http://www.cherokeephoenix.orgBryan Scott Dugan
Bryan Scott Dugan

CN citizen joins The New York Times staff

BY STAFF REPORTS
08/08/2013 09:00 AM
TAHLEQUAH, Okla. – Cherokee Nation citizen Bryan Scott Dugan joined The New York Times staff on July 31 as a copy editor.

He is working at the newspaper’s editing center in Gainesville, Fla., which serves as an area for copy editors to prepare stories for the paper’s national and international editions and other newspapers that subscribe to receive The New York Times articles.

Dugan is a copy editor for the wire service and a designer for international versions of the newspaper.

A 2008, graduate of Sallisaw High School in Sequoyah County, Dugan graduated from the University of Oklahoma in 2013 with a bachelor’s degree in journalism.

He also edits for “Mental Floss” magazine and previously served as a “Dow Jones News Fund” copyediting intern last summer. This position is a highly sought after position for collegiate journalists interested in a career in editing and design.

At OU, Dugan was editor-in-chief of the 2012 Sooner yearbook, a national Pacemaker finalist book that has won 19 Gold Circles from the Columbia Scholastic Press Association. The association will announce in October if the yearbook will be awarded a Pacemaker, often called the Pulitzer Prize of collegiate journalism.

Dugan is also a member of the Native American Journalists Association.

He is the son of Scott and Tonya Dugan of Sallisaw and is the grandson of George and Linda Turnipseed Collins of Midland, Ark.

His future plans include completing and publishing a “fun” novel and to hike the entire Pacific Crest Trail, which would take three months or longer.

