The Cherokee National Female Seminary sits on the Northeastern State University campus, now called Seminary Hall, where thousands of students have classes each year. To help continue the history of the building, the CN offers free tours of Seminary Hall annually during the Cherokee National Holiday.
“I find this very interesting work and I can tell that the people have an interest in it, and I’m glad to share that history with them,” C.H. Parker, Seminary Hall tour guide, said. “We’re very proud of it.”
Parker started giving Seminary Hall tours during the holiday about 15 years ago.
It was on May 7, 1889, when the female seminary reopened north of Tahlequah after fire destroyed it two years before. The first seminary opened in 1851 at Park Hill, only 12 years after the Cherokee people were removed from their homes in the southeastern United States to Indian Territory, now Oklahoma.
There was also a male seminary, which burned down in 1910 and never rebuilt.
The Cherokee National Female Seminary was the first higher learning institution for women west of the Mississippi. It continued until 1909 when the state purchased the building.
Today, NSU has representatives from about 39 Native American tribes attending the university, which is the highest in the United States, Parker said.
The tour starts outside in front of Seminary Hall where a statue of Sequoyah sits as Parker explains how Sequoyah created the Cherokee syllabary. He also explains the structure of Seminary Hall.
“There were so many different things, but I liked looking at the artworks, the paintings here and looking at the Sequoyah statue and hearing the history of him about his work,” said Linda Reedy.
Reedy, who has lived in Tahlequah for four years, took her first tour of Seminary Hall this year.
The tour moves inside where several photos were displayed showing a history of families and students who attended the school.
“I like to do it because I’m very surprised at the number of people that really don’t have an understanding of how the Cherokee got here,” Parker said. “They’ve heard of the Trail of Tears but did not know about life in the southeastern part of the country that was their original homelands and also to make aware of the high quality education that the girls received here, the boys at the male seminary received and that we continued that quality in the legacy of all the students we have graduating now. We have the same standards. We have a connection that goes back to 1845 when the original council said we want to build schools for higher education for Indian students.”
Once inside those on the tour are guided through the first floor to a classroom where Parker explains the history of the Cherokees before and after the Trail of Tears, leading up to how the seminary was created.
“I thought it was good that he gave a history of not just the building but of the Cherokee Nation,” Reedy said.
ᏓᎵᏆ,ᎣᎦᎳᎰᎹ.– ᏍᎪᎯᏧᏈ ᏑᎥᎵ ᏍᎪᎯ ᎢᏧᏕᏘᏴᏓ ᏥᎨᏒᎩ, ᎾᏍᎩ ᏣᎳᎩᎯ ᎠᏰᎵ ᎤᎾᏁᏍᎨᎮᎢ ᏧᎾᏕᎶᏆᏍᏗ ᏩᎦᎸᎳᏗᏴ ᎤᎾᏕᎶᏆᏍᏗᎢ ᎠᏁᎯᏴ ᎠᎹᏰᏟ ᏗᎾᏕᎶᏆᏍᎩ, ᎾᏍᎩᏃ ᎠᏓᏁᎸᎢ Ꮟ ᎠᏓᏁᎳ ᎪᎯᏴᏥᎩ.
ᎾᏍᎩ ᏣᎳᎩᎯ ᏧᏛᎾ ᎠᏂᎨᏳᏦ ᏧᎾᏕᎶᏆᏍᏗ ᎾᎿ ᎤᏴᏢᎢ ᎧᎸᎬᎢ ᏩᎦᎸᎳᏗᏴ ᏧᎾᏕᎶᏆᏍᏗᎢ ᎠᏓᏁᎳ, ᎾᏊᏃ ᎠᏂᎨᏳᏦ ᏧᎾᏕᎶᏆᏍᏗᎢ ᎦᎳᏅᏛᎢ , ᏂᏓᏕᏘᏴᎯᏒᎢ ᏌᏉ ᎢᏯᎦᏴᎵ ᏗᎾᏕᎶᏆᏍᎩ ᏓᎾᏕᎶᏆᏍᎪᎢ. ᏂᎬᏂᎯᎵᏐᏭ ᎾᏍᎩ ᎠᏂᏃᎮᏍᎬᎢ ᏣᏓᏁᎳ, ᎾᎢ ᏣᎳᎩᎯ ᎠᏰᎵ ᎠᏎᏭ ᎠᎾᎵᏍᎪᏟᏗᎰᎢ ᎦᎶᎯᏍᏗᎢ ᎥᎿ ᎠᏂᎨᏳᏦ ᏧᎾᏕᎶᏆᏍᏗ ᎦᎳᎾᏛᎢ ᏑᏕᏘᏴᏓ ᏳᏓᎵ ᎾᎯᏳᎢ ᎠᏂᏣᎳᎩ ᎤᎾᏕᏘᏱᏍᎬ ᎠᏍᏆᎵᏍᎬᎢ.
