Cherokee artist Keli Gonzales recently opened an online store called Keladi, her Cherokee name, to sell prints, original paintings and buttons that are affordable and “accessible” after realizing how many people wanted to buy her designs. LINDSEY BARK/CHEROKEE PHOENIX
Gonzales showcases interpretive Cherokee art
Cherokee artist Keli Gonzales displays an original drawing titled “Anejodi” from her sketchbook. The drawing’s inspiration derives from the Cherokee sport of stickball and a story she once heard about stickball. LINDSEY BARK/CHEROKEE PHOENIX
TAHLEQUAH, Okla. – Cherokee Nation citizen Keli Gonzales found joy in art as a child from watching her father and cousins draw and paint. As she grew, she developed her modernized art style using Cherokee culture.
Gonzales recently opened an online store called Keladi, her Cherokee name, to sell prints, original paintings and buttons that are affordable and “accessible” after realizing people wanted to buy her designs.
She said people who know Cherokee culture are intrigued by her drawings because they identify with it. “I think that a lot of people like to see the syllabary on stuff, and they like to own things that…(are) Cherokee-specific items.”
Gonzales incorporates Cherokee syllabary, stories, animals and sports into her art. Her drawing “Anejodi” portrays stickball players vying for a stickball in the air.
“In (the) stickball drawing, I was told that there’s a story about a guy; he cheated in stickball because he picked the ball up with his hands; and you’re not supposed to do that. And he threw the stickball really hard, and it got stuck in the sky and it became the moon. That’s like a reminder to not cheat. So in that drawing, it’s got little…moon bursts because of that story,” Gonzales said.
Gonzales said she doesn’t like to be “overt” in her drawings and uses hints of Cherokee culture to leave it open for interpretation. “I like things that don’t look like real things, if that makes sense. It’s like an interpretation of a real thing instead of copying it. I like to interpret.”
Her painting “Digvyaluyv” (Pieces) features body parts such as an arm and a leg that she said are a “comment on how fragmented our culture is” and that “hopefully one day we can unite all the pieces.”
Gonzales also has an affinity for comic-style illustrations with characters speaking in Cherokee. She does not translate the syllabary because the viewer should translate the language and learn in the process.
Her drawing “Nigohilv” (Constant) is a comic about a pair of skeletons caught in a conversation with the dialogue in the Cherokee language. To her, it represents being constant. To others, she has heard it meant the language being constant or someone not growing up being a second-language learner.
Gonzales said her style is influenced by her love of cartoons such as The Simpsons, using graphite and ink as a medium. Many of her drawings include bold lines and bright colors.
“I love colorful things because of The Simpsons or just cartoons in general. I love defined lines around things…(cartoons) influenced my style quite a bit, bright colors and bold lines,” she said.
Gonzales also draws inspiration from Cherokee artists such as Dan HorseChief, Roy Boney Jr. and Joseph Erb because their art features more “modern spins.”
“In my head I always thought of Native art as being something very specific…like dreamcatchers,” she said. “I always promised myself I would never do a Trail of Tears painting because we’re doing more now. That’s not what I want to focus on is this horrible thing that happened, and it did happen, but we made it through. We went across and finished. We’re stronger because of it. I like to show that we’re innovative and that we’re doing more and we’re doing better.”
Gonzales earned a fine arts degree from Northeastern State University and hopes to expand her art by entering more shows, attending art markets and learning more about screen-printing to start selling her designs on T-shirts.
ᏓᎵᏆ, ᎣᎦᎳᎰᎹ. – ᏣᎳᎩᎯ ᎠᏰᎵ ᎨᎳ Keli Gonzales ᎠᏲᏟᏃ ᏥᎨᏒᎢ ᎤᎵᏉᏕᎢ ᏗᏟᎶᏍᏔᏅᎢ ᎤᎦᏙᏍᏛᎢ ᎤᏙᏓ ᎠᎴ ᎠᎾᏓᏤᎵᎢ ᏓᎾᏟᎶᏍᏔᏅᏍᎬᎢ ᎠᎴ ᏓᏂᏑᏫᏍᎬᎢ. ᎤᏛᏏᏗᏒᏃ, ᎤᏩᏌᏊ ᎤᏬᎷᏩᏛᎲᎢ ᏧᏟᎶᏍᏙᏗᎢ ᎢᏯᏛᏁᏗᎢ ᎾᏍᎩ ᎬᏗᏍᎬᎢ ᏣᎳᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᎢ.
