Actors portray a scene during the Trail of Tears Drama, which took place at the Cherokee Heritage Center’s amphitheater from 1969 to 2005 in Park Hill, Okla. The play depicted the struggles of Cherokee people on the Trail of Tears and when they arrived in Indian Territory. COURTESY PHOTO

Cherokee amphitheater once Trail of Tears Drama site

Dancers hold aloft a Phoenix Dancer during the Trail of Tears Drama, which opened in 1969 at the Cherokee Heritage Center in Park Hill, Okla. The summer drama opened with about 75 actors, techs and support staff and was written by Kermit Hunter. COURTESY PHOTO The Trail of Tears Drama opened in 1969 in an amphitheater built especially for it at the Cherokee Heritage Center in Park Hill, Okla. The stage had nine places for scenes and there were revolving stages on each side of the main stage. COURTESY PHOTO The Trail of Tears Drama opened in 1969 in an amphitheater built especially for it at the Cherokee Heritage Center in Park Hill, Okla. The stage had nine places for scenes and there were revolving stages on each side of the main stage. The play depicted the struggles of Cherokee people on the Trail of Tears and when they arrived in Indian Territory. COURTESY PHOTO An audience attending the Trail of Tears Drama in 1989 listens to pre-show entertainment. The drama opened in 1969 in an amphitheater built especially for it at the Cherokee Heritage Center in Park Hill, Okla. COURTESY PHOTO
Dancers hold aloft a Phoenix Dancer during the Trail of Tears Drama, which opened in 1969 at the Cherokee Heritage Center in Park Hill, Okla. The summer drama opened with about 75 actors, techs and support staff and was written by Kermit Hunter. COURTESY PHOTO
BY WILL CHAVEZ
Senior Reporter
05/29/2013 07:58 AM
TAHLEQUAH, Okla. – Tonia Hogner Weavel is an alumna of the original Trail of Tears Drama that began playing in June 1969 in an amphitheater built especially for it at the Cherokee Heritage Center. She was the principal dancer for it in 1974 and 1976.

Weavel, who is now the CHC’s education director, said the drama opened with about 75 actors, techs and support staff. It was written by Kermit Hunter and continued the dramatic story performed by the Eastern Band of Cherokee Indians titled “Unto These Hills,” which is still shows today in Cherokee, N.C.

“It (“Unto These Hills”) was the first half of the removal, and ours was after we (Cherokee people) reached Indian Territory,” she said.

In an unusual twist, Weavel said the amphitheater where the drama was performed until 2005 was designed to fit the script. “Usually the theater is built and you just work with what you have but in this instance the theater was designed to fit the show.”

Charles “Chief” Boyd, an architecture graduate at the time, designed the amphitheater after traveling to New York City to research ideas with CHC co-founder Col. Martin Hagerstrand. The theater was designed using a “thrust stage or extended into the audience,” was steeply graded and fan-shaped.

“It was built to form an intimacy with the play. Even though it was a great outdoor amphitheater, it was designed to be as intimate to the stage as possible,” Weavel said.

The audience was never more than 75 feet from the stage, she added. And because of the steepness of the amphitheater, an audience of 1,800 could look down on the stage and actors.

“There was not a bad seat in the house, literally. For the most part you didn’t miss anything in any seat in the house,” Weavel said.

At the back of the main stage was a “mountaintop” with natural foliage. Behind the stage were dressing rooms. The stage had nine places for scenes and there were revolving stages on each side of the main stage.

Another impressive feature was it was the first outdoor theater with an air-cooled stage. On the stage sides were air-conditioning vents that blew across the stage, which Weavel said was necessary on hot nights.

Also, the stage’s design and theater served another purpose. Weavel said in the old days of the theater, actors did not use amplification devices to project their voices and needed “theater voices” that could project to the back of the stage.

“So we didn’t use any kind of microphone system because the theater was built in such a way as to carry the sound up,” she said. “We did have music and we did have narration, so there was a sound system.”

Later, actors used wireless microphones when they became more available and easier to use.

“The theater was a grand place. It was at a time when the technology we have today was not in place, so our entertainment was self-imposed. Like the drive-in theater that has gone by the wayside, amphitheaters have done the same. It’s much easier to sit in your air-conditioned home and dial up a movie on Netflix...than it is to take the effort to get in your car and go sit out in maybe 95-degree heat and make the effort to go see a show,” Weavel said.

She said ultimately that is why the drama stopped. Dwindling attendance along with the cost of putting on the drama made it impossible to continue.