People

BY ASSOCIATED PRESS
04/28/2017 12:00 PM
CLAREMORE, Okla. (AP) – Kimberly Politte cast the first stone and started a colorful rockslide. Politte created the Facebook group 918 Rocks! People in the group post photos of painted rocks they are hiding or have found in spots all over the 918 area code. 918 Rocks! once was an itty bitty group, but it has boomed in popularity. Barely half a year old, the group has almost 9,000 members. The story behind the story — the person who inspired Politte to create 918 Rocks! — is her 8-year-old son, Hunter. A cancer survivor, the young Cherokee Nation citizen can’t see all the colorful rocks. “After we exhausted every option that was possible, the doctor decided that the only way to save his life was to remove his eyes,” Politte told the Tulsa World. Since then, Hunter has been cancer-free. And that rocks. Hunter was diagnosed with retinoblastoma, a rare type of eye cancer, when he was 17 months old. Untreated, retinoblastoma can spread to other parts of the body. Chemotherapy and radiation failed to eradicate the cancer, according to Hunter’s mother. No parent should have to make this kind of choice, but Hunter’s left eye was removed in December 2010 and his right eye was removed the following month. “I look at him every day and it touches my heart,” Politte said. “It makes me emotional because, just six or seven years ago, I could have lost him.” Prosthetic eyes were crafted to look like Hunter’s eyes. Politte knows Hunter can’t see her when she looks into his “perfect” prosthetic eyes. But she said she connects with him on an emotional and “intuition” level more than she ever will with anybody else. “He senses my emotions and I don’t have to say anything,” she said. “Just the tone of my voice, he knows.” Like other boys his age, Hunter goes through phases when it comes to interests. He loves to read and uses a Refreshabraille device to dive into his favorites. He’s currently digging stories about Greek gods, including the Percy Jackson tales, and Harry Potter books. He loves to swim (even though he hasn’t got it quite mastered), loves Lego and even loves school. He has attended the Oklahoma School for the Blind in Muskogee since he was 3. Hunter, of course, is the reason his mother, who lives in Claremore, commutes to Muskogee to work at Oklahoma School for the Blind. When asked how she feels about him, she said, “He is my world. I have given up a lot in life to make sure he gets the very best, and I wouldn’t have it any other way. He has inspired me to realize that a disability is not what should hold somebody back. They should not be defined by their disability. He can’t see, but he is advancing leaps and bounds. I have continued my college education because of him. I am currently a year and a half from graduating with my teaching degree. So he has been the reason why I do everything I do.” Any good idea is worth borrowing. Politte borrowed an idea to launch 918 Rocks! She said Hunter goes to St. Jude Children’s Research Hospital every six months for check-up appointments. She couldn’t help but notice painted rocks on the hospital grounds. Web research told her the rocks were part of a venture called 901 Rocks. 901 is an area code in Memphis. Politte became a participant, painting rocks to leave in Memphis. She and her mother talked about creating a similar group back home. They started 918 Rocks! in mid-September and invited a few friends. They placed rocks at random places —a bus stop, a gas station, a grocery store — for others to find. “We just kind of played around with it,” Politte said. “It wasn’t anything we put a whole lot of time and effort into.” Over time, all of Green Country became a staging ground for a painted rock version of an Easter egg hunt. Group members use the 918 Rocks! Facebook page to post photos of rocks they will distribute and clues about where to find them. Photos also are posted when rocks are discovered. Besides rocks, what are group members spreading? Said Politte: “Smiles. Happiness. Joy.” Excerpts of recent posts: Pamela Shanholtzer-Robertson: “Had a really rough day today and then ... found my first rock. Just what I needed!” Summer Dawn: “Found my very first rock tonight, hidden in a flower pot at Crossroads Church in Beggs. The strawberry rock is adorable!!” Tiffany Contreras: “Found this at Indian Resource Center in #Tulsa. There was another beauty next to it.” Contreras said she didn’t take the other rock because she didn’t want to be greedy. Politte said a goal of 918 Rocks! is to encourage families to spend time together by painting rocks, stashing rocks or searching for rocks. “Let’s get off the phone,” she said. “Let’s not be so wrapped up in our social media and being stuck in our electronics. This encourages you to look around. Notice your surroundings. You may be walking into a gas station, and, if you’re not paying attention, there could be a rock right there in front of you.” Politte said people are free to keep rocks they find or to “re-hide” them. “The only stipulation is don’t put them inside a store that sells merchandise because it does look like you are shoplifting,” she said. “We try to discourage that. We also want people to, if they are going to place them inside of a business, ask permission for that first.” Politte is pleasantly surprised that 918 Rocks! has mushroomed. She said membership in the group was 5,000 a couple of weeks ago. Considering the rapid escalation, count on that figure to soon double. “I never would have imagined it turning into something like this,” she said, adding that she wants 918 Rocks! to get as big as it can. “I don’t want it to be something that’s just a fad. I want it to continue.” Politte spurred growth by adding Facebook friends to the group and by planting plenty of seeds. She said she has placed hundreds of rocks on 918 turf. Hunter chips in to help, using his imagination to, for instance, paint characters from books on rocks to be hidden. “Seeing him every day and the things he does, it lets me know that I have done something right,” she said. “There is nothing worse than having to see your child go through what he has gone through, and we still wake up every day and we have a smile on our face because he is here and he is doing great.” Said Politte: “Something tragic has turned into something amazing.”