Gonzales ᎾᏞᎬᏭ ᏥᎨᏒᎢ ᎤᏍᏚᎢᏒᎢ ᎠᏏᎳᏕᏫᏒᎢ ᎠᏓᎾᏅᎢ ᎨᎳᏗ Ꮓ ᎤᏬᏎᏗ, ᎾᏍᎩ ᏣᎳᎩ ᎬᏗ ᏚᏙᎥᎢ, ᎾᏍᎩ ᏧᎾᏗᏅᏗ ᏗᏓᏟᎶᏍᏔᏅᎢ, ᎢᎬᏱᎢ ᏧᏑᏫᏒᎢ ᎠᎴ ᏗᎦᏗ ᎾᏍᎩ ᏰᎵᎢ ᏗᎬᏩᎯᏍᏗ ᎠᎴ “ᎠᎯᏓ ᏗᎬᏩᏛᏗ” ᎤᏕᎶᎰᏏ ᏚᎾᏚᎵᎲᎢ ᏧᏩᎯᏍᏗᎢ ᎾᏍᎩ ᏧᏟᎶᏍᏔᏅᎢ.
ᎢᎧᏃᎮᏍᎬᏃ ᎠᏂᏏᏴᏫ ᎾᏍᎩ ᎠᏂᎦᏔᎭ ᏣᎳᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᎢ ᎾᏍᎩᏃ ᎤᏂᏍᏆᏂᎬᏓᏁᎰ ᎾᏍᎩ ᏧᏟᎶᏍᏔᏅᎢ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᎠᏃᏟᎬᎢ. “ᏂᎨᎵᏍᎬᏃ ᎤᏂᎪᏗ ᏴᏫ ᎤᏂᎸᏉᏙᎢ ᎤᏂᎪᏩᏛᏗᎢ ᏣᎳᎩ ᏕᎪᏪᎸᎢ, ᎠᎴ ᎤᏂᎸᏉᏙᎢ ᎪᎱᏍᏗ ᎤᎾᏤᎵᎢ ᎾᏍᎩ... (ᏥᎩ) ᏣᎳᎩ-ᎤᏤᏟᏓᎭᎢ.”
Gonzales ᏓᏠᏯᏍᏗᏍᎪᎢ ᏣᎳᎩ ᏗᎪᏪᎵ, ᏗᎧᏃᎮᏗ, ᏅᎩ ᏗᏂᏅᏌᏗ ᎠᎴ ᎠᏁᏦᏗ ᎥᎿ ᏓᏟᎶᏍᏗᏍᎬᎢ. ᎤᏤᎵᏃ ᏗᏟᎶᏍᏔᏅᎢ “ᎠᏁᏦᏗ” ᎬᏂᎨᏒᎢ ᏂᎬᏁᎭ ᎠᎾᎳᏍᎦᎵᏍᎩ ᎠᎾᏁᏦᏍᎩ ᏓᎾᎵᎪᏂᏍᎬᎢ ᎠᏁᏦᏗ ᎦᏃᎯᎵᏒᎢ.
“ᎥᎿᎾᏂ (ᎾᏍᎩ) ᎠᏁᏦᏗ ᏗᏟᎶᏍᏔᏅᎢ, ᎥᎩᏃᎯᏎᎸᎢ ᎾᏍᎩ ᎠᏏᏴᏫ ᎠᏍᎦᏯ ᎤᏂᎬᎮᏗ; ᎤᎶᏄᎮᏢᎢ ᎠᎾᏁᏦᏍᎬᎢ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎤᏬᏰᏂᏊ ᎬᏗ ᎤᏟᏔᎩᏒᎢ ᎠᏁᏦᏙᏗ: ᎠᎴ ᎾᏍᎩ ᎥᏝ ᎥᏍᎩ ᎢᏯᏛᏁᏗ ᏱᎩ. ᎠᎴ ᏍᏓᏱ ᏭᏗᎾᏒᎢ ᎠᏁᏦᏙᏗ, ᎠᎴ ᎦᎸᎳᏗ ᏗᎨᏒᎢ ᎬᏩᎬᏘ ᏫᏄᎵᏍᏔᏅᎢ ᎠᎴ ᏅᏓ ᎤᏒᎢ ᎡᎯ ᏄᎵᏍᏔᏁᎢ. ᎾᏍᎩᏃ ᎠᏅᏓᏗᏍᏙᏗ ᎥᏝ ᎦᎶᏄᎮᏗ ᎢᎩ. ᎾᏍᎩᏃ Ꮎ ᏗᏟᎶᏍᏔᏅᎢ ᏥᎩ, ᎾᏍᎩᏃ ᏂᎤᏍᏗ ᎤᏍᏗᎢ...ᏅᏓ ᎤᏒᎢ ᎡᎯ ᏂᏗᎦᎵᏍᏙᏗᎭ ᏦᎩᎭ ᎾᏍᎩ ᎧᏃᎮᏗ,” Gonzales Z ᎢᎧᏃᎮᏍᎬᎢ.
