Feather Smith-Trevino explains the game of Cherokee stickball on June 3 during an inaugural tour of the new Diligwa village at the Cherokee Heritage Center in Park Hill, Okla. In the background, villagers demonstrate how the game is played. WILL CHAVEZ/CHEROKEE PHOENIX

CHC officially opens Diligwa village

University of Georgia professors Jace Weaver, left, and Alfie Vick speak on June 3 during a grand opening ceremony for the new Diligwa village at the Cherokee Heritage Center in Park Hill, Okla. Vick holds a river cane plant brought from Georgia that will be planted in the village. WILL CHAVEZ/CHEROKEE PHOENIX Villagers walk from the old Ancient Village at the Cherokee Heritage Center to the new Diligwa village during a grand opening ceremony for the interpretive village on June 3 in Park Hill, Okla. WILL CHAVEZ/CHEROKEE PHOENIX Diligwa villager White Robertson drills a hold in a piece of wood in a summer home in the new interpretive village that opened June 3 at the Cherokee Heritage Center in Park Hill, Okla. With Robertson is villager Cassie Dry. WILL CHAVEZ/CHEROKEE PHOENIX Villager Feather Smith-Trevino leads an inaugural tour of the Diligwa village on June 3 at the Cherokee Heritage Center in Park Hill, Okla. Trevino led visitors to interpretive stations in the village to show them how Cherokee people lived in 1710. WILL CHAVEZ/CHEROKEE PHOENIX Diligwa, the new outdoor living exhibit on the grounds of the Cherokee Heritage Center, provides guests with an enhanced experience of authentic Cherokee life and history in the early 1700s. Cherokee Nation and Cherokee Heritage Center officials opened Diligwa on June 3 in Park Hill, Okla. WILL CHAVEZ/CHEROKEE PHOENIX
University of Georgia professors Jace Weaver, left, and Alfie Vick speak on June 3 during a grand opening ceremony for the new Diligwa village at the Cherokee Heritage Center in Park Hill, Okla. Vick holds a river cane plant brought from Georgia that will be planted in the village. WILL CHAVEZ/CHEROKEE PHOENIX
BY WILL CHAVEZ
Assistant Editor – @cp_wchavez
06/05/2013 08:34 AM
PARK HILL, Okla. – With speeches, a ribbon cutting and tours, Cherokee Nation and Cherokee Heritage Center officials on June 3 publicly opened Diligwa, the center’s new outdoor Cherokee village set in 1710.

Located on the CHC’s grounds, Diligwa provides guests with an enhanced experience of authentic Cherokee life and history. Alfie Vick, a University of Georgia professor whose specialty is landscape architecture, helped design Diligwa.

“This is the most historically accurate recreation of an early contact Cherokee town in existence today,” Vick said.

Because of his study in Cherokee heritage plants in the southeast, Vick was asked to help landscape the Diligwa grounds. He said orchards of peach, apple and plum trees would be planted in the village as well as communal cornfields and a river cane break along the village stream, which is being constructed.

Funding for the village did not arrive all at once. Cherokee Nation Businesses recently donated $250,000 to finish the $1.2 million interpretive village. The village took five years to design and work crews have spent two years constructing Cherokee summer and winter homes on four acres. Other features such as plants, a ball game area, marble field and paths still need to be completed.

Diligwa features 19 wattle and daub structures and 14 interpretive stations. Visitors can witness Cherokee life in 1710 as they are guided through the stations where crafts are demonstrated, stories are told and life ways are explained.

Overall, the village includes eight residential sites each with summer and winter homes, a corncrib and a kitchen garden. The public complex consists of the primary council house and summer council pavilion overlooking a large plaza that serves as the center of community activity.

Jace Weaver, director of the Institute of Native American Studies at the University of Georgia, said he and Vick have brought students to the CHC to learn about Cherokee culture for the past six years. During that time Weaver said he and Vick were asked to assist with creating Diligwa.

“I was thrilled and immediately said yes without asking Alfie because I first went through the Tsa-La-Gi (Cherokee) village at 10 years old...and have been back many times since,” Weaver said.

The two men were also involved with helping find the original footprint of the Cherokee Female Seminary, which burned down in 1887, and with an exhibition about the seminary.

The seminary site was reclaimed in 1966 when the clearing of land began for the CHC’s Ancient Village, which opened in 1967. The center’s amphitheater opened in 1969 and museum in 1973.

This year the center is celebrating the 50th anniversary of when the Cherokee National Historical Society, the organization that operates the CHC, was formed in 1963.

