Cherokee artists Lisa Rutherford, left, and Cathy Moomaw discuss art that is part of the 16th Annual Cherokee Homecoming Art Show during an opening reception Aug. 12. WILL CHAVEZ/CHEROKEE PHOENIX

Jackson wins grand prize at Homecoming Art Show

Troy Jackson stands next to his grand-prize-winning sculpture titled “Halfbreed-Am I Red and White or Am I White and Red.” WILL CHAVEZ/CHEROKEE PHOENIX People take in the artwork that is part of the 16h Annual Cherokee Homecoming Art Show at the Cherokee Heritage Center. The show runs through Oct. 2. WILL CHAVEZ/CHEROKEE PHOENIX A painting titled “After the Vote” by Cherokee artist Joseph Erb won the Visual Arts category in the 16th Annual Cherokee Homecoming Art Show that opened Aug. 12. COURTESY PHOTO
Troy Jackson stands next to his grand-prize-winning sculpture titled “Halfbreed-Am I Red and White or Am I White and Red.” WILL CHAVEZ/CHEROKEE PHOENIX
BY WILL CHAVEZ
Senior Reporter
08/17/2011 08:42 AM
TAHLEQUAH, Okla. – Cherokee artist Troy Jackson took home the grand prize in the 16th Annual Cherokee Homecoming Art Show that opened Aug. 13.

Along with a ribbon, Jackson received a $1,100 check, which was part of $15,000 in prize money awarded during the opening. The show, which runs through Oct. 2, was open to enrolled members of the three federally recognized Cherokee tribes: the Cherokee Nation, United Keetoowah Band of Cherokee Indians and Eastern Band of Cherokee Indians.

“This year, I’m very proud to say, is the largest Homecoming Art Show ever. We had 81 artists submit 162 pieces … and they are all Cherokee,” said Cherokee Heritage Center Executive Director Carey Tilley. “We accepted the best quality, originality and craftsmanship. We are very excited about the quality of the entries, and we’re very excited about the quality of the show.”

Cherokee Nation Businesses sponsored the show and allocated $25,000 for the show, which included the $15,000 in prize money.

“It (Homecoming Show) helps keep Cherokee art alive, which is what I think is Cherokee Nation Businesses’ goal here,” Tilley said.

Jackson of the Grandview Community won the Grand Prize with his sculpture titled “Halfbreed-Am I Red and White or Am I White and Red.”

“I am both white and Native American, and so I struggle with it in different areas. Sometimes I feel like I’m white and sometimes I feel like I’m Native American,” Jackson said.

He added growing up he dealt with this conflict and believes many other Cherokee people can identify with his struggle.

Jackson said he has been working on his art for about 10 years. In April, he won the Grand Prize in the annual Trail of Tears Art Show for his work “Putting The Pieces Together” in the pottery category.

He said he appreciates the two Cherokee art shows because it allows him to see the work of other Cherokee artists and his competition.

“Every year that I come here it just seems to be a better show, and people are progressing in their work. I think that is important because this is the 21st century, and I see people really shooting for the future in Native American art,” he said.

Joseph Erb of the Blackgum Community, won the Visual Arts category with his painting titled “After the Vote,” which depicts the reactions of Cherokee people after the June 25 Cherokee Nation election.

He said he was surprised by his win because the painting depicts a controversial period. He added he wasn’t even sure the piece would be accepted into the show.

“It was made because a lot of stuff occurred after the election to where the community started fighting each other. I thought I’d make an art piece about it,” Erb said. “It’s a perspective. I’m not picking the side of one group or another. I just wanted to show the reality of what politics can do to a community. It’s about the idea that we were letting an election divide our community.”

In the piece, the leaders of each political group are wearing gourd booger masks while their supporters are wearing wooden booger masks. Each faction carries a banner that reads “no good” in the Cherokee syllabary.

The words around the eyeball in the center of the painting say “after the vote” in the syllabary to show the arguing and campaigning continued after the votes were cast, Erb said. A keyboard and computer represent the way Cherokee people communicated about the election using the Internet and social networks like Facebook.