Gonzales Ꮓ ᎢᎧᏃᎮᏍᎬᎢ ᎥᏝ ᏳᎸᏉᏙᎢ ᎾᏍᎩ (ᎬᏂ ᎢᏳᎵᏍᏙᏗ) ᎥᎿ ᏓᏟᎶᏍᏗᏍᎬᎢ ᎠᎴ ᎾᏍᎩ ᎦᏲᎵᏉ ᎧᏃᎮᏍᎪᎢ ᎾᏍᎩ ᏣᎳᎩ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᎢ ᎾᏍᎩᏃ ᎠᏁᏟᏙᏗ ᎢᎩ ᎾᏍᎩ ᏂᎦᎵᏍᏔᏅᏍᎬᎢ ᏓᏟᎶᏍᏛᎢ. “ᎠᎩᎸᏉᏙᏗᎢ ᎾᏍᎩ ᎪᎱᏍᏗ ᎰᏩᏭᏊ ᏂᎨᏒᎾ ᎡᎵᏍᏗ ᏥᎨᏐᎢ, ᎢᏳᏃ ᎬᏰᎵᏍᏗ ᏱᎩ.
ᎾᏍᎩᏯᏃ ᏯᏁᏟᏔᏂ ᎪᎱᏍᏗ ᎰᏩ ᏱᎩ ᎠᏏᏅ ᎤᏣᏘᎾ ᏱᏮᎩᎠ ᎪᎱᏍᏗ. ᎠᎩᎸᏉᏙᎢ ᎠᏆᏁᏟᏙᏗᎢ.”
ᎾᏍᎩᎬ ᏧᏤᎵᎢ ᏧᏑᏫᏒᎢ “ᏗᎬᏯᎷᏴᎢ” (ᏗᎬᏯᎷᎨᎢ) ᎬᏂᎨᏒᎢ ᏂᏛᎬᏁᎲᎢ ᎥᏰᎸᎢ ᏂᏚᏍᏛᎢ ᎾᏍᎩᏃ ᏥᎩ ᏗᎧᏃᏱᎨ ᎠᎴ ᏗᎦᏅᏍᎨ ᎾᏍᎩ Ꮓ ᎢᎧᏃᎮᏍᎬᎢ ᎾᏍᎩ ᏥᎩ “ᎧᏁᎢᏍᏗᎭ ᎤᏲᏨᎢ ᏥᎩ ᎾᏍᎩ ᎢᏲᎦᏛᏁᎵᏓᏍᏗᎢ” ᎠᎴ ᎾᏍᎩ “ᎤᏚᎩᏃ ᎬᏗ ᎠᏮᏐᎢ ᎢᎸᎯᏳᎢ ᏥᎨᏎᏍᏗ ᏌᏉᎢ ᏱᏗᎬᏩᎵᏍᏙᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᏗᎬᏯᎷᎨᎢ.”
Gonzales Ꮓ ᎾᏍᎩᏃ ᎤᏅᏌᏁᏍᎪᎢ ᎰᏩᏭᏊ ᏂᎨᏒᎾ ᎠᎾᏛᏁᎵᏍᎩ - ᏗᏟᎶᏍᏔᏅᏅᎢ ᎾᏍᎩ Ꮓ ᏧᏟᎶᏍᏔᏅᎢ ᏴᏫ ᏣᎳᎩ ᎠᏂᏬᏂᏍᎩ. ᎥᏝ Ꮓ ᏱᏓᏁᏟᏗᏍᎪᎢ ᏗᏣᎳᎩ ᏗᎪᏪᎵ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ Ꮎ ᎠᎪᎵᏰᏍᎩ ᎠᏎ ᎤᏩᏌ ᎤᏁᏟᏙᏗ ᎾᏍᎩ ᎦᏬᏂᎯᏍᏗ ᎠᎴ ᎾᏍᎩ ᎠᎯᎵᏒᎢ ᎤᏕᎶᏆᏍᏗ.
