Cherokee artists Lisa Rutherford, left, and Cathy Moomaw discuss art that is part of the 16th Annual Cherokee Homecoming Art Show during an opening reception Aug. 12. WILL CHAVEZ/CHEROKEE PHOENIX

Jackson wins grand prize at Homecoming Art Show

Troy Jackson stands next to his grand-prize-winning sculpture titled “Halfbreed-Am I Red and White or Am I White and Red.” WILL CHAVEZ/CHEROKEE PHOENIX People take in the artwork that is part of the 16h Annual Cherokee Homecoming Art Show at the Cherokee Heritage Center. The show runs through Oct. 2. WILL CHAVEZ/CHEROKEE PHOENIX A painting titled “After the Vote” by Cherokee artist Joseph Erb won the Visual Arts category in the 16th Annual Cherokee Homecoming Art Show that opened Aug. 12. COURTESY PHOTO
Troy Jackson stands next to his grand-prize-winning sculpture titled “Halfbreed-Am I Red and White or Am I White and Red.” WILL CHAVEZ/CHEROKEE PHOENIX
BY WILL CHAVEZ
Senior Reporter – @cp_wchavez
08/17/2011 08:42 AM
TAHLEQUAH, Okla. – Cherokee artist Troy Jackson took home the grand prize in the 16th Annual Cherokee Homecoming Art Show that opened Aug. 13.

Along with a ribbon, Jackson received a $1,100 check, which was part of $15,000 in prize money awarded during the opening. The show, which runs through Oct. 2, was open to enrolled members of the three federally recognized Cherokee tribes: the Cherokee Nation, United Keetoowah Band of Cherokee Indians and Eastern Band of Cherokee Indians.

“This year, I’m very proud to say, is the largest Homecoming Art Show ever. We had 81 artists submit 162 pieces … and they are all Cherokee,” said Cherokee Heritage Center Executive Director Carey Tilley. “We accepted the best quality, originality and craftsmanship. We are very excited about the quality of the entries, and we’re very excited about the quality of the show.”

Cherokee Nation Businesses sponsored the show and allocated $25,000 for the show, which included the $15,000 in prize money.

“It (Homecoming Show) helps keep Cherokee art alive, which is what I think is Cherokee Nation Businesses’ goal here,” Tilley said.

Jackson of the Grandview Community won the Grand Prize with his sculpture titled “Halfbreed-Am I Red and White or Am I White and Red.”

“I am both white and Native American, and so I struggle with it in different areas. Sometimes I feel like I’m white and sometimes I feel like I’m Native American,” Jackson said.

He added growing up he dealt with this conflict and believes many other Cherokee people can identify with his struggle.

Jackson said he has been working on his art for about 10 years. In April, he won the Grand Prize in the annual Trail of Tears Art Show for his work “Putting The Pieces Together” in the pottery category.

He said he appreciates the two Cherokee art shows because it allows him to see the work of other Cherokee artists and his competition.

“Every year that I come here it just seems to be a better show, and people are progressing in their work. I think that is important because this is the 21st century, and I see people really shooting for the future in Native American art,” he said.

Joseph Erb of the Blackgum Community, won the Visual Arts category with his painting titled “After the Vote,” which depicts the reactions of Cherokee people after the June 25 Cherokee Nation election.

He said he was surprised by his win because the painting depicts a controversial period. He added he wasn’t even sure the piece would be accepted into the show.

“It was made because a lot of stuff occurred after the election to where the community started fighting each other. I thought I’d make an art piece about it,” Erb said. “It’s a perspective. I’m not picking the side of one group or another. I just wanted to show the reality of what politics can do to a community. It’s about the idea that we were letting an election divide our community.”

In the piece, the leaders of each political group are wearing gourd booger masks while their supporters are wearing wooden booger masks. Each faction carries a banner that reads “no good” in the Cherokee syllabary.

The words around the eyeball in the center of the painting say “after the vote” in the syllabary to show the arguing and campaigning continued after the votes were cast, Erb said. A keyboard and computer represent the way Cherokee people communicated about the election using the Internet and social networks like Facebook.

Erb also included in the painting the Cherokee Phoenix’s role in covering the election and controversy. He said Cherokee people depended on the newspaper’s website and its Facebook page to keep them up to date on what was happening on a daily basis.

“It think this increased our news cycle that it will actually never change again because people are really expecting fast news,” he said. “This is really a neat thing to see happen. A newspaper that gave us such notoriety as Native people throughout the world is still running today and still serving the people. That’s one of the reasons I paid homage to it.”

Lisa Forrest of the Rocky Ford Community entered the Contemporary and Traditional Basket categories and won a judges’ choice award with her traditional basket titled “Fall Harvest.” This is the third award she has won in the Homecoming Show, she said.

