Cherokee Nation Translation Specialist John Ross explains how to use the numeric system created by Sequoyah. WILL CHAVEZ/CHEROKEE PHOENIX

Sequoyah’s numeric system makes comeback

A 2013 calendar written in the Cherokee syllabary includes the year 2013 written in Sequoyah’s numeric system, which was recently deciphered by the Cherokee Nation Translation Department. COURTESY PHOTO This handwritten copy of Sequoyah’s numeric system was created by Translation Specialist John Ross to show how the system works. COURTESY PHOTO
A 2013 calendar written in the Cherokee syllabary includes the year 2013 written in Sequoyah’s numeric system, which was recently deciphered by the Cherokee Nation Translation Department. COURTESY PHOTO
BY WILL CHAVEZ
Senior Reporter
11/09/2012 08:42 AM
TAHLEQUAH, Okla. – A visit by linguist Michael Everson of Dublin, Ireland, in September set in motion an effort to revisit and study Cherokee linguist Sequoyah’s numeric system.

During his visit, Everson met with Cherokee linguists and other language specialists to discuss making a font for Sequoyah’s numeric system for printing and computers, Cherokee Nation Translation Specialist John Ross said.

Everson told Ross and other translators that a system would have to be created before a font could be made. Following Everson’s visit, Ross studied Sequoyah’s numeric system and figured it out in less than two days.
“If somebody really looked at it, it’s simple,” Ross said.

Like he did when matching sounds spoken in the Cherokee language with symbols, Sequoyah created unique, single symbols for numbers 1 through 19 and numbers 20, 30, 40, 50, 60, 70, 80, 90 and 100. So to create the number 31 the symbol for 30 and 1 would be used together. To create the number 500 the symbol for 5 and 100 would be used together.

Ross created a symbol for 0 and for 1 billion and 1 trillion. Sequoyah’s system enabled users to create numerals up to 1 million.

The Cherokee Language Consortium, comprised of Cherokee speakers from the CN, Eastern Band of Cherokee Indians and the United Keetoowah Band, agreed in October to use Sequoyah’s numeric system as he wrote it and to add the symbols Ross created.

“They thought it was pretty neat,” Ross said.

Ross said the only reason he found as to why Sequoyah’s numeric system, created in 1830 in Indian Territory, was never used by the tribe is that some people thought the system was too complicated.

“Really, if you look at it, it’s a shortcut. You don’t have to add all those numbers for a million. Like for a billion, you just have those (three) symbols instead of all those zeros,” he said.

CN Language Technologist Joseph Erb said he believes because Cherokees were already trading with the French, Spanish and British when the system was invented, Arabic numbers were used instead of Sequoyah’s system.

The way that Cherokees count is how Sequoyah built his system, Erb said.

“So, it makes more sense in Cherokee. It’s a neat system, it’s a very Cherokee system, and it’s really nice the translation team made sure to figure out how it works,” he said.

Sequoyah’s numbers have been added to the 2013 Cherokee calendar. Another use for the numeric system would be to teach it to the Cherokee Language Immersion School students, Ross said.

Ultimately, the goal for Erb and the language technology staff is to turn the numeric system into fonts, a “slow process,” Erb said, possibly taking two years before the system appears on smart phones and computer systems.

“It (numeric system) has to be in the Unicode system, so what will have to happen is we’ll have to figure out how the numbering system works, and then we’ll have to have a paper written for it to be encoded into the Unicode system,” he said.

Unicode enables people around the world to use computers in any language. The Cherokee numeric system would have to be turned into a code that computers could read and analyze so the proper Cherokee font for 12, for instance, is displayed.

After that is done, the coded language must go before the international Unicode Consortium for approval. If the consortium approves the code, it’s up to computer companies to adopt the new code, Erb said.

The tribe worked with Everson in the 1990s to put the Cherokee syllabary into code, which was adopted by the Unicode Consortium in 2000. His main area of expertise is with world writing systems, specifically in the representation of these systems in formats for computer and digital media.

“Only few people know how to do this type of work. It’s a very specialty type of work. Michael has done several hundred languages,” Erb said. “For us in language technology, it’s pretty exciting to see us reintroduce a numbering system, and it will be easy to use. Our goal is to make it accessible to everybody.”

will-chavez@cherokee.org


918-207-3961

About the Author
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M.

He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life.
He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association.

Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years.
WILL-CHAVEZ@cherokee.org • 918-207-3961
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M. He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life. He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association. Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years.

Culture

BY STAFF REPORTS
02/27/2015 12:00 PM
LONDON – Following the success of its first-ever photography competition, Survival International, the global movement for tribal peoples’ rights, has announced its second worldwide photography contest, which aims to celebrate photography as a powerful medium for raising awareness of tribal peoples, their unique ways of life and the threats to their existence. Both amateur and professional photographers are encouraged to enter. Photographs can be submitted in the guardians category, which are images showing tribal peoples as guardians of the natural world; the community category, which are portraits of relationships between individuals, families or tribes; and the survival category, which are images showing tribal peoples’ diverse ways of life. The judging panel consists of Survival’s Director Stephen Corry, Survival Italy Coordinator Francesca Casella, The Little Black Gallery Co-Founder Ghislain Pascal and Max Houghton, senior lecturer in photography at the London College of Communication. The 12 winning entries will be published in Survival’s 2016 calendar with the overall winner’s image featured on the cover. The closing date for entries is April 30. For more information, visit: <a href="http://www.survivalinternational.org/photography" target="_blank">www.survivalinternational.org/photography</a>.
BY STAFF REPORTS
02/22/2015 04:00 PM
DAHLONEGA, Ga. – The next meeting of the Georgia Chapter of the Trail of Tears Association will begin at 10:30 a.m. on March 14 at the University of North Georgia in Dahlonega. The speaker will be GCTOTA board member Walter J. Knapp, instructor of Native American Culture and History at UNG. The topic will be “Successes and Challenges for Native Americans Today and in the Future”. Visit <a href="http://ung.edu/visitors/campuses/dahlonega/driving-directions.php" target="_blank">http://ung.edu/visitors/campuses/dahlonega/driving-directions.php</a> for directions to the university. The meeting will be held in the Adult Education building across from the main entrance to the campus between a pizza place and a Dairy Queen. The address is 82 College Circle Drive. The Trail of Tears Association was created to support the Trail of Tears National Historic Trail established by an act of Congress in 1987. The TOTA is dedicated to identifying and preserving sites associated with the removal of Native Americans from the southeast. The association consists of nine state chapters representing the nine states that the Cherokee, Creek and other tribes traveled through on their way to Indian Territory, now Oklahoma. The GCTOTA meetings are free and open to the public. People need not have Native American ancestry to attend the meetings, just an interest and desire to learn more about this fascinating and tragic period in this country’s history. For more information about the TOTA, visit the National TOTA website at <a href="http://www.nationaltota.org" target="_blank">www.nationaltota.org</a> and the Georgia Chapter website at <a href="http://www.gatrailoftears.org" target="_blank">www.gatrailoftears.org</a>. For questions about the March meeting, email Tony Harris at <a href="mailto: harris7627@bellsouth.net">harris7627@bellsouth.net</a>.
BY STAFF REPORTS
02/18/2015 04:00 PM
OKLAHOMA CITY – Cherokee National Treasure Martha Berry will teach a beginners-level beadwork class from 10 a.m. to 4 p.m. on April 11 at the Oklahoma History Center at 800 Nazih Zuhdi Drive. Participants will learn how to make a lady’s purse. All supplies and lunch is included in the cost. For enrollment or cost information, call OHC Director of Education Jason Harris at 405-522-0785 or email him <a href="mailto: jharris@okhistory.org">jharris@okhistory.org</a>. Beadwork artist Martha Berry was born and raised in Tulsa. Her grandmother and mother taught her how to sew and embroider at age 5, and she later became a professional seamstress. As a Cherokee artist Berry creates elaborately beaded bandolier bags, moccasins, belts, knee bands, purses and sashes inspired by the styles of Southeastern tribes including the Cherokee, Creek, Choctaw, Chickasaw, Seminole, Yuchi and Alabama. Her work is displayed in museums throughout the country. Berry, 66, of Tyler, Texas, taught herself the craft of beading and continues to research the beadwork of Southeastern tribes. She is credited with helping bring back the art form to the Cherokee people and makes time to teach others her craft.
BY JAMI MURPHY
Reporter
02/17/2015 08:00 AM