ᎾᏍᎩ ᏧᏟᎶᏍᏔᏅᎢ “ᏂᎪᎯᎸᎢ” (ᏂᎪᎯᎸᎢ) ᎾᏍᎩ ᎠᎾᏛᏁᎵᏍᎩ ᏥᎩ ᏧᎾ ᎪᎳᎭ ᎠᎾᏟᏃᎮᏍᎬᎢ ᏣᎳᎩ ᎬᏗ. ᎾᏍᎩᏃ ᏁᎵᏍᎬᎢ, ᎾᏍᎩᏃ ᎦᏛᎬᎢ ᏂᎪᎯᎸᎢ. ᎠᏂᏐᎢᏃ ᎨᏒ, ᎤᏛᎦᏅᏃ ᏄᏍᏛᎢ ᎦᏛᎬᎢ ᎾᏍᎩ ᎦᏬᏂᎯᏍᏗᎢ ᏂᎪᎯᎸᎢ ᏂᎬᏩᏍᏗᏗᏒᎢ ᎠᎴᏱᎩ ᎩᎶ ᎥᏝ ᎤᏛᏒᎢ ᏂᎨᏒᎾ ᎦᏬᏂᏍᎩ ᏂᎨᏒᎾ ᏔᎵᏁᏃ ᎠᏕᎶᏆᏍᎩ ᏣᎳᎩ ᎤᏬᏂᎯᏍᏗᎢ.
Gonzales Ꮓ ᎢᎧᏃᎮᏍᎬᎢ ᏄᏍᏛᎢ ᏓᏟᎶᏍᏗᏍᎬᎢ ᎾᏍᎩ ᏚᎵᏉᏛᎢ ᎾᏍᎩ ᎠᎾᏛᏁᎵᏍᎩ ᏥᎩ The Simpsons, ᎾᏍᎩ ᎬᏗᏍᎬᎢ ᎧᏅᎦᎵ ᎠᎴ ᎦᏁᎯ ᏗᏙᏪᎵᏍᎩ ᎾᏍᎩ ᏥᎩ ᏩᎦᏲᏢᎢ. ᎤᎪᏗᏃ ᏧᏟᎶᏍᏔᏅᏅᎢ ᏂᏙᏳᏍᏗ ᏧᎵᏏᎩ ᏓᏍᏅᏅᎢ ᎠᎴ ᏧᏍᎪᏍᏗ ᏚᎵᏑᏫᏒᎢ.
“ᏓᎩᎸᏉᏙᎢ ᏧᎵᏑᏫᏓᎭ ᎪᎱᏍᏗ ᏂᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᎢᏳᎾᏍᏗ ᏥᎩ The Simpsons ᎠᎴᏱᎩ ᎠᎾᏗᏁᎵᏍᎩᏭ ᎠᏓᏅᏖᏗᎢ. ᏓᎩᎸᏉᏙᎢ ᎾᏍᎩᏊ ᏧᎵᏍᏓᏅᏂ ᏕᎦᏕᏱᏍᏛᎢ ᎪᎱᏍᏗ... (ᎠᎾᏛᏁᎵᏍᎩ) ᏙᏧᏓᎴᏅᎢ ᎾᏍᎩ ᎢᏳᏍᏗ ᏗᏆᏟᎶᏍᏙᏗᎢ, ᏧᏍᎪᏍᏗ ᏧᎵᏑᏣᏓ ᎠᎴ ᏧᎵᏏᎩ ᏧᎵᏍᏔᏅᏂ,” ᎠᏗᏍᎬᎢ.