Forrest said she learned how to weave baskets from her mother, Lena Blackbird, who is Cherokee National Treasure.

“I’m just carrying on with it and it makes her pretty proud,” Forrest said.

She added she appreciates the homecoming show because it allows her to see the artwork of other Cherokee artisans.

“It’s just pretty amazing what our people can do,” she said.

Cherokee artwork was judged in traditional and contemporary divisions with 162 entries under consideration. The traditional division is defined as arts originating before European contact and consists of four categories including basketry, jewelry and beading, pottery and traditional arts.

The contemporary division is defined as arts arising among the Cherokee after European contact, and consists of five categories including paintings, sculpture, pottery, basketry and textiles.

Other winners in the Homecoming Art Show

Contemporary Basketry – Winner - Shawna Cain, “Squisidi Agasga”

Honorable Mentions - Sandra Pallie and Joann Richmond


Contemporary Pottery – Winner - Troy Jackson, “One Man’s Legacy”

Honorable Mentions - David Pruitt, Joel Queen and Janet Smith


Jewelry and Beadwork – Winner – Antonio Grant , “The Union”

Honorable Mentions – Abraham Locust and Teri Lee Rhoades


Sculpture – Winner – Jane Osti, “Selu”

Honorable Mentions – Karen Berry and Janet Smith


Textiles – Winner – Bessie Russell, “Dogwood Quilt”

Judges’ Choice – Ernest Grant, “Red Clay Reunion”

Tonia Hogner-Weavel, “Stripes”

Rene’e Hoover, “Winter Grays”

Honorable Mention – Dorothy Ice


Traditional Basketry – Winner – Bessie Russell, untitled

Judges’ Choice – Lisa Forrest


Traditional Pottery – Winner – Joann Richmond, “Earth, Wind and Fire”


Traditional Arts – Winner – Rebecca Alice Wiltshire Whitwell, “Wenona’s Rattle”

Honorable Mentions – Noel Grayson and Lisa Rutherford


Visual Arts – Winner – Joseph Erb, “After the Vote”

Judges’ Choice – Dan Horsechief, “Resurgence”

Honorable Mentions – Hilary Glass and Lori Smiley


will-chavez@cherokee.org • 918-207-3961
About the Author
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M.

He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life.
He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association.

Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years. He was named interim executive editor on Dec. 8, 2015, by the Cherokee Phoenix Editorial Board.
WILL-CHAVEZ@cherokee.org • 918-207-3961
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M. He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life. He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association. Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years. He was named interim executive editor on Dec. 8, 2015, by the Cherokee Phoenix Editorial Board.