“One thing that has not died is the people’s memories and their experiences with the Trail of Tears Drama from 1969 until it closed in 2005. It set wonderful memories and it allowed people to learn more about Cherokee culture,” she said.

will-chavez@cherokee.org


918-207-3961

About the Author
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M.

He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life.
He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association.

Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years.
WILL-CHAVEZ@cherokee.org • 918-207-3961
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M. He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life. He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association. Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years.

Culture

BY STAFF REPORTS
02/27/2015 12:00 PM
LONDON – Following the success of its first-ever photography competition, Survival International, the global movement for tribal peoples’ rights, has announced its second worldwide photography contest, which aims to celebrate photography as a powerful medium for raising awareness of tribal peoples, their unique ways of life and the threats to their existence. Both amateur and professional photographers are encouraged to enter. Photographs can be submitted in the guardians category, which are images showing tribal peoples as guardians of the natural world; the community category, which are portraits of relationships between individuals, families or tribes; and the survival category, which are images showing tribal peoples’ diverse ways of life. The judging panel consists of Survival’s Director Stephen Corry, Survival Italy Coordinator Francesca Casella, The Little Black Gallery Co-Founder Ghislain Pascal and Max Houghton, senior lecturer in photography at the London College of Communication. The 12 winning entries will be published in Survival’s 2016 calendar with the overall winner’s image featured on the cover. The closing date for entries is April 30. For more information, visit: <a href="http://www.survivalinternational.org/photography" target="_blank">www.survivalinternational.org/photography</a>.
BY STAFF REPORTS
02/22/2015 04:00 PM
DAHLONEGA, Ga. – The next meeting of the Georgia Chapter of the Trail of Tears Association will begin at 10:30 a.m. on March 14 at the University of North Georgia in Dahlonega. The speaker will be GCTOTA board member Walter J. Knapp, instructor of Native American Culture and History at UNG. The topic will be “Successes and Challenges for Native Americans Today and in the Future”. Visit <a href="http://ung.edu/visitors/campuses/dahlonega/driving-directions.php" target="_blank">http://ung.edu/visitors/campuses/dahlonega/driving-directions.php</a> for directions to the university. The meeting will be held in the Adult Education building across from the main entrance to the campus between a pizza place and a Dairy Queen. The address is 82 College Circle Drive. The Trail of Tears Association was created to support the Trail of Tears National Historic Trail established by an act of Congress in 1987. The TOTA is dedicated to identifying and preserving sites associated with the removal of Native Americans from the southeast. The association consists of nine state chapters representing the nine states that the Cherokee, Creek and other tribes traveled through on their way to Indian Territory, now Oklahoma. The GCTOTA meetings are free and open to the public. People need not have Native American ancestry to attend the meetings, just an interest and desire to learn more about this fascinating and tragic period in this country’s history. For more information about the TOTA, visit the National TOTA website at <a href="http://www.nationaltota.org" target="_blank">www.nationaltota.org</a> and the Georgia Chapter website at <a href="http://www.gatrailoftears.org" target="_blank">www.gatrailoftears.org</a>. For questions about the March meeting, email Tony Harris at <a href="mailto: harris7627@bellsouth.net">harris7627@bellsouth.net</a>.
BY STAFF REPORTS
02/18/2015 04:00 PM
OKLAHOMA CITY – Cherokee National Treasure Martha Berry will teach a beginners-level beadwork class from 10 a.m. to 4 p.m. on April 11 at the Oklahoma History Center at 800 Nazih Zuhdi Drive. Participants will learn how to make a lady’s purse. All supplies and lunch is included in the cost. For enrollment or cost information, call OHC Director of Education Jason Harris at 405-522-0785 or email him <a href="mailto: jharris@okhistory.org">jharris@okhistory.org</a>. Beadwork artist Martha Berry was born and raised in Tulsa. Her grandmother and mother taught her how to sew and embroider at age 5, and she later became a professional seamstress. As a Cherokee artist Berry creates elaborately beaded bandolier bags, moccasins, belts, knee bands, purses and sashes inspired by the styles of Southeastern tribes including the Cherokee, Creek, Choctaw, Chickasaw, Seminole, Yuchi and Alabama. Her work is displayed in museums throughout the country. Berry, 66, of Tyler, Texas, taught herself the craft of beading and continues to research the beadwork of Southeastern tribes. She is credited with helping bring back the art form to the Cherokee people and makes time to teach others her craft.