TAHLEQUAH, Okla. – During a Feb. 7 benefit stomp dance, more than 400 people gathered at the Tahlequah Community Building to raise money for a local Cherokee family that suffered a horrific car accident in January. The stomp dance was originally planned to raise money for the Echota Ground, a Cherokee stomp ground in Park Hill. Echota Ground Chief David Comingdeer said the event raised more than $3,500 with half going to the Flynns to help with their expenses. Family members suffered multiple injuries and totaled their vehicle in the accident. “This evening here in Tahlequah we’ve called all our ceremonial grounds together from the Cherokee Nation, Muskogee Creek, Eucha, Shawnee, Seminole, Seneca Cayuga, even Peoria and Ottawa,” Comingdeer said. “We’ve all come together to help a family, a Cherokee family, a ceremonial family who got in a really bad wreck. We’ve decided to do what we can to help them.” The Flynns, driving a 2004 Chevy Trailblazer, were hit in a head-on collision on State Highway 51 by Randall Welch, of Welling, who was driving a 2002 Nissan Frontier. Welch was taken by Tulsa Life Flight and admitted for injuries while the driver of the Trailblazer, Jack “Red” Flynn, was taken to Arkansas with external trunk, leg and head injuries. Jack’s passengers were Kathy Gann, Jimmy Ross and Nellie Flynn, all family members of Jack. Ross suffered injuries to the head trunk and leg, according to the Oklahoma Highway Patrol. Nellie, Jack’s mother, was taken to a Tulsa hospital with similar injuries. Nellie was unable to make it to the event because of continual problems with the injuries she suffered. Jack, Ross and Gann were present during the dance along with several other family members. Some family members said the accident had put the family in a financial bind with hospital visits and losing the vehicle. “Their going back and forth to the hospital. Both him (Jack) and Nellie are going,” Linda Christie, a Flynn family relative, said. She said the funds would help with gas, food, travel and anything else unforeseen. Jack said without the benefit assistance the family would be forced to suffer more with the financial hardship in which the accident put them. The Flynns and Ross will have a long road ahead of them for full recovery, family members said, but they were appreciative of the donations and support from those who attended. Stomp dance attendee Celia Xavier said witnessing the fundraiser “felt like a throwback to the way our earlier societies were.” “Moving in the same direction, giving a helping hand when one needed it. What affects one, affects all. We are supposed to help each other,” Xavier said. “The antithesis of today’s ‘me society.’ It was interesting to see kindness through the actions of the chief of the Echota Grounds. He is giving half the donations to the Flynn family, who was in dire need of help. It was a moving and spiritual experience.” The family is a member of Stokes Ceremonial Grounds, but Comingdeer said it doesn’t matter what ground one is from. “They may not be from our ground, but they’re from another ground and we have a lot of respect for each other. We always support each other, try to love and understand each other,” he said. “You can take everything away from us, even our land. You can take all of our corporation away, as long as we still have our beliefs and our tradition we can build a fire, have our dances and take our medicine, speak our language, then we’re still a tribe. Tonight is the foundation of our culture. It’s the foundation of our tribe, and this is how we help each other. For those interested in donating to the Echota Ground or the Flynns can do so by mailing a check to Route 4 Box 1570, Stilwell, OK 74960. Make checks out to Echota Ground and indicate in the memo where donation is to go.
BY STAFF REPORTS
02/16/2015 12:00 PM
CATOOSA, Okla. – The 25th anniversary of Indian Health Care Resource Center’s annual dinner and auction “The Dance of the Two Moons” will be Feb. 21 at the Hard Rock Hotel and Casino in Catoosa. The “Dance of the Two Moons” dinner and auction was established 25 years ago as an annual fundraiser to help support the many great programs and services provided to the Native American community by the IHCRC. Proceeds from the event are once again supporting the vital programs and services currently paid from IHCRC’s general fund, including: maternal/child health, adult/child fitness and wellness programs, annual powwow, Spring Break Youth Camp and Youth Summer Camps. The honorary chairs of the 2015 “The Dance of the Two Moons” are Dr. Joseph and Mary Cunningham. Dr. Cunningham, medical director of Blue Cross and Blue Shield of Oklahoma and Mrs. Cunningham are personally dedicated to helping IHCRC improve the lives of our patients, states an IHCRC press release. Tickets to the event are $150 per person or $250 per couple. Sponsorship levels are available ranging from $2,000 to $10,000. For more information, to preview auction items, or to purchase a sponsorship or tickets, visit <a href="http://www.ihcrc2moons.org" target="_blank">www.ihcrc2moons.org</a>. The