Culture

BY STAFF REPORTS
08/23/2016 04:00 PM
OKLAHOMA CITY – Cherokee National Treasure Martha Berry will teach a beadwork class at 10 a.m. on Nov. 12 at the Oklahoma History Center. The project will be a bandolier bag. Bandolier bags are beaded pouches with beaded flaps to enclose the pouches. They have beaded straps to enable the owners to wear the bags diagonally over the shoulder. The bag usually rests at hip level. The bag’s designs are created using glass beads. Berry creates beaded bandolier bags, moccasins, belts, sashes, small purses and knee bands in the styles worn by the Cherokee, Creek, Choctaw, Chickasaw and Seminole prior to 1850. She was designated a Cherokee National Treasure in 2013. Her work can be viewed at <a href="http://www.berrybeadwork.com" target="_blank">http://www.berrybeadwork.com</a>. The Oklahoma History Center is located at 800 Nazih Zuhdi Drive. For more information, call Sarah Dumas at 405-521-2491.
BY STAFF REPORTS
08/19/2016 12:00 PM
CHATSWORTH, Ga. – The next meeting of the Georgia Chapter of the Trail of Tears Association will begin at 10:30 a.m. on Sept. 10 at the Vann House State Historic Site near Chatsworth. Speakers will be Cherokee Nation citizens Patsy Edgar and Tony Harris. Edgar is one of the founding members of the GATOTA and is secretary of the national TOTA board of directors. Tony is vice president of GATOTA and an expert in native plants used by the Cherokee. The topic will be “The Cherokee Nation Today.” A GATOTA business meeting will follow. The Vann House is located 3 miles west of Chatsworth at the intersection of Highways 225 and 52-A. People are welcome to bring a picnic lunch and tour the site after the meeting. During the 1790s, James Vann was a Cherokee leader and wealthy businessman. He established the largest and most prosperous plantation in the Cherokee Nation, covering 1,000 acres of what is now Murray County. The beautiful 2-1/2-story brick home at the site was the most elegant in the CN. After Vann was murdered in 1809, his son Joseph inherited the plantation. Joseph was also a Cherokee leader and became even wealthier than his father. In the 1830s, most of the Cherokee people were forced west by state and federal troops on the Trail of Tears. The Vann family lost their elegant home rebuilt their lives in Indian Territory in what is now Oklahoma. Today the Vann House survives as Georgia’s best-preserved historic Cherokee home. A guided tour allows visitors to see the home, which features beautiful hand carvings, a remarkable “floating” staircase, a 12-foot mantle and fine antiques. The TOTA was created to support the Trail of Tears National Historic Trail established by an act of Congress in 1987. The TOTA is dedicated to identifying and preserving sites associated with the removal of Native Americans from the southeastern United States. The association consists of nine state chapters representing the nine states that the Cherokee and other tribes traveled through on their way to Indian Territory. GATOTA meetings are free and open to the public. People need not have Native American ancestry to attend GATOTA meetings, just an interest and desire to learn more about this period in this country’s history. For more information about the TOTA, visit www.nationaltota.org. For more information on the Georgia Chapter, visit <a href="http://www.gatrailoftears.org" target="_blank">www.gatrailoftears.org</a>. For more information about the September meeting, email <a href="mailto: harris7627@bellsouth.net">harris7627@bellsouth.net</a>.
BY STAFF REPORTS
08/17/2016 04:15 PM
PARK HILL, Okla. – A new exhibit is to open at the Cherokee Nation’s John Ross Museum featuring information about John Ross and his Cherokee roots. “John Ross: The Early Years” will run Aug. 26 through Nov. 1. Free admission will be offered on opening day. The exhibit features the early years of the former chief’s life, including his time growing up in the CN and attending schools on the East Coast. It also details contacts he made and the influences he faced leading up to his time spent as CN principal chief. John Ross was the principal chief from 1828–66, serving longer in this position than any other person. During his service to the Cherokee people as principal chief, Ross witnessed devastation by both the Indian removals and the Civil War. The John Ross Museum highlights the life of Ross and houses exhibits and interactive displays on the Trail of Tears, Civil War, Cherokee Golden Age and the Nation’s passion for education. The museum is housed in an old, rural school building known as School No. 51 and sits at the foot of Ross Cemetery, where Ross and other notable CN citizens are buried. The museum is located at 22366 S. 530 Road. CN museums are open from 10 a.m. to 4 p.m. Tuesday through Saturday. For information on Cherokee Nation Cultural Tourism, including museum operations, call 1-877-779-6977 or visit <a href="http://www.VisitCherokeeNation.com" target="_blank">www.VisitCherokeeNation.com</a>.
BY ASSOCIATED PRESS
08/13/2016 10:00 AM
COLUMBUS, Ky. (AP) – Local historical and tourism organizations, along with state and national park representatives, participated in a recent ceremony at Columbus-Belmont State Park highlighting west Kentucky’s role in the historic Trail of Tears. The ceremony was designed to honor the approximately 1,100 Cherokee Indians who endured the Trail of Tears Benge Route, named after John Benge, who led the detachment in 1838 on a route to Oklahoma that included passage through Hickman County. The event included dedication of the signage that marks the route of the Benge Detachment and the unveiling of the newest park exhibits depicting the land and water routes of the trail. The Trail of Tears was a series of forced relocations of Indian nations to areas west of the Mississippi River following the Indian Removal Act of 1830. Those who were relocated suffered from exposure, disease and starvation on the trek from their ancestral lands in Southeastern states, and more than 10,000 died. The Cherokee removal in 1838 took the lives of more than 2,000 of 16,500 people forced to leave their homeland. According to the Kentucky Great River Region Organization, the Benge group arrived in Columbus in mid-November 1838 and awaited transport across the Mississippi River by ferry to Belmont, Missouri. The Cherokees most likely spent several days camped around the ferry landing in the area of what is now the state park. “We’re seeing a vision become a reality,” said Alice Murphree, Kentucky Chapter president of the Trail of Tears Association, of the project that involved the work of several organizations and countless volunteer hours. “This is the actual route they took ... this site was witness to all of them who went by water.” The new exhibits demonstrate how important west