Erb also included in the painting the Cherokee Phoenix’s role in covering the election and controversy. He said Cherokee people depended on the newspaper’s website and its Facebook page to keep them up to date on what was happening on a daily basis.

“It think this increased our news cycle that it will actually never change again because people are really expecting fast news,” he said. “This is really a neat thing to see happen. A newspaper that gave us such notoriety as Native people throughout the world is still running today and still serving the people. That’s one of the reasons I paid homage to it.”

Lisa Forrest of the Rocky Ford Community entered the Contemporary and Traditional Basket categories and won a judges’ choice award with her traditional basket titled “Fall Harvest.” This is the third award she has won in the Homecoming Show, she said.

Forrest said she learned how to weave baskets from her mother, Lena Blackbird, who is Cherokee National Treasure.

“I’m just carrying on with it and it makes her pretty proud,” Forrest said.

She added she appreciates the homecoming show because it allows her to see the artwork of other Cherokee artisans.

“It’s just pretty amazing what our people can do,” she said.

Cherokee artwork was judged in traditional and contemporary divisions with 162 entries under consideration. The traditional division is defined as arts originating before European contact and consists of four categories including basketry, jewelry and beading, pottery and traditional arts.

The contemporary division is defined as arts arising among the Cherokee after European contact, and consists of five categories including paintings, sculpture, pottery, basketry and textiles.

Other winners in the Homecoming Art Show

Contemporary Basketry – Winner - Shawna Cain, “Squisidi Agasga”

Honorable Mentions - Sandra Pallie and Joann Richmond


Contemporary Pottery – Winner - Troy Jackson, “One Man’s Legacy”

Honorable Mentions - David Pruitt, Joel Queen and Janet Smith


Jewelry and Beadwork – Winner – Antonio Grant , “The Union”

Honorable Mentions – Abraham Locust and Teri Lee Rhoades


Sculpture – Winner – Jane Osti, “Selu”

Honorable Mentions – Karen Berry and Janet Smith


Textiles – Winner – Bessie Russell, “Dogwood Quilt”

Judges’ Choice – Ernest Grant, “Red Clay Reunion”

Tonia Hogner-Weavel, “Stripes”

Rene’e Hoover, “Winter Grays”

Honorable Mention – Dorothy Ice


Traditional Basketry – Winner – Bessie Russell, untitled

Judges’ Choice – Lisa Forrest


Traditional Pottery – Winner – Joann Richmond, “Earth, Wind and Fire”


Traditional Arts – Winner – Rebecca Alice Wiltshire Whitwell, “Wenona’s Rattle”

Honorable Mentions – Noel Grayson and Lisa Rutherford


Visual Arts – Winner – Joseph Erb, “After the Vote”

Judges’ Choice – Dan Horsechief, “Resurgence”

Honorable Mentions – Hilary Glass and Lori Smiley


will-chavez@cherokee.org • 918-207-3961
About the Author
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M.

He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life.
He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association.

Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years.
WILL-CHAVEZ@cherokee.org • 918-207-3961
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M. He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life. He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association. Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years.