evening will include hors d'oeuvres, cocktails served during the silent auction, and a meal served in the grand ballroom as traditional dancers entertain attendees. IHCRC officials said it appreciates having Blue Cross and Blue Shield of Oklahoma as the 2015 Silver Anniversary Sponsor. Additional sponsors include Hard Rock Hotel and Casino, Choctaw Nation of Oklahoma, Tiger Natural Gas, Meeks Group, Delores Titchywy Sumner, Conner & Winters, and many other generous business and personal contributors. The Indian Health Care Resource Center of Tulsa is a 501(c)(3) organization funded through a contract with Indian Health Services, state and federal grants, private foundations and donors, and its annual fundraiser “The Dance of the Two Moons.” Utilizing a patient-centered, multidisciplinary, medical home approach, IHCRC offers a full range of health and wellness services tailored to the Indian community. Services include: Medical, Optometry, Dental, Pharmacy, Transportation, Behavioral Health, Health Education and Wellness, Substance Abuse Treatment and Prevention, and Youth Programs focused on traditions, health, and leadership skills. With more than 18,000 active patients representing in excess of 150 Tribes, IHCRC provides more than 126,000 patient visits each year to improve the general health status and reduce the incidence and severity of chronic disease of the urban Indian community. Contact Deb Starnes at 918-382-1203 or <a href="mailto: dstarnes@ihcrc.org">dstarnes@ihcrc.org</a> for more information about the IHCRC or “The Dance of the Two Moons” fundraiser.
BY WILL CHAVEZ
Senior Reporter
02/15/2015 08:00 AM
TAHLEQUAH, Okla. – Cherokee artist Lisa Rutherford recently shared her experiences from researching textiles in December at the National Museum of the American Indian in Washington, D.C. In mid-January she gave a presentation in Tahlequah using a slide show about some of the artifacts she studied at the museum. For nearly two weeks, Rutherford studied pre-19th century textiles, fibers and cordage of the Mississippian culture in the collections of the NMAI as part of the museum’s “Artist Leadership Program for Individual Artists.” She hoped to gain more knowledge about the techniques used by Southeastern peoples to weave materials. Following her research visit, Rutherford was asked to facilitate a community project to share knowledge learned from the experience and research. In January, she conducted two weaving classes and discussions for Cherokee Heritage Center employees at the CHC in Park Hill where she used twine made from jute plants to weave a skirt and other items. She said at the NMAI she saw a twine skirt that was found in a cave in Tennessee that she has replicated. “I have replicated the skirt, but I think I can do a closer approximation of it now that I’ve seen it in person and studied the fibers up close,” she said. She said she also had the opportunity to study artifacts from the Spiro Mounds site in eastern Oklahoma in Leflore County. The site is not a Cherokee site, but belongs to the ancestors of the Quapaw, Caddo and Osage tribes. At approximately the same time period, Cherokee people used the same twining techniques used by craftspeople at Spiro, Rutherford said. “There Cherokee objects found at Spiro, so there was trade, there was interaction, so we know they were probably using some the same techniques,” she said. This past summer, Rutherford worked in the Diligwa Village, a Cherokee village set in 1710, at the CHC where she learned from the other villagers on staff and also taught others how to make yellow dye from bois d’arc shavings. Rutherford and other artists used the yellow dye along with brown dye made from walnuts to dye the jute material. The versatile Bois d’arc tree is used by Cherokee bow makers to make bows. “So now the bow makers are saving their shavings for dye, and we’re all working together. I think that’s the way it would have been in 1710. We all had to work together and help each other out,” she said. Rutherford is encouraging Native artists to apply for the NMAI’s “Artist Leadership Program for Individual Artists.” She said it was a “valuable experience” for her and it was so much more than she expected. “It was a remarkable experience for her as an artist to come into the collection of the Smithsonian and really bring to live the stories and the life experiences of the cultural material of the Cherokee Nation,” Museum Programs Outreach Coordinator for the NMAI Keevin Lewis said. Lewis came to Tahlequah in January to observe Rutherford share the knowledge she gathered from Smithsonian institutions in Washington, to visit with Cherokee artists and visit the CHC. Along with making twine skirts and bags, Rutherford is a skilled and an award-winning potter. She is also skilled at making Cherokee baskets, historic Cherokee-style clothing, beadwork, creating oil paintings, beadwork pieces and feather capes.