http://www.cherokeephoenix.orgFeather Smith-Trevino explains the game of Cherokee stickball on June 3 during an inaugural tour of the new Diligwa village at the Cherokee Heritage Center in Park Hill, Okla. In the background, villagers demonstrate how the game is played. WILL CHAVEZ/CHEROKEE PHOENIX
Feather Smith-Trevino explains the game of Cherokee stickball on June 3 during an inaugural tour of the new Diligwa village at the Cherokee Heritage Center in Park Hill, Okla. In the background, villagers demonstrate how the game is played. WILL CHAVEZ/CHEROKEE PHOENIX

CHC officially opens Diligwa village

University of Georgia professors Jace Weaver, left, and Alfie Vick speak on June 3 during a grand opening ceremony for the new Diligwa village at the Cherokee Heritage Center in Park Hill, Okla. Vick holds a river cane plant brought from Georgia that will be planted in the village. WILL CHAVEZ/CHEROKEE PHOENIX Villagers walk from the old Ancient Village at the Cherokee Heritage Center to the new Diligwa village during a grand opening ceremony for the interpretive village on June 3 in Park Hill, Okla. WILL CHAVEZ/CHEROKEE PHOENIX Diligwa villager White Robertson drills a hold in a piece of wood in a summer home in the new interpretive village that opened June 3 at the Cherokee Heritage Center in Park Hill, Okla. With Robertson is villager Cassie Dry. WILL CHAVEZ/CHEROKEE PHOENIX Villager Feather Smith-Trevino leads an inaugural tour of the Diligwa village on June 3 at the Cherokee Heritage Center in Park Hill, Okla. Trevino led visitors to interpretive stations in the village to show them how Cherokee people lived in 1710. WILL CHAVEZ/CHEROKEE PHOENIX Diligwa, the new outdoor living exhibit on the grounds of the Cherokee Heritage Center, provides guests with an enhanced experience of authentic Cherokee life and history in the early 1700s. Cherokee Nation and Cherokee Heritage Center officials opened Diligwa on June 3 in Park Hill, Okla. WILL CHAVEZ/CHEROKEE PHOENIX
University of Georgia professors Jace Weaver, left, and Alfie Vick speak on June 3 during a grand opening ceremony for the new Diligwa village at the Cherokee Heritage Center in Park Hill, Okla. Vick holds a river cane plant brought from Georgia that will be planted in the village. WILL CHAVEZ/CHEROKEE PHOENIX
BY WILL CHAVEZ
Assistant Editor – @cp_wchavez
06/05/2013 08:34 AM
Video with default Cherokee Phoenix Frame
PARK HILL, Okla. – With speeches, a ribbon cutting and tours, Cherokee Nation and Cherokee Heritage Center officials on June 3 publicly opened Diligwa, the center’s new outdoor Cherokee village set in 1710.

Located on the CHC’s grounds, Diligwa provides guests with an enhanced experience of authentic Cherokee life and history. Alfie Vick, a University of Georgia professor whose specialty is landscape architecture, helped design Diligwa.

“This is the most historically accurate recreation of an early contact Cherokee town in existence today,” Vick said.

Because of his study in Cherokee heritage plants in the southeast, Vick was asked to help landscape the Diligwa grounds. He said orchards of peach, apple and plum trees would be planted in the village as well as communal cornfields and a river cane break along the village stream, which is being constructed.

Funding for the village did not arrive all at once. Cherokee Nation Businesses recently donated $250,000 to finish the $1.2 million interpretive village. The village took five years to design and work crews have spent two years constructing Cherokee summer and winter homes on four acres. Other features such as plants, a ball game area, marble field and paths still need to be completed.

Diligwa features 19 wattle and daub structures and 14 interpretive stations. Visitors can witness Cherokee life in 1710 as they are guided through the stations where crafts are demonstrated, stories are told and life ways are explained.

Overall, the village includes eight residential sites each with summer and winter homes, a corncrib and a kitchen garden. The public complex consists of the primary council house and summer council pavilion overlooking a large plaza that serves as the center of community activity.