ᎢᏤᏳᎢ ᎤᏍᏆᏂᎦᏘ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᎵᏍᎪᎢ ᎠᎴ ᎦᏕᎶᎰᏍᎪᎢᏃ ᎾᏍᎩ ᏴᏫ ᎠᏁᏙᎯ ᎤᏂᏍᏆᏂᎪᏍᎬᎢ, ᎠᎴ ᎢᎦᎵᎡᎵᎪᎢ ᎦᏥᏃᎯᏎ Ꮧ ᏂᏧᎵᏍᏔᏅᏍᏔᏅ,” C.N. Parker, ᎠᏂᎨᏳᏦ ᏧᎾᏕᎶᏆᏍᏗ ᎦᎳᏅᏛᎢ ᎠᏂᎦᏖᏃᎵᏙᎯ ᏗᏘᏂᏙᎯ, ᎢᎧᏃᎮᏍᎬᎢ . ᎢᎦᏃ ᎣᏣᎵᎮᎵᎪᎢ ᎾᏍᎩ ᏣᏓᏁᎳ.”
ParkerᏃ ᏍᎩᎦᏚ ᎢᏧᏕᏘᏴᏓ ᏂᏓᏕᏘ ᎬᏩᎴᏅᏓ ᎠᏎᏭ ᏂᏓᏘᏂᏙᎰᎢ ᎠᏂᎦᏖᏃᎵᏙᎯ ᎾᎿ ᏧᏛᎾ ᎠᏂᎨᏳᏦ ᏧᎾᏕᎶᏆᏍᏗ ᎦᎳᏅᏛᎢ . ᎾᎯᏳ ᏥᎨᏒᎢ ᎠᏂᏍᎬᎢ ᎦᎵᏉᎩᏁ ᏁᎳᏚ ᏱᏍᎪᎯᏧᏈ ᏁᎳᏍᎪᎯ ᏐᏁᎳ, ᏏᏊ ᎤᏂᏍᏚᎢᏎᎢ ᎾᏍᎩ Ꮎ ᏧᏛᎾ ᎠᏂᎨᏳᏦ ᏧᎾᏕᎶᏆᏎᏗ ᏓᎵᏆ ᎤᏴᏢ ᏗᏜ ᎢᎬᏱᏃ ᏣᏓᏁᎸ ᎤᎪᏁᎢ. ᎾᏍᎩ ᎢᎬᏱᎢ ᏧᏛᎾ ᎠᏂᎨᏳᏦ ᏧᎾᏕᎶᏆᏍᏗ ᎤᏂᏍᏚᎢᏌ ᎾᎯᏳ ᏥᎨᏒ ᏁᎳᏚ ᏱᏍᎪᎯᏧᏈ ᎯᏍᎩ ᏍᎪᎯ ᏌᏊ ᎿᎿᎢ ᎠᏭᏂᏴᏍᏗᎢ, ᏔᎵᏚ ᎢᏧᏕᏘᏴᏓ ᏂᏛᎬᏩᎾᏂᎩᏓ ᏙᏧᏁᏅᏒᎢ ᎾᎿ ᎤᎦᏅᏮᎢ ᎧᎸᎬᎢ ᎠᎹᏰᏟ ᏴᏫᏯ ᎤᏔᎳᏔᏛᎢ ᎤᏂᎷᏤ, ᎾᏊᏥᎩ ᎣᎦᎳᎰᎹ.