“Of all the projects the Institute of Native American Studies at the University of Georgia has taken on around the country, these projects with the Cherokee Nation and the Heritage Center are those I am the most proud of,” Weaver said. “We stand ready to help with any project in the Nation at any time.”

Vick said a Diligwa feature that accentuates accuracy is that it sits on a flat area, as Cherokee villages sitting near a river or flood plain would have been in the early 1700s. Also, the village’s council house is on a slightly elevated mound because Cherokees emulated Mississippian mound builders in the southeast.

“Like Jace said, we really value our participation and inclusion in the creation of this town,” Vick said.

Diligwa is a name derivative of Tellico, a village in the east that was once the principal Cherokee town and is now underwater. Tellico was the Cherokee Nation capital and center of commerce before the emergence of Echota in today’s Monroe County, Tenn.

Tellico was often referred to as the “wild rice place” and became synonymous with a native grain that grew in the flats of east Tennessee. Many believe when the Cherokees arrived in Indian Territory, the native grasses that grew around the foothills of the Ozarks reminded them of the grassy areas of Tellico. They called their new home “Di li gwa,” Tah-le-quah or Teh-li-co, “the open place where the grass grows.”

Since the Ancient Village opened, it has been the top attraction for visitors. It is expected Diligwa will continue to be the main attraction for the CHC.
Diligwa was funded by endowments from CNB, the Tom J. and Edna Mae Carson Foundation, Mary K. Chapman Foundation, Boyd Group and Mary Ellen Meredith.

will-chavez@cherokee.org
918-207-3961
About the Author
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M.

He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life.
He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association.

Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years. He was named interim executive editor on Dec. 8, 2015, by the Cherokee Phoenix Editorial Board.
WILL-CHAVEZ@cherokee.org • 918-207-3961
Will lives in Tahlequah, Okla., but calls Marble City, Okla., his hometown. He is Cherokee and San Felipe Pueblo and grew up learning the Cherokee language, traditions and culture from his Cherokee mother and family. He also appreciates his father’s Pueblo culture and when possible attends annual traditional dances held on the San Felipe Reservation near Albuquerque, N.M. He enjoys studying and writing about Cherokee history and culture and writing stories about Cherokee veterans. For Will, the most enjoyable part of writing for the Cherokee Phoenix is having the opportunity to meet Cherokee people from all walks of life. He earned a mass communications degree in 1993 from Northeastern State University with minors in marketing and psychology. He is a member of the Native American Journalists Association. Will has worked in the newspaper and public relations field for 20 years. He has performed public relations work for the Cherokee Nation and has been a reporter and a photographer for the Cherokee Phoenix for more than 18 years. He was named interim executive editor on Dec. 8, 2015, by the Cherokee Phoenix Editorial Board.