Jace Weaver, director of the Institute of Native American Studies at the University of Georgia, said he and Vick have brought students to the CHC to learn about Cherokee culture for the past six years. During that time Weaver said he and Vick were asked to assist with creating Diligwa.

“I was thrilled and immediately said yes without asking Alfie because I first went through the Tsa-La-Gi (Cherokee) village at 10 years old...and have been back many times since,” Weaver said.

The two men were also involved with helping find the original footprint of the Cherokee Female Seminary, which burned down in 1887, and with an exhibition about the seminary.

The seminary site was reclaimed in 1966 when the clearing of land began for the CHC’s Ancient Village, which opened in 1967. The center’s amphitheater opened in 1969 and museum in 1973.

This year the center is celebrating the 50th anniversary of when the Cherokee National Historical Society, the organization that operates the CHC, was formed in 1963.

“Of all the projects the Institute of Native American Studies at the University of Georgia has taken on around the country, these projects with the Cherokee Nation and the Heritage Center are those I am the most proud of,” Weaver said. “We stand ready to help with any project in the Nation at any time.”

Vick said a Diligwa feature that accentuates accuracy is that it sits on a flat area, as Cherokee villages sitting near a river or flood plain would have been in the early 1700s. Also, the village’s council house is on a slightly elevated mound because Cherokees emulated Mississippian mound builders in the southeast.

“Like Jace said, we really value our participation and inclusion in the creation of this town,” Vick said.

Diligwa is a name derivative of Tellico, a village in the east that was once the principal Cherokee town and is now underwater. Tellico was the Cherokee Nation capital and center of commerce before the emergence of Echota in today’s Monroe County, Tenn.

Tellico was often referred to as the “wild rice place” and became synonymous with a native grain that grew in the flats of east Tennessee. Many believe when the Cherokees arrived in Indian Territory, the native grasses that grew around the foothills of the Ozarks reminded them of the grassy areas of Tellico. They called their new home “Di li gwa,” Tah-le-quah or Teh-li-co, “the open place where the grass grows.”

Since the Ancient Village opened, it has been the top attraction for visitors. It is expected Diligwa will continue to be the main attraction for the CHC.
Diligwa was funded by endowments from CNB, the Tom J. and Edna Mae Carson Foundation, Mary K. Chapman Foundation, Boyd Group and Mary Ellen Meredith.

will-chavez@cherokee.org
918-207-3961
About the Author
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M.

He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life.
He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association.

Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years. He was named interim executive editor on Dec. 8, 2015, by the Cherokee Phoenix Editorial Board.
WILL-CHAVEZ@cherokee.org • 918-207-3961
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M. He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life. He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association. Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years. He was named interim executive editor on Dec. 8, 2015, by the Cherokee Phoenix Editorial Board.