Culture

BY STAFF REPORTS
02/27/2015 12:00 PM
LONDON – Following the success of its first-ever photography competition, Survival International, the global movement for tribal peoples’ rights, has announced its second worldwide photography contest, which aims to celebrate photography as a powerful medium for raising awareness of tribal peoples, their unique ways of life and the threats to their existence. Both amateur and professional photographers are encouraged to enter. Photographs can be submitted in the guardians category, which are images showing tribal peoples as guardians of the natural world; the community category, which are portraits of relationships between individuals, families or tribes; and the survival category, which are images showing tribal peoples’ diverse ways of life. The judging panel consists of Survival’s Director Stephen Corry, Survival Italy Coordinator Francesca Casella, The Little Black Gallery Co-Founder Ghislain Pascal and Max Houghton, senior lecturer in photography at the London College of Communication. The 12 winning entries will be published in Survival’s 2016 calendar with the overall winner’s image featured on the cover. The closing date for entries is April 30. For more information, visit: <a href="http://www.survivalinternational.org/photography" target="_blank">www.survivalinternational.org/photography</a>.
BY STAFF REPORTS
02/22/2015 04:00 PM
DAHLONEGA, Ga. – The next meeting of the Georgia Chapter of the Trail of Tears Association will begin at 10:30 a.m. on March 14 at the University of North Georgia in Dahlonega. The speaker will be GCTOTA board member Walter J. Knapp, instructor of Native American Culture and History at UNG. The topic will be “Successes and Challenges for Native Americans Today and in the Future”. Visit <a href="http://ung.edu/visitors/campuses/dahlonega/driving-directions.php" target="_blank">http://ung.edu/visitors/campuses/dahlonega/driving-directions.php</a> for directions to the university. The meeting will be held in the Adult Education building across from the main entrance to the campus between a pizza place and a Dairy Queen. The address is 82 College Circle Drive. The Trail of Tears Association was created to support the Trail of Tears National Historic Trail established by an act of Congress in 1987. The TOTA is dedicated to identifying and preserving sites associated with the removal of Native Americans from the southeast. The association consists of nine state chapters representing the nine states that the Cherokee, Creek and other tribes traveled through on their way to Indian Territory, now Oklahoma. The GCTOTA meetings are free and open to the public. People need not have Native American ancestry to attend the meetings, just an interest and desire to learn more about this fascinating and tragic period in this country’s history. For more information about the TOTA, visit the National TOTA website at <a href="http://www.nationaltota.org" target="_blank">www.nationaltota.org</a> and the Georgia Chapter website at <a href="http://www.gatrailoftears.org" target="_blank">www.gatrailoftears.org</a>. For questions about the March meeting, email Tony Harris at <a href="mailto: harris7627@bellsouth.net">harris7627@bellsouth.net</a>.
BY STAFF REPORTS
02/18/2015 04:00 PM
OKLAHOMA CITY – Cherokee National Treasure Martha Berry will teach a beginners-level beadwork class from 10 a.m. to 4 p.m. on April 11 at the Oklahoma History Center at 800 Nazih Zuhdi Drive. Participants will learn how to make a lady’s purse. All supplies and lunch is included in the cost. For enrollment or cost information, call OHC Director of Education Jason Harris at 405-522-0785 or email him <a href="mailto: jharris@okhistory.org">jharris@okhistory.org</a>. Beadwork artist Martha Berry was born and raised in Tulsa. Her grandmother and mother taught her how to sew and embroider at age 5, and she later became a professional seamstress. As a Cherokee artist Berry creates elaborately beaded bandolier bags, moccasins, belts, knee bands, purses and sashes inspired by the styles of Southeastern tribes including the Cherokee, Creek, Choctaw, Chickasaw, Seminole, Yuchi and Alabama. Her work is displayed in museums throughout the country. Berry, 66, of Tyler, Texas, taught herself the craft of beading and continues to research the beadwork of Southeastern tribes. She is credited with helping bring back the art form to the Cherokee people and makes time to teach others her craft.
BY JAMI MURPHY
Reporter
02/17/2015 08:00 AM