Culture

BY LINDSEY BARK
Staff Writer
01/11/2017 08:15 AM
LOCUST GROVE, Okla. – Since he was 8 years old, Cherokee Nation citizen Dave Standingwater has had an interest in archery and been fascinated by the flight of the arrow. Growing up in the Snake Creek Community near Locust Grove, Standingwater learned about hunting from his grandmother, Maggie Whitekiller Standingwater. His first hunting experience was at age 13, killing a deer with a bow and arrow his uncle made. “I was hooked after that,” he said. He said when times were hard and his father was unemployed, he helped out by hunting and providing for his family. “It was rough times back then,” he said. Years later, he became a nationally ranked archer in the Cabela’s Archery Shooters Association, competing across the United States and in national championship tournaments. In 1991, he experienced his first archery outing when his son invited him to a 3-D archery range in Locust Grove. Though he hunted growing up, shooting 3-D targets proved a challenge. “My first outing was terrible. I was so bad, and so I asked them if they (archery range) was open every weekend. So I went back. I started shooting and practicing,” Standingwater said. He said he practiced at home for 20 minutes to 30 minutes a day, eventually entering local archery tournaments. “I got to taking first, second and third place trophies and stuff like that,” he said. In 1994, he joined the Cabela’s Archery Shooters Association tour and his first tournament was in Oklahoma City. He began competing in out-of-state tournaments and racked up points to qualify for the championship tournament in Tennessee. “At that particular tournament, there were like 2,500 actual shooters, and I shot the traditional way – stick and string,” he said. He used a custom-made modern dual-purpose Black Widow bow. He said competing nationally enhanced his archery skills against many high-level shooters. “If you missed, your arrow was just gone. But in competition like that you didn’t miss, you just didn’t miss, he said.” He competed until 2001. He never won a championship tournament but often placed second and third. One of the biggest highlights of his career was when a Cabela’s magazine recognized him as one of the top 10 traditional bow shooters in the nation during the 1999 tour. “I started looking down that list there and my name was No. 7. I wore that magazine out showing people,” Standingwater said. “I just wanted to shoot. I never thought that I’d become in the top 10 bracket.” Now at 74, Standingwater continues his passion for shooting, bow making and learning how to flint knap. He made his first bow out of bois d’arc, learned how to cut a stave (a trimmed rod of wood used to make a bow) and make bowstring from squirrel hide. He studies to become a more “powerful” and “faster” bow shooter and said he is staying with the traditional way of shooting so that he has the knowledge to survive and provide for his family if he needs to. “I’m a full traditional shooter. I don’t aim down the arrow. I don’t look at the string. I look at the place where I want to hit. That’s where I want the arrow to go and that’s what I’m looking at. So that’s as traditional as you can get. I think that’s a plus when you get out in the woods. A lot of times your shots are going to be quick,” he said. He said he’s passing his archery knowledge to his family and compared his great-niece’s shooting to that of Robin Hood. He said the two often take nature walks and practice shooting rabbits and squirrels. Standingwater said he’s retained what he learned from his grandmother, who was a midwife and knew how to gather plants for medicines. Through her, he also learned to fish and gather foods that are in season. “I learned a lot from my grandmother, (she) taught me a lot.”
BY STAFF REPORTS
01/10/2017 02:00 PM
TAHLEQUAH, Okla. – The Cherokee Speakers Bureau will be held Thursday January 12, 2017 from 12:30 - 4pm. We will meet in the Community Ballroom that is located behind the Restaurant of the Cherokee. All Cherokee speakers are invited to attend. If you want to bring a side dish or a dessert, feel free to bring it. Come speak Cherokee and enjoy food and fellowship. For further information about the event, please contact the Language Program Office: 918-453-5151, 918-453-6170, 918-453-5487.
BY STAFF REPORTS
01/10/2017 08:30 AM
TAHLEQUAH, Okla. – Congratulations to Cherokee Nation citizen Dana Parks from Brownsboro, Texas, for being the Cherokee Phoenix’s fourth-quarter giveaway winner. On Jan. 3, Parks won beaded jewelry made by Native Uniques owner Samantha Barnes. The winning package consisted of a bracelet, necklace, dream catcher and earrings. Parks won it after Cherokee Phoenix staff members drew her name from approximately 170 entries. Parks joins Nan Butler, of Wellston, Wauneta Wine of Columbia, Maryland, and Dale Easky of St. Clair, Missouri, as the 2016 Cherokee Phoenix quarterly giveaway winners. Butler won four painted tiles by Cherokee artist MaryBeth Timothy of MoonHawk Art for the third-quarter contest. Wine won a carving by Cherokee sculptor Matthew Girty for the second quarter, and Easky won a knife by Cherokee knife maker Ray Kirk for the first quarter. Entries can be obtained by donating to the Cherokee Phoenix’s Elder Fund or buying a Cherokee Phoenix subscription or merchandise. One entry is given for every $10 spent or donated. The Cherokee Phoenix will hold its first quarterly drawing for 2017 on April 3 when it gives away a finger-woven belt made by Jules Brison of Waterspider Creations. For more information regarding the giveaways, call Samantha Cochran at 918-207-3825 or Justin Smith at 918-207-4975 or email samantha-cochran@cherokee.org or justin-smith@cherokee.org. For more information on Waterspider Creations, visit <a href="http://www.etsy.com/shop/WaterspidercreaGifts" target="_blank">www.etsy.com/shop/WaterspidercreaGifts</a> or <a href="https://www.facebook.com/waterspidercreations/" target="_blank">https://www.facebook.com/waterspidercreations/</a>. For more information on Native Uniques, go to Nativeuniques.com or call 918-214-0030.