Culture

BY TRAVIS SNELL
Assistant Editor – @cp_tsnell
10/22/2017 08:00 AM
TAHLEQUAH, Okla. – With its 2017 annual homecoming T-shirt now for sale, the Cherokee Phoenix is calling for Cherokee artists to submit design concepts for the news organization’s 2018 T-shirt. In 2016, the Cherokee Phoenix staff introduced a T-shirt to differ from the tribe’s Cherokee National Holiday T-shirt. Phoenix staff members contracted with artist Buffalo Gouge for the shirt’s initial design. For this year’s homecoming shirt, Phoenix staff members selected Daniel HorseChief’s concept out of approximately 10 designs from artists. The Cherokee Phoenix then contracted with HorseChief to create the 2017 shirt. HorseChief said his concept comes from a four-panel painting that features Selu, the Corn Mother in Cherokee lore. The image shows the bust of Selu, who is looking down into a Southeastern art pattern. Behind her on the left side are seven ears of corn with water under it. Behind her on the opposite side is a phoenix with fire below it. Above the phoenix is the Cherokee seven-pointed star. Above the image, written in Cherokee, are the words “Cherokee Phoenix.” Below the image, in English, is “2017 CHEROKEE HOMECOMING.” The limited-quantity, black shirts are short-sleeved, ranging in sizes small to 3XL and sell for $20 plus tax. The shirts are available at the Cherokee Phoenix office in Room 231 of the Annex Building (Old Motel) on the Tribal Complex. For more information, call 918-453-5269. They are also available at the Cherokee Nation Gift Shop, als0 on the Tribal Complex, or online at <a href="http://cherokeegiftshop.com" target="_blank">http://cherokeegiftshop.com</a>. Phoenix staff members will also have shirts available at the Cherokee Phoenix booths at the W.W. Keeler Tribal Complex and Capital Square during the Cherokee National Holiday in September. The Cherokee Phoenix is accepting concept ideas from artists who are Cherokee Nation, United Keetoowah Band or Eastern Band citizens until midnight on Jan. 1. Artist can email detailed concepts to <a href="mailto: travis-snell@cherokee.org">travis-snell@cherokee.org</a>. For artists contemplating submitting design ideas, please note that if your concept is chosen and you sign a contract, the Cherokee Phoenix will own the artwork because we consider it a commissioned piece. As for what Phoenix staff members look for in a concept, we ask that artists “think Cherokee National Holiday” and include a phoenix.
BY STAFF REPORTS
10/19/2017 08:15 AM
TAHLEQUAH, Okla. – Thanks in part from an Oklahoma Arts Council grant, the Northeastern State University Center for Tribal Studies will host the Indigenous Arts Education Series in November for American Indian Heritage Month. The series will include the following: <strong>Nov. 2</strong> Marcus Harjo (Pawnee/Seminole) will present “Creative Writing and Music Production Workshop” from 6 p.m. to 8 p.m. in the University Center Redbud Room. Harjo uses writing, music production and live performances to promote his passions of youth outreach, cultural awareness and promoting healthy, drug-free lifestyles, specifically among American Indian populations. His workshop will focus on teaching participants how to use writing and music composition skills to enhance the delivery of their message. His workshop will conclude with a live performance. <strong>Nov. 8</strong> Sandy Fife Wilson (Muscogee Creek) will present “Shell Carving Demonstration” from 3 p.m. to 6 p.m. in the University Center Redbud Room. Wilson is an experienced artist having learned her art techniques through both formal education and traditional means as she comes from a long line of family artists. Wilson specializes in Southeastern design shell carvings, finger-woven items and Creek basketry. She will host a demonstration that will educate the audience on this traditional form of art and lead participants through the process using a direct, hands-on approach to instruction. <strong>Nov. 14</strong> Yatika Starr Fields (Muscogee Creek/Osage/Cherokee) will present “Becoming a Mural Artist” from 6 p.m. to 7:30 p.m. in the University Center Redbud Room. Fields’ presentation will highlight his experience and work as a mural artist and provide attendees with some insight into the highly specialized field of mural art. This event will include a live art demonstration. The Oklahoma Arts Council is the official state agency for the support and development of the arts. The agency’s mission is to lead in the advancement of Oklahoma’s thriving arts industry. Additional information is available at <a href="http://www.arts.ok.gov" target="_blank">arts.ok.gov</a>.
BY STAFF REPORTS
10/18/2017 12:00 PM