BY STACIE GUTHRIE
Reporter – @cp_sguthrie
04/26/2017 08:15 AM
TULSA, Okla. – Taelor Barton grew up watching her grandmother, Edith Knight, cook. Those cooking sessions inspired Barton to become a chef and share her talent in creating food. “My grandma did indeed have a huge part in me choosing to be a chef later on in life. It was something that we always did together,” the 26-year-old Cherokee Nation citizen said. “I think it started out as something to kind of keep me busy at first and then the more skills that I would learn, especially when I was away from her, I would come back and show her and then we’d cook together. Basically, she used food to extend care to us as children. It was such an important nurturing aspect of my upbringing that I couldn’t let it go. I had to kind of carry on in her stead, being a cook in the family.” Barton said she began taking a creative role in cooking at age 13. “Even though I didn’t know much I still wanted to play with food and see what I could make.” This love for cooking inspired Barton to study culinary arts while in high school. She later attended the Oklahoma State University-Institute of Technology’s culinary program in Okmulgee. She said even today taking on that creative role when she was 13 affects how she approaches food. Barton is now the executive chef at The Vault in Tulsa, where she showcases not only her cooking skills but also her heritage with her food. “I created about 50 percent of the dishes here. There’s a set number of non-signature items that I will innovate new (with) every menu change,” she said. “I also have brought to the table our cauliflower wings and then a vegan dish, which is a stuffed acorn squash. Kind of has a little bit of Native American influence with smoked vegetables. It is a dish that appeals to meat eaters and vegans alike.” The Cherokee Phoenix caught up with Barton on April 18 as she prepared Native-inspired dishes for a dinner at The Vault. “It is going to have different stages of Native American cooking involved. A lot of the stuff will have some sort of newer European influence because of the settlers,” she said. “There will be fry bread because of the milled wheat. Also, I’m going to be using something that was very dear to me, something my grandmother taught me how to make was kanuchi.” Barton said she became interested in creating a Native American-inspired menu while her grandmother was “fading in health.” “I realized that after she would pass I would lose, possibly, a little bit of that Native American influence in my life. So I wanted to take advantage of it still being fresh in my mind, the things that she had taught me,” she said. “I wanted to make her proud, and I wanted to do it to bring honor to her.” Barton said her grandmother died in March 2016, which left her wanting to honor Knight through cooking. Knight, who was a Cherokee National Treasure for tear dressmaking, was also known for making kanuchi, a traditional Cherokee meal made from hickory nuts. Barton’s goal for the April 19 dinner was to “generate” interest in Native American cuisine. “A lot of people have asked me before, “What is Native American to you?” At first I drew a blank because it is a culture that is not as mentioned every day like Italian cuisine. You know when a pizza’s Italian or spaghetti is somewhat Italian or a burger and fries is American. But where would those cultures be without the tomato, without corn. As I look more into it you realize that everything that is American has Native American influence in that,” she said. Barton said she’s offered Native dishes such as bean cakes, wild onions and eggs and even kanuchi. She added that she wanted to feature these Native-inspired dishes because she believes it’s important to share it with the Tulsa area. “As for as close as we are to Indian Country, surprisingly very little influence from the Native American cuisine is present in restaurants in a popular area such as Tulsa,” she said. “My aim is to generate interest and bringing more Native American culture back into the mainstream cooking.”
BY STACIE GUTHRIE
Reporter – @cp_sguthrie
03/29/2017 08:15 AM