BY STAFF REPORTS
01/04/2017 12:00 PM
TAHLEQUAH, Okla. – In January, two traditional basket-weaving classes will be offered at the United Keetoowah Band’s John Hair Cultural Center and Museum. Each class will have a two-day session with the first class taking place on Jan. 5-6 and the second on Jan. 19-20. All classes are from 5 p.m. to 8:30 p.m. During the first class students will learn how to weave around a glass flower vase, and during the second class students will focus on weaving a basket and fitting it with a woven lid. Cindy Hair, a Keetoowah Tradition Keeper and master basket weaver, will teach the classes. She has approximately 50 years of weaving experience, and her basketry is known around the country. “I just love weaving baskets and love teaching basket weaving,” she said. “I want to keep it up and pass it on as long as I can.” The classes cost $25 each with reed being provided. Students are encouraged to bring their own vase, but vases will be available for purchase for $2. For more information or to register, call 918-772-4389.
BY LINDSEY BARK
Staff Writer
01/04/2017 08:15 AM
BRIGGS, Okla. – For the past 65 years, United Keetoowah Band citizen and Cherokee National Treasure Dorothy Lee Ice has been loom weaving, an art form used to make items such as belts, scarves, headbands, bookmarks, bracelets and shawls. Ice, of Briggs, became an employee of the Sequoyah Indian Weavers in the 1940s when she was 15 years old. She became interested in weaving after watching weaver Lucille Hair. After a time, her curiosity brought her back to watch the loom weavers. Bill Ames, a man from New York who ran the SIW, approached Ice and asked if she would like to learn. She did not hesitate and was employed that day. Her first woven piece was a blanket. “I just loved it when I first started. What got me interested, mostly, was (I) just got in there and started. I didn’t have to ask any questions,” Ice said. She said loom weaving consists of using a wooden loom, stringing or threading a warp and using shuttles on the loom to create a design. Ice said she only uses four designs when weaving. “I use plain weave, hit and miss, herring bone and diamond. That’s all I do,” she said. Ice said SIW employees were paid by “piece work.” Once an item was completed John Ketcher, of the Sequoyah Vocational School and former Tribal Councilor, inspected it. He was able to spot a flaw instantly, and if it was not good, the weaver had to re-create the piece. Once items passed inspected, they were shipped to New York to be sold. She said at the time, along with the Briggs weaving hall, there were weaving halls ran by Ames in Bull Hollow, Peavine and Jay. Ice worked for the Briggs SIW until 1960 and again in 1964 until it was shut down because of robberies and a lack of weaving material. She continued to loom weave on her own and only created made-to-order items. She said loom weaving remains the same as the art form has not evolved much from the time she started. She became a Cherokee National Treasure in 1991 for her knowledge of loom weaving and said that meant she “better be learning more and teaching more.” Ice, 81, now teaches classes at the Cherokee Arts Center in Tahlequah. The classes are commissioned through the Cherokee Nation. “(Out of) the Cherokees, I think I am the only one that is weaving. I would like to pass it on, and all I want to hear from them (students) is ‘I learned this from so and so, and I taught so and so.’ That’s all I want to hear from them. I just want to pass it on. I don’t want it to die,” Ice said. “If they want to learn and I know it, and I am able to teach them, I would like to teach them. I think it would be important for them to learn all of the traditions so that they can survive if hard times come.” Aside from loom weaving, Ice teaches reading and writing of the Cherokee language, her first language, and teaches others how to make shackles for stomp dances. As a UKB citizen, she also received that tribe’s Tradition Keeper Award for loom weaving in 2014. She also worked for Briggs Schools for many years as a teacher’s assistant and bus driver. In her spare time, she likes to clog dance at the senior citizens center in Tahlequah.
BY STAFF REPORTS
12/28/2016 04:00 PM
TAHLEQUAH, Okla. – Cherokee Nation citizens Richard and Sheila Fields will host a grand opening of their new 4 Winds, 7 Clans Gallery at noon, Jan. 7 in Tahlequah. A ribbon cutting will take place at 2 p.m., Jan. 5 at the gallery hosted by the Tahlequah Chamber of Commerce. “4 Winds, 7 Clans Gallery showcases fine art by Cherokee National Treasures in addition to creations by up and coming Cherokee artists and craftsmen,” said Sheila. “All artists showcased in the gallery are of Cherokee descent, many are fluent in their Cherokee language, and each Cherokee artist brings their heritage to life through their individual talents and gifts which they pour into the design found in their art.” She added that the Cherokee elders among the Cherokee National Treasures inspired the gallery and that is why they are featured within it. “We are starting slow and we’re going to grow from there. We hope to add classes soon, a legacy for our artists,” said Richard. “If you are looking for authentic Cherokee art then you will find something to your liking in 4 Winds, 7 Clans Gallery.” The gallery is located at 210 S. Muskogee and is open from 10 a.m. to 6 p.m. Tuesday through Saturday.