TAHLEQUAH, Okla. – During a Feb. 7 benefit stomp dance, more than 400 people gathered at the Tahlequah Community Building to raise money for a local Cherokee family that suffered a horrific car accident in January. The stomp dance was originally planned to raise money for the Echota Ground, a Cherokee stomp ground in Park Hill. Echota Ground Chief David Comingdeer said the event raised more than $3,500 with half going to the Flynns to help with their expenses. Family members suffered multiple injuries and totaled their vehicle in the accident. “This evening here in Tahlequah we’ve called all our ceremonial grounds together from the Cherokee Nation, Muskogee Creek, Eucha, Shawnee, Seminole, Seneca Cayuga, even Peoria and Ottawa,” Comingdeer said. “We’ve all come together to help a family, a Cherokee family, a ceremonial family who got in a really bad wreck. We’ve decided to do what we can to help them.” The Flynns, driving a 2004 Chevy Trailblazer, were hit in a head-on collision on State Highway 51 by Randall Welch, of Welling, who was driving a 2002 Nissan Frontier. Welch was taken by Tulsa Life Flight and admitted for injuries while the driver of the Trailblazer, Jack “Red” Flynn, was taken to Arkansas with external trunk, leg and head injuries. Jack’s passengers were Kathy Gann, Jimmy Ross and Nellie Flynn, all family members of Jack. Ross suffered injuries to the head trunk and leg, according to the Oklahoma Highway Patrol. Nellie, Jack’s mother, was taken to a Tulsa hospital with similar injuries. Nellie was unable to make it to the event because of continual problems with the injuries she suffered. Jack, Ross and Gann were present during the dance along with several other family members. Some family members said the accident had put the family in a financial bind with hospital visits and losing the vehicle. “Their going back and forth to the hospital. Both him (Jack) and Nellie are going,” Linda Christie, a Flynn family relative, said. She said the funds would help with gas, food, travel and anything else unforeseen. Jack said without the benefit assistance the family would be forced to suffer more with the financial hardship in which the accident put them. The Flynns and Ross will have a long road ahead of them for full recovery, family members said, but they were appreciative of the donations and support from those who attended. Stomp dance attendee Celia Xavier said witnessing the fundraiser “felt like a throwback to the way our earlier societies were.” “Moving in the same direction, giving a helping hand when one needed it. What affects one, affects all. We are supposed to help each other,” Xavier said. “The antithesis of today’s ‘me society.’ It was interesting to see kindness through the actions of the chief of the Echota Grounds. He is giving half the donations to the Flynn family, who was in dire need of help. It was a moving and spiritual experience.” The family is a member of Stokes Ceremonial Grounds, but Comingdeer said it doesn’t matter what ground one is from. “They may not be from our ground, but they’re from another ground and we have a lot of respect for each other. We always support each other, try to love and understand each other,” he said. “You can take everything away from us, even our land. You can take all of our corporation away, as long as we still have our beliefs and our tradition we can build a fire, have our dances and take our medicine, speak our language, then we’re still a tribe. Tonight is the foundation of our culture. It’s the foundation of our tribe, and this is how we help each other. For those interested in donating to the Echota Ground or the Flynns can do so by mailing a check to Route 4 Box 1570, Stilwell, OK 74960. Make checks out to Echota Ground and indicate in the memo where donation is to go.
BY STAFF REPORTS
02/16/2015 12:00 PM
CATOOSA, Okla. – The 25th anniversary of Indian Health Care Resource Center’s annual dinner and auction “The Dance of the Two Moons” will be Feb. 21 at the Hard Rock Hotel and Casino in Catoosa. The “Dance of the Two Moons” dinner and auction was established 25 years ago as an annual fundraiser to help support the many great programs and services provided to the Native American community by the IHCRC. Proceeds from the event are once again supporting the vital programs and services currently paid from IHCRC’s general fund, including: maternal/child health, adult/child fitness and wellness programs, annual powwow, Spring Break Youth Camp and Youth Summer Camps. The honorary chairs of the 2015 “The Dance of the Two Moons” are Dr. Joseph and Mary Cunningham. Dr. Cunningham, medical director of Blue Cross and Blue Shield of Oklahoma and Mrs. Cunningham are personally dedicated to helping IHCRC improve the lives of our patients, states an IHCRC press release. Tickets to the event are $150 per person or $250 per couple. Sponsorship levels are available ranging from $2,000 to $10,000. For more information, to preview auction items, or to purchase a sponsorship or tickets, visit <a href="http://www.ihcrc2moons.org" target="_blank">www.ihcrc2moons.org</a>. The evening will include hors d'oeuvres, cocktails served during the silent