TAHLEQUAH, Okla. – A passion for fencing and teaching others the sport encouraged Cherokee Nation citizen Kevin Stretch to begin a fencing program at the Academy of Performing Arts. He said the first class began approximately three months ago and he hopes to get “a lot” of attention drawn to fencing. “Currently I have six (students). It’s my first group, and they range from 6 years old, which is pretty young, to probably in their mid-40s. Two dads come with their children,” he said. Stretch said he’s tried to start a fencing program for “years.” He said he started one in Tahlequah because the sport is “under promoted” in the area. “When I moved to Tahlequah, there’s not a lot of opportunity. The opportunities are in Fayetteville (Arkansas) or Little Rock, Arkansas, or Tulsa, so it’s an hour and a half drive to get to fencing in this area. Plus, I think that it’s…under promoted in this area, and I’d kind of like to see us grow into a nice club where we can go fence with our people,” he said. Stretch said his program focuses on foil fencing, where one hand is typically behind the fencer. “What we do primarily is foil fencing, and it is a thinner weapon. It has a blunt tip on it so it doesn’t actually make a puncture wound. Foil’s kind of the finesse of the sport,” he said. “So there’s foil, there’s épée and there’s sabre. Sabre’s like the MMA (mixed martial arts) of fencing where it’s kind of a brutal sport. Foil fencing, the torso, not counting arms, is the target area. So when you make a touch on the torso then you get a point. The way we play it is the first to five points wins.” He said in fencing different articles of protection are necessary when competing. He said some items worn are the jacket, which is form-fitting with a strap that goes between the legs, and a mask, which provides protection for the head and neck. The mask’s face is metal mesh. There is also the plastron, an underarm protector that provides extra protection under the jacket, and gloves, which provide protection for the sword hand. As for his students, Stretch said they’ve done a “great job.” “I didn’t really have any expectations, and they’ve done a great job. Some of them are turning into great fencers. They’re learning off of each other.” Logan Stansell, 14, of Tahlequah, is a student who began fencing because he wanted to “get in shape.” “I use to be very out of shape, you know, unhealthy, and I wanted to change that. So I saw fencing as a good idea due to it being an interesting alternative to normal exercise. Something that can be fun and enjoyable while at the same time a good workout,” he said. He said the sport is “amazing,” and it’s something he enjoys weekly. “I feel like I’m actually learning. You feel the progress. You learn when you’re getting better.” Stretch said he’s been interested in fencing since college and started fencing at the Tulsa YMCA. “I was playing racquetball at the time, and I noticed that they had fencing, so I started taking fencing there and did it for several years,” he said. “Then I moved, at one point, to Little Rock, Arkansas, and they have great fencing there. So I was fencing in Little Rock at the Central Arkansas Fencing Club, and then I arose to be an assistant coach there and that’s kind of where I got the interest of coaching.” Stretch said his next class starts on April 14 and it’s a beginner’s class for ages 6 and up. He said students do not have to have equipment immediately because he starts them on “footwork.” “What we do is…we have a few weapons for you to practice with. You won’t fence anyone else because you won’t have equipment, but after you’ve done it for a couple of weeks then we have a little basic fencing set that you can purchase online,” he said. “That usually runs about $150 for that basic setup, and it’s the jacket, the mask and the glove and the weapon.” He said he eventually hopes to offer advanced classes. “So what we’re hoping is that once we build up a small group then maybe we can have intermediate classes and maybe advanced,” he said. For more information, call 918-803-1408 or visit the “Fencing in NE Oklahoma” Facebook group.
BY LINDSEY BARK
Staff Writer
03/27/2017 08:15 AM
NEW YORK CITY – Cherokee Nation citizen Jennifer Kirby attended the 61st annual United Nations Commission on the Status of Women on March 10-15 as a Lutheran World Federation delegate. Kirby said she heard stories and testimonies from women of other countries about their struggles to be heard by their governments on issues such as abuse, human trafficking, work and equal pay. “Just the fact that you were so close to so many women and so many world leaders who are saying ‘we care about women’s rights, we care about women’s work, justice for women, women’s empowerment’ was really inspiring. I feel like that was a life-changing experience to be around so many people that are fighting for a lot of the same things across the world,” Kirby said. She said she learned women from other countries struggle with speaking on certain issues and have to be “strategic” or “silent” in their fights because of dangers they face. In the United States, she said, it’s easier for women to speak and find allies and support on issues, but in a sense, solutions are still government-controlled. Within her Lutheran delegation, Kirby heard stories from Indigenous women about what they face that affects them as well as their children and what hinders their empowerment to create change in their communities. Kirby, of Oaks, Oklahoma, said within her family and community she has seen women be homemakers and caretakers of families but not reap benefits because of caregiving not being seen as real work. “Women are seen as domestic workers, working from home, caring for other people, raising their children. But none of that is really recognized as work and if you looked at the impact and how much money that would cost over the span of their lifetime, they’re contributing a lot. If they were actually getting paid, that would be a lot of money. Things like that kind of make you think…how can we make changes to how women are treated and how women