Kentucky is to the overall promotion of the state as a tourist destination, through cultural heritage tourism, according to Amy Potts, communications specialist with the Kentucky Department of Travel & Tourism. “We can creatively market the state as a destination by how we tell our story, showing the places, artifacts and actions that represent stories of our people, past and present,” she said. According to Ron Vanover, director of recreational parks and historic sites for Kentucky state parks, the dedication of the signs about the intersection of the land and water routes of the Trail of Tears “will raise the visibility for this park for many guests and the community. “They will help tell the important story of what happened way before the Civil War. Moreover, these signs and the groups gathered today are here for a reason. That reason is to see that the Cherokee story will live on and on and on.” Troy Wayne Poteete is chief justice of the Cherokee Supreme Court and executive director of the national Trail of Tears Association. “I will tell you all that the designation of this route as a national trail was not a Cherokee initiative,” Poteete said. “This sad chapter is not something that we went to Congress and said we want you to make this a national trail.” However, after legislation was passed establishing the Trail of Tears as an official long distance trail, a highly placed Cherokee in the National Park Service helped get funding together and established an advisory council through the park service, Poteete said. That led to the formation of the national Trail of Tears organization and the state chapters that followed. “As a Cherokee official, I would have you know why we invest so much time and energy into the making of this trail,” Poteete said. “We don’t do this because we want to capture the image of our ancestors in the role of victims, and absolutely they were victimized. “The reason we do this is because this is an opportunity for us to honor that generation of Cherokee which endured, and not only endured, but rebuilt the Cherokee nation,” he said. “We draw lessons and inspirations as a people now from that tenacity. From that perseverance, that strength and resilience.” According to Poteete, “It is our responsibility to pass on to the next generation, a Cherokee nation strong, viable. It is our intention that our culture and our language be alive ... and people will be singing hymns in Cherokee when the Lord comes again.”
BY ROGER GRAHAM
Media Specialist – @cp_rgraham &
JAMI MURPHY
Senior Reporter – @cp_jmurphy
08/12/2016 08:15 AM
PARK HILL, Okla. – The Cherokee Heritage Center’s first female executive director has resigned to take an assistant professor post at Northeastern State University. Cherokee Nation citizen Candessa Tehee’s last day was Aug. 5. She was to start at NSU on Aug. 8. “I have accepted a position at Northeastern State University for an assistant professor of American Indian studies, and the position will focus on Cherokee language teaching and research and is also encouraged to do a lot of engagement with the local community. And that is something I’m very excited and really looking forward to,” she said. Tehee served as executive director for about 2-1/2 years and previously worked at the CN for five years. Her first CN job was at the Cherokee Immersion Charter School as a clerk in curriculum and instruction. “Every step that I’ve taken has been kind of another rung up the ladder,” Tehee said, “until I’m now departing as executive director of the Cherokee Heritage Center.” Shane Jett, Cherokee National Historical Society board of trustees president, said he and other board members were working closely with the CN as they made arrangements for Tehee’s departure. “She is a strong and accomplished Cherokee woman, and I appreciate her achievements. She has overcome many obstacles in her life and sets a great example for Cherokee young women and young men for that matter,” he said. “I’m thrilled for the professional development opportunity her new teaching position affords her.” The CNHS has been around since 1963 and will be around for many years to come, Jett added. “It has survived because of the many contributions of time, talent and treasure from so many good people both Cherokees (and) non-Cherokee alike. I’m confident that we will continue to thrive from future Cherokees who will continue the tradition of promoting and teaching Cherokee heritage, history and culture,” he said. “Like with any transition this is a challenging time, but also a time of opportunity. The board is working hard to meet the challenges of filling her very capable shoes. I am confident that we will transition smoothly and continue to fulfill our mission.” Tehee said the CHC has gone from being a groundbreaking, innovative living history organization to a mainstay of the local community. “Has probably served hundreds of thousands of people throughout its history. In my 2-1/2 tenure here we have served I know over 130,000 for sure,” she said. “I have been able to oversee some changes to the infrastructure here and to the organization itself, which I feel have been very positive, and I will certainly miss the staff and miss the programming here.” On Aug. 5, Jett said in cooperation with Principal Chief Bill John Baker and Secretary of State Chuck Hoskin Jr. the CNHS board had selected Tonia Weavel as the CHC’s interim executive director. Jett said the next step was to conduct a nationwide search for a quality replacement in collaboration with CN leadership.
BY STAFF REPORTS
08/11/2016 12:00 PM
TAHLEQUAH, Okla. – The next meeting of the Tahlequah Writers group is 2 p.m. Aug. 20 at the Cherokee Arts Center at 212 S. Water St. behind the Spider Gallery. Steve Cypert will present an example of multimedia showing his short movie “Spy Girl” and discuss marketing creative works. Discussion will include progress on the group’s daylong programming for the “Voices From Ink” writers’ festival slated for Oct. 1 at the NSU Jazz Lab downtown. The group will also learn of progress on its upcoming anthology titled “Green Country.” The Aug. 20 meeting is open to the public and provided by Tahlequah Writers. The Tahlequah Library will have an author’s fest Sept. 10 for bookselling, and Tahlequah Writers group coordinator Karen Coody Cooper is managing the event. Monthly meetings are casual and involve news of interest to writers and updates on what attendees are writing. Attendees include poets, fiction writers, historians, essayists, humorists, playwrights, scriptwriters, and more. Meetings discuss the art of writing as well as the business of publishing and promotion. For more information, call Coody Cooper at 918-207-0093 or email <a href="mailto: karcoocoo@att.net">karcoocoo@att.net</a>. People can also visit Tahlequah Writers on Facebook.