auction, and a meal served in the grand ballroom as traditional dancers entertain attendees. IHCRC officials said it appreciates having Blue Cross and Blue Shield of Oklahoma as the 2015 Silver Anniversary Sponsor. Additional sponsors include Hard Rock Hotel and Casino, Choctaw Nation of Oklahoma, Tiger Natural Gas, Meeks Group, Delores Titchywy Sumner, Conner & Winters, and many other generous business and personal contributors. The Indian Health Care Resource Center of Tulsa is a 501(c)(3) organization funded through a contract with Indian Health Services, state and federal grants, private foundations and donors, and its annual fundraiser “The Dance of the Two Moons.” Utilizing a patient-centered, multidisciplinary, medical home approach, IHCRC offers a full range of health and wellness services tailored to the Indian community. Services include: Medical, Optometry, Dental, Pharmacy, Transportation, Behavioral Health, Health Education and Wellness, Substance Abuse Treatment and Prevention, and Youth Programs focused on traditions, health, and leadership skills. With more than 18,000 active patients representing in excess of 150 Tribes, IHCRC provides more than 126,000 patient visits each year to improve the general health status and reduce the incidence and severity of chronic disease of the urban Indian community. Contact Deb Starnes at 918-382-1203 or <a href="mailto: dstarnes@ihcrc.org">dstarnes@ihcrc.org</a> for more information about the IHCRC or “The Dance of the Two Moons” fundraiser.
BY WILL CHAVEZ
Senior Reporter
02/15/2015 08:00 AM
TAHLEQUAH, Okla. – Cherokee artist Lisa Rutherford recently shared her experiences from researching textiles in December at the National Museum of the American Indian in Washington, D.C. In mid-January she gave a presentation in Tahlequah using a slide show about some of the artifacts she studied at the museum. For nearly two weeks, Rutherford studied pre-19th century textiles, fibers and cordage of the Mississippian culture in the collections of the NMAI as part of the museum’s “Artist Leadership Program for Individual Artists.” She hoped to gain more knowledge about the techniques used by Southeastern peoples to weave materials. Following her research visit, Rutherford was asked to facilitate a community project to share knowledge learned from the experience and research. In January, she conducted two weaving classes and discussions for Cherokee Heritage Center employees at the CHC in Park Hill where she used twine made from jute plants to weave a skirt and other items. She said at the NMAI she saw a twine skirt that was found in a cave in Tennessee that she has replicated. “I have replicated the skirt, but I think I can do a closer approximation of it now that I’ve seen it in person and studied the fibers up close,” she said. She said she also had the opportunity to study artifacts from the Spiro Mounds site in eastern Oklahoma in Leflore County. The site is not a Cherokee site, but belongs to the ancestors of the Quapaw, Caddo and Osage tribes. At approximately the same time period, Cherokee people used the same twining techniques used by craftspeople at Spiro, Rutherford said. “There Cherokee objects found at Spiro, so there was trade, there was interaction, so we know they were probably using some the same techniques,” she said. This past summer, Rutherford worked in the Diligwa Village, a Cherokee village set in 1710, at the CHC where she learned from the other villagers on staff and also taught others how to make yellow dye from bois d’arc shavings. Rutherford and other artists used the yellow dye along with brown dye made from walnuts to dye the jute material. The versatile Bois d’arc tree is used by Cherokee bow makers to make bows. “So now the bow makers are saving their shavings for dye, and we’re all working together. I think that’s the way it would have been in 1710. We all had to work together and help each other out,” she said. Rutherford is encouraging Native artists to apply for the NMAI’s “Artist Leadership Program for Individual Artists.” She said it was a “valuable experience” for her and it was so much more than she expected. “It was a remarkable experience for her as an artist to come into the collection of the Smithsonian and really bring to live the stories and the life experiences of the cultural material of the Cherokee Nation,” Museum Programs Outreach Coordinator for the NMAI Keevin Lewis said. Lewis came to Tahlequah in January to observe Rutherford share the knowledge she gathered from Smithsonian institutions in Washington, to visit with Cherokee artists and visit the CHC. Along with making twine skirts and bags, Rutherford is a skilled and an award-winning potter. She is also skilled at making Cherokee baskets, historic Cherokee-style clothing, beadwork, creating oil paintings, beadwork pieces and feather capes.