ᎾᏍᎩᏃ ᏍᏊᎢ ᏧᏛᎾ ᎠᏂᏧᏦ ᏧᎾᏕᎶᏆᏍᏗᎢ ᎢᎪᏢᏒᎢ, ᎾᏍᎩᏊ ᏐᏁᎳᏚ ᏱᏍᎪᎯᏧᏈ ᏍᎪᎯ ᎤᎪᏁᎢ ᎠᎴ ᎥᏝ ᎢᎸᎯᏳ ᏳᎾᏁᏍᎨᎮᎢ. ᎾᏍᎩᏃ ᏣᎳᎩᎯ ᏧᏛᎾ ᎠᏂᎨᏳᏦ ᏧᎾᏕᎶᏆᏍᏗ ᎾᏍᎩ ᏮᎬᏱᏴᎢ ᏩᎦᎸᎳᏗᏴᎢ ᏗᎬᏩᎾᏕᎶᏆᏍᏗ ᎨᏒᎩ ᎠᏂᎨᏯ ᎾᎿ ᎤᏕᎵᎬᎢ ᎧᏍᎩᏲᎢ ᎤᏪᏴ ᏗᏜ. ᏂᎬᎯᏐᏊ ᎨᏒᎩ ᏐᏁᎳᏚ ᏱᏍᎪᎯᏧᏈ ᏐᏁᎳ ᎾᏍᎩᏃ ᏍᎦᏚᎩ ᎤᏩᏎᎢ ᎠᏓᏁᎸᎢ. ᎪᎯᏃ ᏥᎩ, NSU ᏦᏍᎪᎯ ᏐᏁᎳ ᎠᏁᎯᏴ ᎠᎹᏰᏟ ᎠᏂᎳᎠᏓᏢᎢ ᏓᎾᏕᎶᏆᎠ ᎾᎿ ᏧᎾᏕᎶᏆᏍᏗᎢ,ᎾᏍᎩ ᏥᎩ ᏩᎬᎸᎳᏗᏴᎢ ᎾᎿ ᎨᏒᎢ ᎠᎹᏰᏟ, ᎠᏗᏍᎬᎢ Parker.
ᎾᏍᎩᏃ ᎠᎦᏖᏃᎵᏓᏍᏗ ᏙᏱᏗᏜ ᎠᏓᎴᏂᎠ ᎾᎿ ᎢᎬᏱᏗ ᏧᏛᎾ ᎠᏂᎨᏳᏦ ᏧᎾᏕᎶᏆᏍᏗᎢ ᎾᎿ ᏍᏏᏉᏯ ᏣᎦᏟᎶᏍᏔᏅᎢ ᏥᎦᏙᎦ ParkerᏃ ᏕᎪᏏᏏᏍᎬᎢ ᏄᏗᏛᎢ ᏄᏛᏁᎸᎢ ᏍᏏᏉᏯ ᏚᏬᎷᏩᏛᎲᎢ ᏣᎳᎩ ᏗᎪᏪᎶᏙᏗᎢ . ᎠᎴ ᎢᎧᏃᎮᏍᎬ ᏄᏍᏛᎢ ᎠᏁᎬᏍᏛᎢ ᎠᏂᎨᏳᏦ ᏧᎾᏕᎶᏆᏍᏗ ᎦᎳᏅᏛᎢ .
“ᎤᏓᏍᏈᏍᏙᏒᎢᏃ ᎢᎦᏩᏓᎴᏅᏓ ᎪᎱᏍᏗ , ᎠᏎᏃ ᎠᎩᎸᏈᏙᎢ ᎠᎩᎪᎵᏰᎥᏗᎢ ᏄᏍᏛ ᏚᎾᏟᎶᏍᏔᏅᏅᎢ , ᎾᏍᎩ ᏗᏟᎶᏍᏔᏅ ᏥᏓ ᎠᎭᏂ ᎠᎴ ᎠᎩᎪᎩᎪᏩᏛᏗ ᏍᏏᏉᏯ ᏣᎦᏟᎶᏍᏔᏅᎢ ᎠᎴᏍᏊᎢ ᎠᏆᏛᎪᏗᎢ ᎤᏪᏘ ᎧᏃᎮᏢᏅᎢ ᏄᏍᏛ ᏚᎸᏫᏍᏓᏁᎸᎢ ᏍᏏᏉᏯ,” ᎠᏗᏍᎨᎢ Linda Reedy. Reedy,Ꮓ ᏅᎩ ᎢᏧᏕᏘᏴᏓ ᏂᎦᏁᎶᎢ ᏓᎵᏆ, ᎾᏍᎩᏃ ᎯᎠ ᏧᏕᏘᏴᏌᏓ ᎢᎬᏱᎢ ᏓᏩᏛᎯᏙᎠ ᎠᏂᎨᏳᏦᎢ ᏧᎾᏕᎶᏆᏍᏗᎢ ᎦᎳᏅᏛᎢ ᎾᏍᎩᏃ ᎠᎦᏖᏃᎵᏓᏍᏗ ᎦᎵᏦᏕᎢ ᏗᏜ ᎤᏂᏴᏢᎢ ᎾᏃ ᎯᎸᏍᎩ ᏗᏟᎶᏍᏔᏅᎢ ᎬᏂᎨᏒᎢ ᏂᏙᎤᏍᏕᎢ ᎾᏍᎩ ᎤᏂᏪᏘ ᎠᏂᏏᏓᏁᎸᎢ ᎠᎴ ᏗᎾᏕᎶᏆᏍᎩ ᎾᏍᎩᏃ ᎤᏁᎳᏛᎢ ᎾᎿ ᏧᎾᏕᎶᏆᏍᏗᎢ ᏧᎾᏕᎶᏆᎥᎢ.