BY JAMI MURPHY
Reporter
02/17/2015 08:00 AM
TAHLEQUAH, Okla. – During a Feb. 7 benefit stomp dance, more than 400 people gathered at the Tahlequah Community Building to raise money for a local Cherokee family that suffered a horrific car accident in January. The stomp dance was originally planned to raise money for the Echota Ground, a Cherokee stomp ground in Park Hill. Echota Ground Chief David Comingdeer said the event raised more than $3,500 with half going to the Flynns to help with their expenses. Family members suffered multiple injuries and totaled their vehicle in the accident. “This evening here in Tahlequah we’ve called all our ceremonial grounds together from the Cherokee Nation, Muskogee Creek, Eucha, Shawnee, Seminole, Seneca Cayuga, even Peoria and Ottawa,” Comingdeer said. “We’ve all come together to help a family, a Cherokee family, a ceremonial family who got in a really bad wreck. We’ve decided to do what we can to help them.” The Flynns, driving a 2004 Chevy Trailblazer, were hit in a head-on collision on State Highway 51 by Randall Welch, of Welling, who was driving a 2002 Nissan Frontier. Welch was taken by Tulsa Life Flight and admitted for injuries while the driver of the Trailblazer, Jack “Red” Flynn, was taken to Arkansas with external trunk, leg and head injuries. Jack’s passengers were Kathy Gann, Jimmy Ross and Nellie Flynn, all family members of Jack. Ross suffered injuries to the head trunk and leg, according to the Oklahoma Highway Patrol. Nellie, Jack’s mother, was taken to a Tulsa hospital with similar injuries. Nellie was unable to make it to the event because of continual problems with the injuries she suffered. Jack, Ross and Gann were present during the dance along with several other family members. Some family members said the accident had put the family in a financial bind with hospital visits and losing the vehicle. “Their going back and forth to the hospital. Both him (Jack) and Nellie are going,” Linda Christie, a Flynn family relative, said. She said the funds would help with gas, food, travel and anything else unforeseen. Jack said without the benefit assistance the family would be forced to suffer more with the financial hardship in which the accident put them. The Flynns and Ross will have a long road ahead of them for full recovery, family members said, but they were appreciative of the donations and support from those who attended. Stomp dance attendee Celia Xavier said witnessing the fundraiser “felt like a throwback to the way our earlier societies were.” “Moving in the same direction, giving a helping hand when one needed it. What affects one, affects all. We are supposed to help each other,” Xavier said. “The antithesis of today’s ‘me society.’ It was interesting to see kindness through the actions of the chief of the Echota Grounds. He is giving half the donations to the Flynn family, who was in dire need of help. It was a moving and spiritual experience.” The family is a member of Stokes Ceremonial Grounds, but Comingdeer said it doesn’t matter what ground one is from. “They may not be from our ground, but they’re from another ground and we have a lot of respect for each other. We always support each other, try to love and understand each other,” he said. “You can take everything away from us, even our land. You can take all of our corporation away, as long as we still have our beliefs and our tradition we can build a fire, have our dances and take our medicine, speak our language, then we’re still a tribe. Tonight is the foundation of our culture. It’s the foundation of our tribe, and this is how we help each other. For those interested in donating to the Echota Ground or the Flynns can do so by mailing a check to Route 4 Box 1570, Stilwell, OK 74960. Make checks out to Echota Ground and indicate in the memo where donation is to go.
BY STAFF REPORTS
02/16/2015 12:00 PM
CATOOSA, Okla. – The 25th anniversary of Indian Health Care Resource Center’s annual dinner and auction “The Dance of the Two Moons” will be Feb. 21 at the Hard Rock Hotel and Casino in Catoosa. The “Dance of the Two Moons” dinner and auction was established 25 years ago as an annual fundraiser to help support the many great programs and services provided to the Native American community by the IHCRC. Proceeds from the event are once again supporting the vital programs and services currently paid from IHCRC’s general fund, including: maternal/child health, adult/child fitness and wellness programs, annual powwow, Spring Break Youth Camp and Youth Summer Camps. The honorary chairs of the 2015 “The Dance of the Two Moons” are Dr. Joseph and Mary Cunningham. Dr. Cunningham, medical director of Blue Cross and Blue Shield of Oklahoma and Mrs. Cunningham are personally dedicated to helping IHCRC improve the lives of our patients, states an IHCRC press release. Tickets to the event are $150 per person or $250 per couple. Sponsorship levels are available ranging from $2,000 to $10,000. For more information, to preview auction items, or to purchase a sponsorship or tickets, visit <a href="http://www.ihcrc2moons.org" target="_blank">www.ihcrc2moons.org</a>. The evening will include hors d'oeuvres, cocktails served during the silent auction, and a meal served in the grand ballroom as traditional dancers entertain attendees. IHCRC officials said it appreciates having Blue Cross and Blue Shield of Oklahoma as the 2015 Silver Anniversary Sponsor. Additional sponsors include Hard Rock Hotel and Casino, Choctaw Nation of Oklahoma, Tiger Natural Gas, Meeks Group, Delores Titchywy Sumner, Conner & Winters, and many other generous business and personal contributors. The Indian Health Care Resource Center of Tulsa is a 501(c)(3) organization funded through a contract with Indian Health Services, state and federal grants, private foundations and donors, and its annual fundraiser “The Dance of the Two Moons.” Utilizing a patient-centered, multidisciplinary, medical home approach, IHCRC offers a full range of health and wellness services tailored to the Indian community. Services include: Medical, Optometry, Dental, Pharmacy, Transportation, Behavioral Health, Health Education and Wellness, Substance Abuse Treatment and Prevention, and Youth Programs focused on traditions, health, and leadership skills. With more than 18,000 active patients representing in excess of 150 Tribes, IHCRC provides more than 126,000 patient visits each year to improve the general health status and reduce the incidence and severity of chronic disease of the urban Indian community. Contact Deb Starnes at 918-382-1203 or <a href="mailto: dstarnes@ihcrc.org">dstarnes@ihcrc.org</a> for more information about the IHCRC or “The Dance of the Two Moons” fundraiser.
BY WILL CHAVEZ
Senior Reporter
02/15/2015 08:00 AM
TAHLEQUAH, Okla. – Cherokee artist Lisa Rutherford recently shared her experiences from researching textiles in December at the National Museum of the American Indian in Washington, D.C. In mid-January she gave a presentation in Tahlequah using a slide show about some of the artifacts she studied at the museum. For nearly two weeks, Rutherford studied pre-19th century textiles, fibers and cordage of the Mississippian culture in the collections of the NMAI as part of the museum’s “Artist Leadership Program for Individual Artists.” She hoped to gain more knowledge about the techniques used by Southeastern peoples to weave materials. Following her research visit, Rutherford was asked to facilitate a community project to share knowledge learned from the experience and research. In January, she conducted two weaving classes and discussions for Cherokee Heritage Center employees at the CHC in Park Hill where she used twine made from jute plants to weave a skirt and other items. She said at the NMAI she saw a twine skirt that was found in a cave in Tennessee that she has replicated. “I have replicated the skirt, but I think I can do a closer approximation of it now that I’ve seen it in person and studied the fibers up close,” she said. She said she also had the opportunity to study artifacts from the Spiro Mounds site in eastern Oklahoma in Leflore County. The site is not a Cherokee site, but belongs to the ancestors of the Quapaw, Caddo and Osage tribes. At approximately the same time period, Cherokee people used the same twining techniques used by craftspeople at Spiro, Rutherford said. “There Cherokee objects found at Spiro, so there was trade, there was interaction, so we know they were probably using some the same techniques,” she said. This past summer, Rutherford worked in the Diligwa Village, a Cherokee village set in 1710, at the CHC where she learned from the other villagers on staff and also taught others how to make yellow dye from bois d’arc shavings. Rutherford and other artists used the yellow dye along with brown dye made from walnuts to dye the jute material. The versatile Bois d’arc tree is used by Cherokee bow makers to make bows. “So now the bow makers are saving their shavings for dye, and we’re all working together. I think that’s the way it would have been in 1710. We all had to work together and help each other out,” she said. Rutherford is encouraging Native artists to apply for the NMAI’s “Artist Leadership Program for Individual Artists.” She said it was a “valuable experience” for her and it was so much more than she expected. “It was a remarkable experience for her as an artist to come into the collection of the Smithsonian and really bring to live the stories and the life experiences of the cultural material of the Cherokee Nation,” Museum Programs Outreach Coordinator for the NMAI Keevin Lewis said. Lewis came to Tahlequah in January to observe Rutherford share the knowledge she gathered from Smithsonian institutions in Washington, to visit with Cherokee artists and visit the CHC. Along with making twine skirts and bags, Rutherford is a skilled and an award-winning potter. She is also skilled at making Cherokee baskets, historic Cherokee-style clothing, beadwork, creating oil paintings, beadwork pieces and feather capes.