are recognized,” she said. Kirby said she sees how the CN, of which she serves as the Human Services’ youth services and special projects director, has created equality for women in terms of paid maternity leave and women having leadership roles. However, she does not see those things happening in other places or businesses. She said she would like to take her UNCSW experience and create a program at the Ebenezer Lutheran Church in Oaks for youths to create a safe place for them to talk about things they are going through such as sexual issues, birth control, home and school issues. She also wants to inspire young girls and let them know that they too can aspire to have a career and take leadership roles rather than be dependent upon someone. “I grew up watching women be very dependent on men, and I think (it) really kind of struck a chord with me early on, not that I’m anti-relationship whatsoever. I love my husband, but I want a partner, someone who’s beside me, not someone who has to control the money or control what I do and things like that. I saw that growing up with some of the women in my family, and I think that’s probably why they told me ‘you do it on your own. You do things that you want to do. You work hard.’ I just feel that our girls are getting mixed messages now days,” Kirby said. Kirby said though the UNSCW is in its 61st year, women still have a long fight ahead. “We make so much progress and then things change and so we have to start back over. We have to educate. We have to fight,” she said.
BY ROGER GRAHAM
Media Specialist – @cp_rgraham
03/24/2017 08:30 AM
VINITA, Okla. – Cherokee Nation citizen J.J. Lind is a Brooklyn, New York-based artist and artistic director of Immediate Medium, a nonprofit performance and producing collective he co-founded in 2002. He’s created more than 20 works spanning theater, video, photography and performance that have been presented throughout New York City. He also has two film projects in development that explore his Native ancestry and home state of Oklahoma. “Spooklight” is a film Lind is developing with filmmaker Gabrielle Demeestere. It is a “psychological and environmental horror film” that examines the deteriorating relationship between two Cherokee siblings and their non-Native half brother. It will be filmed in northeastern Oklahoma and feature performances by local Native actors and non-actors. “Allotment” is a documentary by Lind and filmmaker Mark Lazarz. It is an “impressionistic portrait” of northeastern Oklahoma and its people that examines the legacy of enforced land ownership inside the CN. It is being filmed across over the course of four seasons and will feature interviews with local residents, tribal leaders, elders, politicians, church leaders, cowboys, artisans and local historians. “Growing up it wasn’t cool to be Indian,” Lind said. “Most of my classmates weren’t into it, and those that were didn’t see me as part of their group because I’m tall and blond.” While at Yale University, Lind said he longed to connect with other Native Americans. “I only knew one other well in my time there, and he wasn’t very connected to his tribe. In this vacuum, I began a very academic exploration of my heritage. I took some courses in Native American culture and prehistory,” he said. “Yale has an awesome library, and I found more information than I could ever read. That experience still informs my work.” While conducting research for a play on Vinita, Lind said he discovered papers of Elias Cornelius Boudinot, who was from Vinita and the son of the first editor of the Cherokee Phoenix, Elias Boudinot. Lind said he tries to return home to Vinita when possible. “I’m back home usually three to five times a year. With this documentary project, I’ll probably spend a total of three months in Vinita this year.” Lind said his northeast Oklahoma ties run deep. “On my mother’s side, all of my family other than me pretty much still lives in or near Vinita. My mom’s family is from White Oak. We still have our allotment out there. My dad and his parents died there. My grandmother was from Adair/Spavinaw area. She met my grandfather when he worked on the Pensacola Dam. They married two weeks later. After the dam was completed, they moved around the country and ended up on the south side of Chicago. My father and his siblings were raised there but moved back Oklahoma when my grandparents retired.” Lind, who is part Shawnee, said his mom’s family was raised more traditionally. “My mom grew up on their allotment land watching her grandfather perform ceremonies. He was known for divination. Growing up, my mother would be smudged by cousins and whatnot, but we never went to the stomp dances or anything,” he said. But it’s his paternal grandmother who inspires many of his Native-based projects. “I believe the real genesis of these projects began with the death of my grandmother on my father’s side. She was a small, quiet woman who helped raise me as my brother was often in the hospital with health conditions from birth defects, including hydrocephalus and spina bifada. We fished and foraged, and she taught me about plants and animals,” he said. After her death, he said his sister Carrie saw a woman eating alone in a corner at Clanton’s Restaurant in Vinita, where his sister now works as a waitress. “In her mind, this woman looked exactly like our grandmother. My sister introduced herself and apologized for staring. She explained to this women that she looked like her grandmother who had just passed,” he said. “This woman asked who her grandmother was, and my sister replied, ‘Christine Lind.’ This woman said she was sorry to hear that because she and Christine were friends.” The woman was the late Annabelle Mitchell, acclaimed potter and Cherokee National Treasure. “I knew Annabelle as a boy when my grandmother would take me along for lunches at Clanton’s. I don’t remember much about the specifics of their conversations, but I do remember thinking they were sisters. She teased my grandma about my having blond hair,” he said. “My sister and I were fortunate enough to spend a day with her shortly before she (Mitchell) passed. She had already had a stroke, but we were able to visit Wyandotte where she told my sister and I memories of our grandmother during their time at the BIA (Bureau of Indian Affairs) school. She told of pranks, their classes, a boy named Runaway Scott that my grandmother loved, about not being allowed to see their male siblings or speak Cherokee.” Lind said Mitchell told them about her pottery, how she got her start in her 40s, where she found her inspiration and the clay she used. “The fact that she didn’t begin that journey until she was about my age remains an inspiration. It is never too late to deepen your connection to your people and culture,” he said. He said her most emphatic advice to him was: “Know the history, the culture, all of it.” “She inspired me to use my own work to unearth and remind us of our forgotten knowledge and traditions, our history and stories, to celebrate and contribute to both Cherokee and larger indigenous American culture, and to harness my art in the service of my people,” Lind said. “I am proud that she also inspired my sister to follow in her footsteps as a traditional potter.” Through his projects, Lind said he is trying to convey to the public that we are guests on this land. “Our knowledge of this land is not only contained in our culture, it is carried in our blood. I saw this knowledge in the hands of the elders at Spavinaw, many in their 70s and 80s, as my sister taught them to make their first pot. Their hands knew how to make it before my sister could even show them. These tiny pots made by grandmothers remind me that, as with grandmother spider, a lot can come from one tiny pot,” he said.
BY LINDSEY BARK
Staff Writer
03/16/2017 08:15 AM
SALLISAW, Okla. – Cherokee Nation citizen Justin Pettit grew up with a passion for radio broadcasting after listening to sports on the radio during his early years. Pettit said he grew up listening to broadcasts of the University of Oklahoma Sooners and University of Arkansas Razorbacks basketball teams. “Now, I do my own stuff. I do basketball or game of the week here on 105.1 (KXMX in Sallisaw). I do the play-by-play, the color (commentary), all my own stats, everything,” he said. He initially thought about going into the radio broadcasting business in 2010 while working as realtor in Fayetteville, Arkansas. “I always had a passion for radio, and I got a note from one of my friends about doing broadcasting school, and it was all online so I was able to do it,” Pettit said. In 2011, he graduated from the American Broadcasting School and started with Cumulus Broadcasting Inc. in Fayetteville. While there, Pettit honed his skills as a radio broadcast host by covering local and college sports. In 2015, he became a host at Mix 105.1 FM with a show called “JP in the Morning.” He is also the station’s sports director. “I’m on the air 6 a.m. to 11 a.m. having a good time, getting people ready for the morning, getting them ready for their job or school or whatever it is they got going on,” Pettit said. He said one of his favorite aspects of the job is interacting with listeners and fans. “I love the interaction. That’s probably my favorite part. We’re a local radio station. We’re not owned by any big company. We get to do whatever we want. So if there’s a big event happening across town that involves the kids or anything, we’re there. We go out and interact with all the people. They love us,” he said. He said the radio station provides more than just a show to its listeners. “We play a mix of music. We play country, rock, Christian, all of it. They know any type of music they like they know they can listen to us and we’ll have it there for them,” he said. “They know if they need any kind of breaking weather, if there is any news happening in and around the area they tune to us. We’re live on the air. A lot of radio stations aren’t live anymore. So if there’s an accident or a road’s blocked off or anything, the people know they can tune to us or call us and we’ll let them know where to be and where not to be.” He said to work in radio his personality has to come through in his voice. “In radio you got to have a big personality, and a lot of guys have a radio voice. I don’t really have one. I don’t put it on because when I go out with the public, we have a lot of interaction. People say ‘well you sound just like you do on the radio.’ Well I don’t put the big…radio voice on so that’s kind one of my trademarks,” he said. Pettit said though the radio station is only 3 or 4 years old, the ratings “are up there with the guys” who have been in the radio broadcasting business for 30 or 40 years. His fellow employees praised Pettit for his work ethic. Delanna Nutter, sales director, said Pettit steps up when they need him to do extra voice work and that he is “always right on point.” “I’m just a normal guy working the job that I love and living the dream,” Pettit said.