Gonzales ᏃᏍᏊ ᏓᏟᎶᏍᏔᏅᏍᎬᎢ ᏚᎸᏉᏙᎢ ᎠᏂᏣᎳᎩ ᏗᎾᏟᎶᏍᏗᏍᎩ ᎾᏍᎩ ᎢᏳᎾᏍᏗ Dan HorseChief, Roy Boney Jr. ᎠᎴ Joseph Erb ᏂᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᏧᎾᏟᎶᏍᏔᏅᎢ ᎬᏂᎨᏒᎢ ᏂᎬᏁᎰᎢ “ᎪᎯᏴᎢ ᏥᎩ ᏥᏄᏍᏗᏓᏂ.”
ᏄᏍᏛᎢ ᎦᏓᏅᏖᏍᎬᎢ ᏂᎪᎯᎸᎢ ᏅᏁᎯᏯᎢ ᏗᎾᏟᎶᏍᏗᏍᎩ ᎪᎱᏍᏗ ᎤᏤᏟᏓ... ᎾᏍᎩ ᏳᏍᏗ ᎥᏍᎩᏓᏍᎬᎢᏗᎦᏂᏱᏍᎩ,” ᎠᏗᏍᎬᎢ. “ ᏂᎪᎯᎸᏃ ᏂᏥᏪᏍᎪᎢ ᎥᏝ ᎢᎸᎯᏳᎢ ᏗᎨᏥᎢᎸᏍᏔᏅᎢ ᏅᏃᎯ ᏚᎾᏠᎯᎢ ᎠᏑᏫᏒᎢ ᎤᎪᏙᏃ ᎾᏊ. ᎥᏝᏃ ᏯᏆᏚᎵᎰᎢ ᎾᏍᎩ ᎠᏆᎦᏎᏍᏙᏗᎢ ᎾᏍᎩ ᏄᏲᎢᏳᎢ ᏄᎵᏍᏔᏅᏅᎢ, ᎠᎴ ᎾᏍᎩ ᏄᎵᏍᏔᏅᎢ, ᎣᎩᎦᏛᎴᏒᎢ. ᏙᎩᎾᏗᏫᏒᎢ ᎠᎴ ᎣᎩᏍᏆᏛᎢ. ᎣᎦᏟᏂᎩᏓ ᎾᏍᎩ ᏱᎬᏩᎵᏍᏔᏅ. ᎠᎩᎸᏉᏙᎢᎾᏍᎩ ᎬᏂᎨᏒᎢ ᎢᏯᏋᏁᏗᎢ ᎢᏤᎢ ᎪᎱᏍᏗ ᎠᎴ ᎤᎪᏙᎢ ᏃᏣᏛᏁᎭ ᎠᎴ ᏓᏤᏝ ᏃᏣᏛᏁᎭ.”
Gonzales Z ᎤᏁᏎᎢ ᎾᏍᎩ ᏚᏍᏆᏛᎢ ᎪᏪᎵ ᎤᏁᏎᎢ ᎥᎿᎾᏂ ᎤᏴᏢᎢᎧᎸᎬᎢ ᏩᎦᎸᎳᏗᎬᎢ ᏧᎾᏕᎶᏆᏍᏗᎢ ᎠᎴ ᎤᏚᎩ ᎤᏌᏐᎢ ᎤᏁᏉᎢᏍᏗᎢ ᏓᏟᎶᏍᏔᏅᎲᏍᎬᎢ ᎠᏖᎳᏗᏍᎬᎢ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᎬᏂᎨᏒᎢ ᏂᏓᏅᏁᎲᎢ ᎢᏳᏍᏗ ᏚᎾᏟᎶᏍᏔᏅᎢ, ᎤᏖᎳᏗᏍᏗᎢ ᏗᎾᏟᎶᏍᏔᏅᎲᏍᎩ ᎠᏂᏅᏔᏅᏍᎬᎢ ᎠᎴ ᎤᏕᎶᏆᏍᏗ ᎤᎪᏗ ᏄᏍᏛᎢ ᎠᏱᏙᎳᏛᎢ-ᏓᏂᎴᏗᏍᎬᎢ ᎾᏍᎩ ᎠᎴᏅᏗᎢ ᏕᎦᎾᏕᏴᎢ ᏧᏟᎶᏍᏔᏅᎢ ᎥᎿ ᏗᎿᏬᎢ.
– Translated by David Crawler
TAHLEQUAH, Okla. – With its 2017 annual homecoming T-shirt now for sale, the Cherokee Phoenix is calling for Cherokee artists to submit design concepts for the news organization’s 2018 T-shirt.