TAHLEQUAH, Okla. – The Cherokee National Youth Choir’s album “Celebration” was named Best Pop Recording during the 17th annual Native American Music Awards on Oct. 14. This year’s award marks the fifth honor – referred to as a NAMMY – the Cherokee National Youth Choir has garnered since the choir’s inception in 2000. The youth choir was also nominated for Group of the Year and Record of the Year for its latest album. “We were so excited to win Best Pop Recording at the Native American Music Awards,” Mary Kay Henderson, Cherokee National Youth Choir director, said. “Our CD, ‘Celebration,’ is a collection of Motown music and has been a fun way to encourage our young people to learn our language. Language teacher and choir coordinator Kathy Sierra and I would like to thank everyone who took the time to vote for the Cherokee National Youth Choir.” The “Celebration” record is a combination of the 2017 Cherokee National Youth Choir and its soloists and members of the 2006 youth choir. Songs on the “Celebration” album include “Ain’t No Mountain High Enough,” “Celebration,” “Lean On Me,” “My Girl,” “Respect,” “My Guy,” “Stand By Me” and “We Are Family.” Sierra translated the lyrics from English to Cherokee for the recording. The Cherokee National Youth Choir has performed dozens of songs in the Cherokee language in the Macy’s Thanksgiving Day Parade and at venues across the country, including the Oklahoma State Capitol. The choir also previously performed with such legendary artists as Foreigner, Dolly Parton, Vince Gill, Roy Clark, Kenny Rogers and the Oak Ridge Boys. The choir is made up of 30 to 40 young Cherokees from northeastern Oklahoma communities. Members are middle and high school youth in grades 6-12. The students compete in auditions every year for inclusion in the group. “The Cherokee Nation Youth Choir has proven time and time again to be excellent cultural ambassadors for our tribal government and our people,” Principal Chief Bill John Baker said. “We are so proud of them for bringing home another NAMMY honor. The accomplishments of these young people should be celebrated, as they are learning and utilizing the Cherokee language. Additionally, they have volunteered their time and talents to be part of the youth choir, which is an opportunity to grow their leadership skills. Congratulations to everyone involved with this wonderful achievement.” The choir’s newest album, “Just Jesus,” as well as past albums will be available for purchase later this year at Cherokee Nation Gift Shop locations and online at <a href="http://www.CherokeeGiftShop.com" target="_blank">www.CherokeeGiftShop.com</a>.
BY WILL CHAVEZ
Assistant Editor – @cp_wchavez
10/17/2017 04:00 PM
CATOOSA, Okla. – Navajo artist Ric Charlie won Best of Show for his jewelry piece “Navajo Bling” at the 12th annual Cherokee Art Market held Oct. 14-15 at the Hard Rock Hotel & Casino Tulsa. Artists from throughout the nation competed in eight categories: painting, sculpture, beadwork/quillwork, basketry, pottery, textiles, jewelry and diverse art forms. Sixty artists received awards, and 150 artists displayed and sold their art during the event. Charlie, 59, of Tuba City, Arizona, makes jewelry, paints and sculpts. “I can’t make a living with those (painting and sculpting), but I do it for therapy,” he said. “I’ve enjoyed all kinds of art, ever since I was a kid.” He said his winning necklace was inspired by “a nice summer day” when he was out of school and had time on his hands. “Navajo Bling” is a 14-karat gold jewelry set featuring more than 1,700 individually set diamonds and is valued at $75,000. “As a kid I was always involved in creating things because on the reservation you had to. I learned a lot from my grandfather because he was the creator of many things,” he said. “The work that I do now is something I only dreamed about doing. When I started making jewelry, I said, ‘I really want to get into gold. I really want to get into diamonds. I really want to do this type of work.’ It’s just a dream come true.” Charlie said he “dreamed big” as a child. “If you don’t dream big, it won’t happen.” He’s participated in other art shows such as the Santa Fe Indian Market, but this was the first time he entered the Cherokee Art Market. He said he plans to enter his work again. “I find it (Cherokee Art Market) really personal. People here are very, very friendly and welcoming, too. The level of artwork here is incredible,” Charlie said. Cherokee artist Bryan Waytula won Best of Class for Class 1: Painting, Drawing, Graphics & Photography for his painting titled “We Stand as One.” Cherokee sculpture Bill Glass Jr. won Best of Class for Class 2: Sculpture for his piece “The Discussion Revolves.” In the Class 5: Pottery Division, Cherokee artist Troy Jackson won Best of Class for his work “Bird Effigy.” Cherokee Art Market Manager Deborah Fritts said one artist came from Alaska and another came from Maine and other artists from in between. She said the show has come a long way from its first year in 2005 when it was held under tents in the casino parking lot. It has been held inside the