“ᎠᎩᎸᏈᏙᎢ ᎢᏯᏆᏛᏁᏗᎢ ᎯᎠ ᏥᏂᎦᏛᏁᎠ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎠᎩᏍᏆᏂᎪᏍᎪᎢ ᎾᏂᎥᎢ ᏴᏫ ᎥᏝ ᏳᎾᏂᏔ ᏱᎬᎿᎢ ᎠᎭᏂᏴ ᎤᏂᎷᏨᎢ ᎠᏂᏣᎳᎩ,” ᎠᏗᏍᎬᎢ Parker . “ᎤᎾᏛᎦᏅᎢ ᎠᏂᏃᎮᏍᎬᎢ ᏥᏗᎨᏥᎢᎸᏍᏔᏅᎢ ᎠᏎᏃ ᏳᎾᏂᏖᎢ ᏄᏍᏛᎢ ᎠᏁᎲᎢ ᎤᎦᏅᏮ ᎧᎸᎬᎢ ᎢᏗᏜ ᏥᏛᏁᎲᎢ ᎾᏍᎩᏅ ᎥᎿᎢ ᎠᏁᎯᏴᎢ ᎨᏒᎩ . ᎠᎴᏃᏍᏊ ᎬᏂᎨᏒᎢ ᏂᎦᎵᏍᏗᎭ ᏃᏌᏂᏂᎨᎢ ᏓᎾᏕᎶᏆᏍᎬᎢ ᎠᏂᎨᏳᏣ ᎠᎭᏂ ᎠᎴᏃᏍᏊ ᏃᏌᏂᏴᎢ ᎠᏂᏧᏣ ᏚᎾᏕᎶᏆᎥᎢ ᎾᎿ ᎠᏂᏧᏦᎢ ᎠᎴ ᏂᎦᏲᏥᎯᎵᏐᏊ ᎨᏒᎢ ᏃᏌᎥ ᏗᎬᎯᏰᏗ ᏂᎦᎥᎢ ᎤᏂᏣᏘ ᏗᎾᏕᎶᏆᏍᎩ ᎾᏊ ᏥᏓᏂᏍᏆᏗᎭ. ᎾᏍᎩᏃ ᎤᏠᏱ ᏙᎩᎭ ᏗᎧᎾᏩᏛᏍᏗ . ᎾᏍᎩᏃ ᏙᎦᏚᏓᏕᏫᏒᎢ ᏁᎳᏚ ᏱᏍᎪᎯᏧᏈ ᏅᎩᏍᎪᎯ ᎯᏍᎩ ᏂᏗᎬᏩᏓᎴᏅᎢ ᎾᎯᏳ ᏥᎨᏒ ᏩᎬᏱᏴᎢ ᏗᏂᎳᏫᎩ ᎤᏂᏁᏨᎢ ᎣᎦᏚᎵᎠ ᏧᎾᏕᎶᏆᏍᏗᎢ ᏧᎾᏁᎩᏍᏗᎢ ᎾᏍᎩ ᏩᎦᎸᎳᏗᏴᎢ ᏧᎾᏕᎶᏆᏍᏗ ᎠᏂᏴᏫᏯ ᏗᎾᏕᎶᏆᏍᎩ.”
ᎾᏆᏃ ᎦᎵᏦᏕᎢᏗᏜ ᎠᏂᎦᏖᏃᎵᏙᎯ ᎢᎬᏱᎢ ᎠᏲᏓᏝᎭ ᏗᏕᎶᏆᏍᏗ ᎧᏅᏑᎸ ᎥᎿᏃ ᏕᎪᏏᏏᏍᎪᎢ Parker ᎤᏪᏘ ᎧᏃᎮᏢᏅᎢ ᎾᏍᎩ ᏄᏍᏛᎢ ᎠᏁᎲᎢ ᎠᏂᏣᎳᎩ Ꮟ ᏂᏗᎨᎦᏂᎩᏍᏗᎲᎾ ᏥᎨᏒᎩ ᎾᏊᏃ ᏫᎧᏃᎮᏍᎬᎢ ᏱᎬᏁᎸᎢ ᎤᎾᏁᏍᎨᎲᎢ ᎠᏂᎨᏳᏦ ᏧᎾᏕᎶᏆᏍᏗᎢ .
“ ᎣᏌᏂᏭ ᎨᎵᏍᎬᎢ ᎢᏧᎳᏊ ᏥᏚᏃᎮᏢᎢ ᎠᏂᎨᏳᏦᎢ ᎠᎴ ᏣᎳᎩᎯ ᎠᏰᎵ ,” ᎠᏗᏍᎬᎢ Reedy.