preservation Oklahoma are partnering to teach people how to restore historical remains etched in stone. Professional gravestone and masonry conservator Jonathan Appell, member of the Preservation Trades Network, will lead the gravestone conservation workshop from 9 a.m. to 4:30 p.m. on May 7-8 at the Tahlequah Public Cemetery. An expert in cemetery preservation planning, Appell will lead the interactive training while covering topics on how to reset stones, repair fragmented stones, repoint and clean masonry and use infill material and appropriate repair materials. Tools and most materials will be provided for the workshops. Attendees are encouraged to bring a folding chair for comfort. Appell has performed gravestone preservation and planning projects on historic cemeteries throughout the U.S., including the Congressional Cemetery in Washington, D.C.; The Granary in Boston; Sleepy Hollow Cemetery in Tarrytown, New York; The First Presbyterian Church Cemetery in Greensboro, North Carolina; and The New Haven Crypt in New Haven, Connecticut. Lunch will be provided and the cost to attend is $45. The workshop is limited to 25 people on a first-come, first-served basis. To reserve space or get more information, go to <a href="http://www.preservationOK.org" target="_blank">www.preservationOK.org</a>.
BY WILL CHAVEZ
Senior Reporter
04/13/2015 08:00 AM
WICHITA, Kan. – Meredith Radke-Gannon, a Cherokee artist and high school art teacher in Wichita, is taking part in a public-art project called “Keepers on Parade” that will place 10-foot tall fiberglass sculptures throughout the city. The sculptures are inspired by the “Keeper of the Plains” sculpture in downtown Wichita. Kiowa artist Blackbear Bosin created the sculpture, and the group “Together Wichita,” made up of businesses and organizations, has recruited artists to paint the sculptures to showcase the city’s qualities. Radke-Gannon is completing a second painted sculpture, which is part of 50 to 75 sculptures city officials hope to place in the next year. “Keeper” sculptures are decorated with Native American themes or Kansas-themed paintings. Radke-Gannon chose to use Native American themes. She said the sculpture’s design could symbolize reaching toward the sky, sending prayers up to the heavens with smoke, a star symbol or even a sunflower facing its top toward the sun. Radke-Gannon grew up in McPherson, but her family originated in Chelsea, Oklahoma. She may have grown up in Kansas, but she said her interest in Native art began in Oklahoma. “A moment that really began my journey in Native American art was when I was 8 years old. My grandparents took me on an art adventure trip to the Cherokee Heritage Center, and I’ll never forget the artwork that was portrayed there and the Willard Stone wood-carved sculpture entitled ‘Exodus,’” she said. “After viewing the artwork, they drove me to Mr. Stone’s home and art studio. It was a moment I’ll never forget that really inspired me to explore art. He worked in a number of mediums and showed us the wood-carved sculpture project he was working on at the time. His warm spirit and creativity blessed me and inspired me to keep learning more about Native arts and culture.” She attended Kansas State University for art education before studying textile weaving and printing at the Art Institute in Kansas City, Missouri. “I was first drawn to weaving and textiles because of the process and colors that could be achieved but also because of the textile traditions in Cherokee culture,” she said. Later she did commercial weaving and weaving for her artwork before having children and staying home to raise them. Eight years ago she began teaching art, first as an elementary art education teacher and then as an art teacher at Northeast Magnet High School. She has also started taking oil-painting classes. “That was a year and a half ago and ever since then I’ve been painting non stop. I do some wood sculptures, too. As a weaver it’s so labor intensive. Like when I’d weave it would be an inch an hour or half an inch an hour. It was so time consuming that it was really hard to get out what was in my head onto fabric, so that’s why I’ve gone really crazy with painting because it’s a lot faster and it gets out what I’m wanting to portray in each piece,” she said. “And then the (“Keepers on Parade”) project came along, and I submitted designs for that.” She was among the first eight artists chosen to create designs and decorate the initial “Keepers on Parade” sculptures. Her first design was based on designs from the Wichita tribe. Her design for the second sculpture is based on the Kansas state flag and its symbols. The “Keepers on Parade” project is similar to a project in Cherokee, North Carolina, where bear sculptures were painted and placed throughout the town or the project in Muskogee, Oklahoma, where artists painted guitar sculptures. “They are trying to bring community pride together, something that will make a lasting impression. They are really trying to focus now on the town’s symbol with the ‘Keeper of the Plains.’ It is one of the most visited places in town,” she said. She entered a painting in the 2014 Trail of Tears Art Show at the Cherokee Heritage Center in Park Hill, Oklahoma, and entered a painting and two wooden sculptures for this year’s show, which was slated to open on April 18. “I really want to do more entries and keep showing. That’s my goal,” she said. “I think as a teacher, I think students are really interested in what I’m doing because I’m creating along with them; I’m not just teaching them something. I’m also showing them art is a such viable medium, and I can express deep meaning things related to my culture.”