casino since 2009. Fritts attends other art shows to “scope” out artists and to network. She also meets with other art market coordinators. “A lot of the people that win at the other shows, like at Santa Fe (Indian Market) or the Heard Museum (Phoenix), they come to our show,” she said. Dallin Maybee is chief operating officer for the Southwest Association for Indian Arts, the nonprofit association that produces the Santa Fe Indian Market. He said the Cherokee Art Market has its own “personality,” and he wouldn’t compare it to Santa Fe but “it’s a great show.” “This brings an incredible competitive field of artists. It’s a nice show. It’s intimate. You see a lot of your friends here, and the prize money helps,” Maybee said. “I come to this show every time that I can just because it’s a good time.” For a full list of winners, visit <a href="http://www.Cherokeeartmarket.com" target="_blank">Cherokeeartmarket.com</a>.
BY STAFF REPORTS
10/17/2017 12:00 PM
CARTERSVILLE, Ga. – The next meeting of the Georgia Chapter of the Trail of Tears Association will begin at 10:30 a.m. on Nov. 11 at the Bartow History Museum. The speaker will be Jim Langford, and his topic will be “Impact of de Soto on Southeastern Native Americans.” Langford is a member and former officer of the Society of Georgia Archaeology and has been doing research on the Native American presence in the Southeast for many years. The Bartow History Museum is located at 4 E. Church St. Its phone number is 770-382-3818. The TOTA was created to support the Trail of Tears National Historic Trail established by an act of Congress in 1987. It is dedicated to identifying and preserving sites associated with the removal of Native Americans from the southeastern United States. The Georgia TOTA chapter is one of nine state chapters representing the nine states that the Cherokee and other tribes traveled through on their way to Indian Territory, now Oklahoma. GATOTA meetings are free and open to the public. People need not have Native American ancestry to attend GATOTA meetings, just an interest and desire to learn more about this tragic period in this country’s history. For more information, visit <a href="http://www.nationaltota.com" target="_blank">www.nationaltota.com</a> or <a href="http://www.gatrailoftears.org" target="_blank">www.gatrailoftears.org</a>. For more information about the November meeting, email Tony Harris at <a href="mailto: harris7627@bellsouth.net">harris7627@bellsouth.net</a>.
BY STAFF REPORTS
10/12/2017 04:00 PM
TAHLEQUAH, Okla. – Families looking for a fun, educational adventure for their children during fall break should plan to visit the Cherokee Nation museums on Oct. 20.  Museums participating are the Cherokee National Prison Museum, the Cherokee National Supreme Court Museum and the John Ross Museum. Enjoy free admission and special activities at all three locations. There will be paper bandolier bags at the Cherokee National Prison Museum, Cherokee syllabary lessons at the Cherokee National Supreme Court Museum and make your own clay beads at the John Ross Museum. The educational activities occur from 10 a.m. to 4 p.m. The Cherokee National Prison was the only penitentiary building in Indian Territory from 1875 to 1901. It housed sentenced and accused prisoners from throughout the territory. The interpretive site and museum give visitors an idea about how law and order operated in Indian Territory. The site features a working blacksmith area and reconstructed gallows, exhibits about famous prisoners and daring escapes, local outlaws and Cherokee patriots, jail cells and much more. Built in 1844, the Cherokee National Supreme Court Museum is Oklahoma’s oldest public building. The 1,950-square-foot museum features exhibits on the Cherokee National Judicial System; the Cherokee Advocate and Cherokee Phoenix newspapers; and the Cherokee language, with various historical items, including photos, stories, objects and furniture. Touch screen kiosks offer visitors documentary-style learning on various legal topics as well as teaching conversational Cherokee. The John Ross Museum highlights the life of John Ross, principal chief of the CN for more than 38 years, and houses exhibits and interactive displays on the Trail of Tears, Civil War, Cherokee Golden Age and Cherokee Nation’s passion for the education of its people. The museum is housed in an old, rural school building known as School No. 51 and sits at the foot of Ross Cemetery, where John Ross and other notable Cherokee citizens are buried. The Cherokee National Supreme Court Museum is located at 122 E. Keetoowah St., and the Cherokee National Prison Museum is at 124 E. Choctaw St., both in Tahlequah. The John Ross Museum is located at 22366 S. 530 Road in Park Hill. For more information, call 1-877-779-6977 or visit <a href="http://www.visitcherokeenation.com" target="_blank">www.visitcherokeenation.com</a>.