In 2016, the Cherokee Phoenix staff introduced a T-shirt to differ from the tribe’s Cherokee National Holiday T-shirt. Phoenix staff members contracted with artist Buffalo Gouge for the shirt’s initial design.
For this year’s homecoming shirt, Phoenix staff members selected Daniel HorseChief’s concept out of approximately 10 designs from artists. The Cherokee Phoenix then contracted with HorseChief to create the 2017 shirt.
HorseChief said his concept comes from a four-panel painting that features Selu, the Corn Mother in Cherokee lore.
The image shows the bust of Selu, who is looking down into a Southeastern art pattern. Behind her on the left side are seven ears of corn with water under it. Behind her on the opposite side is a phoenix with fire below it. Above the phoenix is the Cherokee seven-pointed star. Above the image, written in Cherokee, are the words “Cherokee Phoenix.” Below the image, in English, is “2017 CHEROKEE HOMECOMING.”
The limited-quantity, black shirts are short-sleeved, ranging in sizes small to 3XL and sell for $20 plus tax. The shirts are available at the Cherokee Phoenix office in Room 231 of the Annex Building (Old Motel) on the Tribal Complex. For more information, call 918-453-5269.
They are also available at the Cherokee Nation Gift Shop, als0 on the Tribal Complex, or online at <a href="http://cherokeegiftshop.com" target="_blank">http://cherokeegiftshop.com</a>.
Phoenix staff members will also have shirts available at the Cherokee Phoenix booths at the W.W. Keeler Tribal Complex and Capital Square during the Cherokee National Holiday in September.
The Cherokee Phoenix is accepting concept ideas from artists who are Cherokee Nation, United Keetoowah Band or Eastern Band citizens until midnight on Jan. 1. Artist can email detailed concepts to <a href="mailto: email@example.com">firstname.lastname@example.org</a>.
For artists contemplating submitting design ideas, please note that if your concept is chosen and you sign a contract, the Cherokee Phoenix will own the artwork because we consider it a commissioned piece. As for what Phoenix staff members look for in a concept, we ask that artists “think Cherokee National Holiday” and include a phoenix.
TAHLEQUAH, Okla. – Thanks in part from an Oklahoma Arts Council grant, the Northeastern State University Center for Tribal Studies will host the Indigenous Arts Education Series in November for American Indian Heritage Month.
The series will include the following:
Marcus Harjo (Pawnee/Seminole) will present “Creative Writing and Music Production Workshop” from 6 p.m. to 8 p.m. in the University Center Redbud Room. Harjo uses writing, music production and live performances to promote his passions of youth outreach, cultural awareness and promoting healthy, drug-free lifestyles, specifically among American Indian populations. His workshop will focus on teaching participants how to use writing and music composition skills to enhance the delivery of their message. His workshop will conclude with a live performance.
Sandy Fife Wilson (Muscogee Creek) will present “Shell Carving Demonstration” from 3 p.m. to 6 p.m. in the University Center Redbud Room. Wilson is an experienced artist having learned her art techniques through both formal education and traditional means as she comes from a long line of family artists. Wilson specializes in Southeastern design shell carvings, finger-woven items and Creek basketry. She will host a demonstration that will educate the audience on this traditional form of art and lead participants through the process using a direct, hands-on approach to instruction.
Yatika Starr Fields (Muscogee Creek/Osage/Cherokee) will present “Becoming a Mural Artist” from 6 p.m. to 7:30 p.m. in the University Center Redbud Room. Fields’ presentation will highlight his experience and work as a mural artist and provide attendees with some insight into the highly specialized field of mural art. This event will include a live art demonstration.
The Oklahoma Arts Council is the official state agency for the support and development of the arts. The agency’s mission is to lead in the advancement of Oklahoma’s thriving arts industry. Additional information is available at <a href="http://www.arts.ok.gov" target="_blank">arts.ok.gov</a>.
TAHLEQUAH, Okla. – The Cherokee National Youth Choir’s album “Celebration” was named Best Pop Recording during the 17th annual Native American Music Awards on Oct. 14.
This year’s award marks the fifth honor – referred to as a NAMMY – the Cherokee National Youth Choir has garnered since the choir’s inception in 2000. The youth choir was also nominated for Group of the Year and Record of the Year for its latest album.