BY STAFF REPORTS
04/10/2015 12:00 PM
WEST SILOAM SPRINGS, Okla. – The Oklahoma Chapter of the Trail of Tears Association will hold its spring meeting from 10 a.m. to noon on April 11 at the Cherokee Casino West Siloam Springs. The public is invited to attend the meeting to listen to keynote speaker Jay Hannah speak about how Cherokee people coped and survived following their removal to Indian Territory from their eastern homelands. Hannah is a Cherokee Nation citizen who grew up in Adair County. His family traveled on the Trail of Tears in 1839 and settled 20 miles from where he grew up in Peavine. Hannah holds a bachelor’s degree from Northeastern State University and a master’s degree from Oklahoma State University. He is also the executive vice president of financial services for BancFirst Corporation in Oklahoma City. This year’s “Remember the Removal” bicycle riders will also be guests at the meeting. At 2:30 p.m. on April 18 the Oklahoma Chapter of TOTA will hold a marking and honoring ceremony for three Cherokee people who survived the Trail of Tears but later died in Indian Territory. The ceremony will be held at the Round Springs Cemetery in Eucha in Delaware County. Removal survivors Charlotte Chopper, Chief Charles Thompson and Anderson Springston will be honored and TOTA plaques will be attached to their graves.
BY STAFF REPORTS
04/09/2015 04:00 PM
WASHINGTON –Without actually being in attendance, individuals will be able to enjoy “Cherokee Days” via live webcasts and numerous amounts of information that Cherokee Nation will be sharing on their social media accounts. “Cherokee Days” events begin on April 10 at the National Museum of the American Indian in Washington. “Cherokee Days” consist of the partnering of the CN, Eastern Band of Cherokee Indians and United Keetoowah Band to share the Cherokee story. “By partnering with the Smithsonian to stream the sessions on Cherokee history, genealogy and culture, we open the experience of Cherokee Days to a much broader audience,” CN Principal Chief Bill John Baker said. “We encourage everyone interested to log on and participate in this unique gathering of tribal historians, artisans and cultural experts. The information collectively shared by the three tribes will be educational as well as entertaining. It’s important we make this experience accessible to the world.” On April 10, Robert Lewis will tell traditional Cherokee stories, Cherokee National Treasure Tommy Wildcat will preform with his flute, the Cherokee National Youth Choir will preform and there will be traditional dances. On April 11, John Ross Jr. will give those interested an opportunity to learn more about the Cherokee language; Catherine Foreman Gray will present a lecture about the Trial of Tears; Roy Hamilton will speak about Cherokee genealogy; EBCI speakers will speak about the importance of natural resources; and Ernestine Berry will help people learn more about the history of the UKB. The performances start at 10:30 a.m. (EDT) on April 10 and presentations start at 10 a.m. (EDT) on April 11 and can be viewed online via live webcast at <a href="http://nmai.si.edu/multimedia/webcasts/" target="_blank">http://nmai.si.edu/multimedia/webcasts/</a>. According to a CN press release, the public educational program is April 10-12 and includes an exhibit showcasing the history and culture of the three tribes, live cultural art demonstrations, and scheduled cultural performances. Among the activities is a make-and-take experience, which allows children to create traditional Cherokee items. CN officials will continually provide an inside look of the three-day event through its Tumblr page at <a href="http://www.CherokeeNationNews.tumblr.com" target="_blank">www.CherokeeNationNews.tumblr.com</a>. There will also be updates on the CN’s Facebook pages and Twitter accounts. For more information, visit <a href="http://www.AmericanIndian.si.edu" target="_blank">www.AmericanIndian.si.edu</a>.