“We were so excited to win Best Pop Recording at the Native American Music Awards,” Mary Kay Henderson, Cherokee National Youth Choir director, said. “Our CD, ‘Celebration,’ is a collection of Motown music and has been a fun way to encourage our young people to learn our language. Language teacher and choir coordinator Kathy Sierra and I would like to thank everyone who took the time to vote for the Cherokee National Youth Choir.”
The “Celebration” record is a combination of the 2017 Cherokee National Youth Choir and its soloists and members of the 2006 youth choir. Songs on the “Celebration” album include “Ain’t No Mountain High Enough,” “Celebration,” “Lean On Me,” “My Girl,” “Respect,” “My Guy,” “Stand By Me” and “We Are Family.” Sierra translated the lyrics from English to Cherokee for the recording.
The Cherokee National Youth Choir has performed dozens of songs in the Cherokee language in the Macy’s Thanksgiving Day Parade and at venues across the country, including the Oklahoma State Capitol. The choir also previously performed with such legendary artists as Foreigner, Dolly Parton, Vince Gill, Roy Clark, Kenny Rogers and the Oak Ridge Boys.
The choir is made up of 30 to 40 young Cherokees from northeastern Oklahoma communities. Members are middle and high school youth in grades 6-12. The students compete in auditions every year for inclusion in the group.
“The Cherokee Nation Youth Choir has proven time and time again to be excellent cultural ambassadors for our tribal government and our people,” Principal Chief Bill John Baker said. “We are so proud of them for bringing home another NAMMY honor. The accomplishments of these young people should be celebrated, as they are learning and utilizing the Cherokee language. Additionally, they have volunteered their time and talents to be part of the youth choir, which is an opportunity to grow their leadership skills. Congratulations to everyone involved with this wonderful achievement.”
The choir’s newest album, “Just Jesus,” as well as past albums will be available for purchase later this year at Cherokee Nation Gift Shop locations and online at <a href="http://www.CherokeeGiftShop.com" target="_blank">www.CherokeeGiftShop.com</a>.
CATOOSA, Okla. – Navajo artist Ric Charlie won Best of Show for his jewelry piece “Navajo Bling” at the 12th annual Cherokee Art Market held Oct. 14-15 at the Hard Rock Hotel & Casino Tulsa.
Artists from throughout the nation competed in eight categories: painting, sculpture, beadwork/quillwork, basketry, pottery, textiles, jewelry and diverse art forms. Sixty artists received awards, and 150 artists displayed and sold their art during the event.
Charlie, 59, of Tuba City, Arizona, makes jewelry, paints and sculpts.
“I can’t make a living with those (painting and sculpting), but I do it for therapy,” he said. “I’ve enjoyed all kinds of art, ever since I was a kid.”
He said his winning necklace was inspired by “a nice summer day” when he was out of school and had time on his hands. “Navajo Bling” is a 14-karat gold jewelry set featuring more than 1,700 individually set diamonds and is valued at $75,000.
“As a kid I was always involved in creating things because on the reservation you had to. I learned a lot from my grandfather because he was the creator of many things,” he said. “The work that I do now is something I only dreamed about doing. When I started making jewelry, I said, ‘I really want to get into gold. I really want to get into diamonds. I really want to do this type of work.’ It’s just a dream come true.”
Charlie said he “dreamed big” as a child. “If you don’t dream big, it won’t happen.”
He’s participated in other art shows such as the Santa Fe Indian Market, but this was the first time he entered the Cherokee Art Market. He said he plans to enter his work again.
“I find it (Cherokee Art Market) really personal. People here are very, very friendly and welcoming, too. The level of artwork here is incredible,” Charlie said.
Cherokee artist Bryan Waytula won Best of Class for Class 1: Painting, Drawing, Graphics & Photography for his painting titled “We Stand as One.” Cherokee sculpture Bill Glass Jr. won Best of Class for Class 2: Sculpture for his piece “The Discussion Revolves.” In the Class 5: Pottery Division, Cherokee artist Troy Jackson won Best of Class for his work “Bird Effigy.”
Cherokee Art Market Manager Deborah Fritts said one artist came from Alaska and another came from Maine and other artists from in between.
She said the show has come a long way from its first year in 2005 when it was held under tents in the casino parking lot. It has been held inside the casino since 2009.
Fritts attends other art shows to “scope” out artists and to network. She also meets with other art market coordinators.
“A lot of the people that win at the other shows, like at Santa Fe (Indian Market) or the Heard Museum (Phoenix), they come to our show,” she said.
Dallin Maybee is chief operating officer for the Southwest Association for Indian Arts, the nonprofit association that produces the Santa Fe Indian Market. He said the Cherokee Art Market has its own “personality,” and he wouldn’t compare it to Santa Fe but “it’s a great show.”
“This brings an incredible competitive field of artists. It’s a nice show. It’s intimate. You see a lot of your friends here, and the prize money helps,” Maybee said. “I come to this show every time that I can just because it’s a good time.”
For a full list of winners, visit <a href="http://www.Cherokeeartmarket.com" target="_blank">Cherokeeartmarket.com</a>.
CARTERSVILLE, Ga. – The next meeting of the Georgia Chapter of the Trail of Tears Association will begin at 10:30 a.m. on Nov. 11 at the Bartow History Museum.
The speaker will be Jim Langford, and his topic will be “Impact of de Soto on Southeastern Native Americans.” Langford is a member and former officer of the Society of Georgia Archaeology and has been doing research on the Native American presence in the Southeast for many years.
The Bartow History Museum is located at 4 E. Church St. Its phone number is 770-382-3818.
The TOTA was created to support the Trail of Tears National Historic Trail established by an act of Congress in 1987. It is dedicated to identifying and preserving sites associated with the removal of Native Americans from the southeastern United States. The Georgia TOTA chapter is one of nine state chapters representing the nine states that the Cherokee and other tribes traveled through on their way to Indian Territory, now Oklahoma.
GATOTA meetings are free and open to the public. People need not have Native American ancestry to attend GATOTA meetings, just an interest and desire to learn more about this tragic period in this country’s history.
For more information, visit <a href="http://www.nationaltota.com" target="_blank">www.nationaltota.com</a> or <a href="http://www.gatrailoftears.org" target="_blank">www.gatrailoftears.org</a>. For more information about the November meeting, email Tony Harris at <a href="mailto: email@example.com">firstname.lastname@example.org</a>.
TAHLEQUAH, Okla. – Families looking for a fun, educational adventure for their children during fall break should plan to visit the Cherokee Nation museums on Oct. 20.
Museums participating are the Cherokee National Prison Museum, the Cherokee National Supreme Court Museum and the John Ross Museum.
Enjoy free admission and special activities at all three locations.
There will be paper bandolier bags at the Cherokee National Prison Museum, Cherokee syllabary lessons at the Cherokee National Supreme Court Museum and make your own clay beads at the John Ross Museum. The educational activities occur from 10 a.m. to 4 p.m.
The Cherokee National Prison was the only penitentiary building in Indian Territory from 1875 to 1901. It housed sentenced and accused prisoners from throughout the territory. The interpretive site and museum give visitors an idea about how law and order operated in Indian Territory. The site features a working blacksmith area and reconstructed gallows, exhibits about famous prisoners and daring escapes, local outlaws and Cherokee patriots, jail cells and much more.
Built in 1844, the Cherokee National Supreme Court Museum is Oklahoma’s oldest public building. The 1,950-square-foot museum features exhibits on the Cherokee National Judicial System; the Cherokee Advocate and Cherokee Phoenix newspapers; and the Cherokee language, with various historical items, including photos, stories, objects and furniture. Touch screen kiosks offer visitors documentary-style learning on various legal topics as well as teaching conversational Cherokee.
The John Ross Museum highlights the life of John Ross, principal chief of the CN for more than 38 years, and houses exhibits and interactive displays on the Trail of Tears, Civil War, Cherokee Golden Age and Cherokee Nation’s passion for the education of its people. The museum is housed in an old, rural school building known as School No. 51 and sits at the foot of Ross Cemetery, where John Ross and other notable Cherokee citizens are buried.
The Cherokee National Supreme Court Museum is located at 122 E. Keetoowah St., and the Cherokee National Prison Museum is at 124 E. Choctaw St., both in Tahlequah. The John Ross Museum is located at 22366 S. 530 Road in Park Hill.
For more information, call 1-877-779-6977 or visit <a href="http://www.visitcherokeenation.com" target="_blank">www.visitcherokeenation.com</a>.